A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.
A detailed tour, inside and out, of Chicago's distinctive towers from an earlier age For more than a century, Chicago's skyline has included some of the world's most distinctive and inspiring buildings. This history of the Windy City's skyscrapers begins in the key period of reconstruction after the Great Fire of 1871 and concludes in 1934 with the onset of the Great Depression, which brought architectural progress to a standstill. During this time, such iconic landmarks as the Chicago Tribune Tower, the Wrigley Building, the Marshall Field and Company Building, the Chicago Stock Exchange, the Palmolive Building, the Masonic Temple, the City Opera, Merchandise Mart, and many others rose to impressive new heights, thanks to innovations in building methods and materials. Solid, earthbound edifices of iron, brick, and stone made way for towers of steel and plate glass, imparting a striking new look to Chicago's growing urban landscape. Thomas Leslie reveals the daily struggles, technical breakthroughs, and negotiations that produced these magnificent buildings. He also considers how the city's infamous political climate contributed to its architecture, as building and zoning codes were often disputed by shifting networks of rivals, labor unions, professional organizations, and municipal bodies. Featuring more than a hundred photographs and illustrations of the city's physically impressive and beautifully diverse architecture, Chicago Skyscrapers, 1871–1934 highlights an exceptionally dynamic, energetic period of architectural progress in Chicago.
The Manhattan skyline is one of the great wonders of the modern world. But how and why did it form? Much has been written about the city's architecture and its general history, but little work has explored the economic forces that created the skyline. In Building the Skyline, Jason Barr chronicles the economic history of the Manhattan skyline. In the process, he debunks some widely held misconceptions about the city's history. Starting with Manhattan's natural and geological history, Barr moves on to how these formations influenced early land use and the development of neighborhoods, including the dense tenement neighborhoods of Five Points and the Lower East Side, and how these early decisions eventually impacted the location of skyscrapers built during the Skyscraper Revolution at the end of the 19th century. Barr then explores the economic history of skyscrapers and the skyline, investigating the reasons for their heights, frequencies, locations, and shapes. He discusses why skyscrapers emerged downtown and why they appeared three miles to the north in midtown-but not in between the two areas. Contrary to popular belief, this was not due to the depths of Manhattan's bedrock, nor the presence of Grand Central Station. Rather, midtown's emergence was a response to the economic and demographic forces that were taking place north of 14th Street after the Civil War. Building the Skyline also presents the first rigorous investigation of the causes of the building boom during the Roaring Twenties. Contrary to conventional wisdom, the boom was largely a rational response to the economic growth of the nation and city. The last chapter investigates the value of Manhattan Island and the relationship between skyscrapers and land prices. Finally, an Epilogue offers policy recommendations for a resilient and robust future skyline.
Scuri interprets the American skyscrapers built during the 1980s, describing the ways in which the image of contemporary skyscrapers was developed and advanced through the press and mass media, the language and style of Post-Modernism, and the power structure in which skyscraper architecture functions. Includes plans, drawings, and photographs, many in color. Annotation copyrighted by Book News, Inc., Portland, OR
This history of skyscrapers examines how these tall buildings affected the cityscape and the people who worked in, lived in, and visited them. Much of the focus is rightly on the architects who had the vision to design and build America's skyscrapers, but attention is also given to the steelworkers who built them, the financiers who put up the money, and the daredevils who attempt to "conquer" them in some inexplicable pursuit of fame. The impact of the skyscraper on popular culture, particularly film and literature, is also explored.
Interdisciplinary in nature, this project draws on fiction, non-fiction and archival material to theorize urban space and literary/cultural production in the context of the United States and New York City. Spanning from the mid-1970s fiscal crisis to the 1987 Market Crash, New York writing becomes akin to geographical fieldwork in this rich study.
This engaging book uses buildings and structures as a lens through which to explore various strands of U.S. social history, revealing the connections between architecture and the cultural, economic, and political events before and during these American landmarks' construction. During the 20th and 21st centuries, the United States became the dominant world power. The tumultuous progression of our nation to global leader can be seen in the social, cultural, and political history of the United States over the last century, and the country's evolution is also reflected in major buildings and landmark sites across the nation. Buildings and Landmarks of 20th- and 21st-Century America: American Society Revealed documents how the construction, design, and function of famous buildings and structures can inform our understanding of societies of the past. Its text and images enable readers to get a deeper understanding of the buildings themselves as well as what happened at each structure's location and how those events fit into our nation's history. Through the study of specific buildings or types of buildings that influenced the cultural, social, and political history of the nation, readers will explore monuments to presidents, learn about how the first tract home neighborhoods came into existence, and marvel at the role of buildings in helping us get to the moon, just to mention a few topics.
The two-volume Broadview Anthology of British Literature: Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the Concise Edition nevertheless provides substantial choice, offering both a strong selection of canonical authors and a sampling of lesser-known works. With an unparalleled selection of illustrations and of contextual materials, accessible and engaging introductions, and full explanatory annotations, these volumes provide concise yet extraordinarily wide-ranging coverage for British Literature survey courses. New to this volume are Samuel Beckett’s Endgame and Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde; new authors include Dorothy Wordsworth, John Clare, Tomson Highway, Derek Walcott, and Chimamanda Ngozi Adichie. The third edition now also offers substantially expanded representation of Irish, Scottish, and Welsh literatures, as well as contextual materials on Gothic literature, Modernism, and World War II. Material that no longer appears in the bound book may in most cases be found on the companion website; many larger works are also available in separate volumes that may at the instructor’s request be bundled together with the anthology at no extra cost to the student. Features New to the Third Edition — New longer texts including Dickens’s performance reading of “David Copperfield,” Gaskell’s The Manchester Marriage, Stevenson’s Strange Case of Dr Jekyll and Mr Hyde, and Beckett’s Endgame — New short selections from longer works including Eliot’s Middlemarch, Shelley’s Frankenstein, Barrett Browning’s Aurora Leigh, and Tennyson’s In Memoriam A.H.H. — New bound-book author entries for Dorothy Wordsworth, John Clare, Emily Brontë, Thomas de Quincey, Walter Pater, Isaac Rosenberg, Tomson Highway, Derek Walcott, Jeanette Winterson, and Chimamanda Ngozi Adichie — New selections representing “Literary Currents in Ireland, Scotland, and Wales in the Long Nineteenth Century” — New “Contexts” section on “Gothic Literature” including materials by Horace Walpole, Ann Radcliffe, and Jane Austen — “Literature, Politics, and Cultural Identity” section includes numerous new authors and pieces, including work by Sorely MacLean, James Kelman, Gillian Clarke, Kamau Brathwaite, Kim Moore, and Warsan Shire
`The perfect guide to this tremendous city' OBSERVER Written with unfailing common sense, as well as insight and affection... the perfect guide to this tremendous city OBSERVER A true traveller's companion and friend SUNDAY TELEGRAPH For more thanthirty years Michael Leapman has been intimately involved with New York as a journalist, resident or frequent visitor. Here he takes readers with him on a series of walks through the heart of Manhattan and beyond, explaining howit came to be the world's most fabulous city, as well as revealing its present-day secrets. When the original edition of this incomparable guide was published in 1983, it won the Thomas Cook award as the guide book of the year. After he revised it in 1991 it was chosen by New York Magazine as the best of nearly a hundred books about the city. Now he has been back to retrace his steps. Thoroughly updated, this book is packed with inspiration, revelation, and sound practical advice. MICHAEL LEAPMAN lived in New York for seven years, as correspondent for The Times, reporting perceptively on the city's delights and foibles. He continues to visit New York regularly and to write about it for magazines and other newspapers. This is a reissue of a book first published in 1983 and last revised in 2000. It therefore includes references to and descriptions of the World Trade Center. These have been left in for historical interest.
S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society. The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.