LAPD '53

LAPD '53

Author: James Ellroy

Publisher: Abrams

Published: 2015-05-19

Total Pages: 187

ISBN-13: 1613127758

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A remarkable portrait of “true L.A. noir” with archival photos from the Los Angeles Police Museum and text by legendary crime writer James Ellroy (Los Angeles Times). James Ellroy, the undisputed master of crime writing, has teamed up with the Los Angeles Police Museum to present a stunning text on 1953 L.A. While combing the museum’s photo archives, Ellroy discovered that the year featured a wide array of stark and unusual imagery—and to accompany the pictures, he has written text to illuminate the crimes and law enforcement of the era. Ellroy offers context along with wild detail and rich atmosphere—this is the cauldron that was police work in the city of the tarnished angels seven decades ago, revealed in more than 80 duotone photos throughout the book. “These crime images resemble the work of photographer Weegee, but, Ellroy argues, they’re superior because they resist artistry; they were taken by police officers doing their jobs.” —Chicago Tribune


LAPD'53

LAPD'53

Author: James Ellroy

Publisher:

Published: 2016-09-16

Total Pages: 203

ISBN-13: 9782374940076

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1953 : l'année la plus sanglante dans l'histoire de la police de Los Angeles (LAPD). Dans ce texte inédit, le grand James Ellroy restitue cette époque si particulière, commentant des images d'archives macabres et fascinantes. Quand la sombre réalité dépasse la fiction la plus noire.


James Ellroy and Voyeur Fiction

James Ellroy and Voyeur Fiction

Author: Nathan Ashman

Publisher: Rowman & Littlefield

Published: 2018-10-15

Total Pages: 177

ISBN-13: 1498565816

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James Ellroy is an acclaimed yet controversial popular novelist. Since the publication of his first novel Brown’s Requiem in 1981, Ellroy’s eccentric “Demon Dog” persona and his highly stylized, often pornographically violent crime novels have continued to polarize both public and academic opinion. This book addresses the voyeuristic dimensions of Ellroy’s fiction, one of the most significant yet underexplored issues in his work. Focusing exclusively on Ellroy’s two collections of epic noir fiction, The L.A. Quartet and The Underworld U.S.A. Trilogy, it critically reflects on a vivid preoccupation with eyes, visual culture, and visual technologies that spans across both these bodies of work. Using a combination of psychoanalysis and postmodern and cultural theory, Nathan Ashman argues that Ellroy’s fiction traces the development of the voyeur from a deviant and perverse “peeping tom” into a recognizable, contemporary “social type,” a paranoid and obsessive viewer who is a product of the decentered and hallucinatory ”cinematic” world that he inhabits. In particular, James Ellroy and Voyeur Fiction illuminates a convergence between voyeurism and recurring patterns of “ocularcentric crisis” in Ellroy’s texts, as characters become continually unable to understand or interpret through vision. Alongside a thematic analysis of obsessive watching, Ashman also argues that Ellroy’s works—particularly his later novels—are themselves voyeuristic, implicating the reader in these broader narrative patterns of both visual and epistemophilic obsession.


Policing Los Angeles

Policing Los Angeles

Author: Max Felker-Kantor

Publisher: UNC Press Books

Published: 2018-09-25

Total Pages: 393

ISBN-13: 1469646846

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When the Los Angeles neighborhood of Watts erupted in violent protest in August 1965, the uprising drew strength from decades of pent-up frustration with employment discrimination, residential segregation, and poverty. But the more immediate grievance was anger at the racist and abusive practices of the Los Angeles Police Department. Yet in the decades after Watts, the LAPD resisted all but the most limited demands for reform made by activists and residents of color, instead intensifying its power. In Policing Los Angeles, Max Felker-Kantor narrates the dynamic history of policing, anti–police abuse movements, race, and politics in Los Angeles from the 1965 Watts uprising to the 1992 Los Angeles rebellion. Using the explosions of two large-scale uprisings in Los Angeles as bookends, Felker-Kantor highlights the racism at the heart of the city's expansive police power through a range of previously unused and rare archival sources. His book is a gripping and timely account of the transformation in police power, the convergence of interests in support of law and order policies, and African American and Mexican American resistance to police violence after the Watts uprising.


James Ellroy

James Ellroy

Author: Jim Mancall

Publisher: McFarland

Published: 2014-01-14

Total Pages: 241

ISBN-13: 0786433078

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This comprehensive guide to James Ellroy's work and life is arranged as an encyclopedia covering his entire career, from his first private-eye novel, Brown's Requiem, to his 2012 e-book Shakedown. It introduces new readers to his characters and plots, and provides experienced Ellroy fans and scholars with detailed analyses of the themes, motifs and stylistic innovations of his books. The work is a tour of Ellroy's dark underworld, highlighting the controversies and unsettling questions that characterize his work, as well as assessing Ellroy's place in the annals of American literature.


Los Angeles Transformed

Los Angeles Transformed

Author: Tom Sitton

Publisher: UNM Press

Published: 2005

Total Pages: 284

ISBN-13: 9780826335272

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When Fletcher Bowron (1887-1968) ran for mayor of Los Angeles in 1938, his twelve years as a superior court judge with a reputation for honesty and fairness carried him to victory against a notoriously corrupt incumbent. During his nearly fifteen years as a neo-progressive mayor, Bowron presided over fundamental reforms in the police department, public utilities, and other agencies charged with basic services, rooting out bribery, kickbacks, and influence peddling. World War II brought economic and population booms, racial conflict, social dislocation, and environmental problems to Los Angeles and complicated Mayor Bowron's job. After the war Bowron initiated massive public housing and desegregation projects. These forward-looking programs alienated enough voters to cost him the 1953 election as his leftist supporters fell away under the influence of McCarthyism. This political history of the mid-twentieth century reform period in Los Angeles is also a case study of the ways outside events can affect municipal affairs. As Tom Sitton demonstrates, the choices made during Bowron's administration have had a direct bearing on how Los Angeles looks today and how its government operates.


Scene of the Crime

Scene of the Crime

Author: Tim B. Wride

Publisher:

Published: 2004-10

Total Pages: 250

ISBN-13:

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This collection contains never-before-published images of seminal LAPD cases, including the Black Dahlia murder, the Onion Field case, the Watts riots, the Manson murders, and more. Captions are culled from original police logs and newspaper accounts.


Death Scenes

Death Scenes

Author: Sean Tejaratchi

Publisher: Feral House

Published: 2000-04-01

Total Pages: 169

ISBN-13: 1932595953

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The strange and gruesome crime-scene snapshot collection of LAPD detective Jack Huddleston spans Southern California in its noir heyday. Death Scenes is the noted forerunner of several copycat titles.


OD

OD

Author: Nancy D. Campbell

Publisher: MIT Press

Published: 2020-03-03

Total Pages: 425

ISBN-13: 0262357488

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The history of an unnatural disaster—drug overdose—and the emergence of naloxone as a social and technological solution. For years, drug overdose was unmentionable in polite society. OD was understood to be something that took place in dark alleys—an ugly death awaiting social deviants—neither scientifically nor clinically interesting. But over the last several years, overdose prevention has become the unlikely object of a social movement, powered by the miracle drug naloxone. In OD, Nancy Campbell charts the emergence of naloxone as a technological fix for overdose and describes the remaking of overdose into an experience recognized as common, predictable, patterned—and, above all, preventable. Naloxone, which made resuscitation, rescue, and “reversal” after an overdose possible, became a tool for shifting law, policy, clinical medicine, and science toward harm reduction. Liberated from emergency room protocols and distributed in take-home kits to non-medical professionals, it also became a tool of empowerment. After recounting the prehistory of naloxone—the early treatment of OD as a problem of poisoning, the development of nalorphine (naloxone's predecessor), the idea of “reanimatology”—Campbell describes how naloxone emerged as a tool of harm reduction. She reports on naloxone use in far-flung locations that include post-Thatcherite Britain, rural New Mexico, and cities and towns in Massachusetts. Drawing on interviews with approximately sixty advocates, drug users, former users, friends, families, witnesses, clinicians, and scientists—whom she calls the “protagonists” of her story—Campbell tells a story of saving lives amid the complex, difficult conditions of an unfolding unnatural disaster.