As a key element of individual and social well-being and quality of life, landscape plays an important part in human fulfilment and in reinforcement of European identity. Adopted under the auspices of the Council of Europe, the European Landscape Convention aims to promote the protection, management and planning of landscapes, and to organise international co-operation in this field. It applies to the entire territory of the contracting parties and covers natural, rural, urban and peri-urban areas. It concerns landscapes considered outstanding, as well as everyday or degraded areas. Certain “dimensions” of the landscape are presented in this publication, which addresses key issues for its future, including democracy, education, economy, leisure and advertising. Landscape management processes – and even the term “landscape” itself – are also analysed. This book forms part of a process of reflection on the major themes concerning the living environment.
In this book, the authors discuss the effects that temporal changes in resources have on animal populations. The chapters address the idea of current as well as historical temporal influences on resource availability, quality, and distribution. The authors draw attention to the neglected temporal issues so important to understanding species and community responses. International contributions enable worldwide application of the theories.
Offers planners a practical guide to achieving balance between general planning standards, parameters for different types of open space, and the particular use-related requirements of the specific planning task..Compiles and summarizes dimensions, measurements and threshold values that are crucial to the decision-making process in designing a space.
Designing the outdoor environment is a complex process. Landscape architects must take into account various factors such as space, distance and movement. This volume is a practical reference work for students as well as professionals. It provides all the key dimensions for vertical planning, vegetation and public spaces – everything one needs to design functional and use-specific landscapes.
Since the mid-1970s, government agencies, scholars, tribes, and private industries have attempted to navigate potential conflicts involving energy development, Chacoan archaeological study, and preservation across the San Juan Basin. The Greater Chaco Landscape examines both the imminent threat posed by energy extraction and new ways of understanding Chaco Canyon and Chaco-era great houses and associated communities from southeast Utah to west-central New Mexico in the context of landscape archaeology. Contributors analyze many different dimensions of the Chacoan landscape and present the most effective, innovative, and respectful means of studying them, focusing on the significance of thousand-year-old farming practices; connections between early great houses outside the canyon and the rise of power inside it; changes to Chaco’s roads over time as observed in aerial imagery; rock art throughout the greater Chaco area; respectful methods of examining shrines, crescents, herraduras, stone circles, cairns, and other landscape features in collaboration with Indigenous colleagues; sensory experiences of ancient Chacoans via study of the sightlines and soundscapes of several outlier communities; and current legal, technical, and administrative challenges and options concerning preservation of the landscape. An unusually innovative and timely volume that will be available both in print and online, with the online edition incorporating video chapters presented by Acoma, Diné, Zuni, and Hopi cultural experts filmed on location in Chaco Canyon, The Greater Chaco Landscape is a creative collaboration with Native voices that will be a case study for archaeologists and others working on heritage management issues across the globe. It will be of interest to archaeologists specializing in Chaco and the Southwest, interested in remote sensing and geophysical landscape-level investigations, and working on landscape preservation and phenomenological investigations such as viewscapes and soundscapes. Contributors: R. Kyle Bocinsky, G. B. Cornucopia, Timothy de Smet, Sean Field, Richard A. Friedman, Dennis Gilpin, Presley Haskie, Tristan Joe, Stephen H. Lekson, Thomas Lincoln, Michael P. Marshall, Terrance Outah, Georgiana Pongyesva, Curtis Quam, Paul F. Reed, Octavius Seowtewa, Anna Sofaer, Julian Thomas, William B. Tsosie Jr., Phillip Tuwaletstiwa, Ernest M. Vallo Jr., Carla R. Van West, Ronald Wadsworth, Robert S. Weiner, Thomas C. Windes, Denise Yazzie, Eurick Yazzie
Experiential Landscape offers new ways of looking at the relationship between people and the outdoor open spaces they use in their everyday lives. The book takes a holistic view of the relationship between humans and their environment, integrating experiential and spatial dimensions of the outdoors, and exploring the theory and application of environmental design disciplines, most notably landscape architecture and urban design. The book explores specific settings in which an experiential approach has been applied, setting out a vocabulary and methods of application, and offers new readings of experiential characteristics in site analysis and design. Offering readers a range of accessible mapping tools and details of what participative approaches mean in practice, this is a new, innovative and practical methodology. The book provides an invaluable resource for students, academics and practitioners and anyone seeking reflective but practical guidance on how to approach outdoor place-making or the analysis and design of everyday outdoor places.
John Stilgoe is just looking around. This is more difficult than it sounds, particularly in our mediated age, when advances in both theory and technology too often seek to replace the visual evidence before our own eyes rather than complement it. We are surrounded by landscapes charged with our past, and yet from our earliest schooldays we are instructed not to stare out the window. Someone who stops to look isn’t only a rarity; he or she is suspect. Landscape and Images records a lifetime spent observing America’s constructed landscapes. Stilgoe’s essays follow the eclectic trains of thought that have resulted from his observation, from the postcard preference for sunsets over sunrises to the concept of "teen geography" to the unwillingness of Americans to walk up and down stairs. In Stilgoe's hands, the subject of jack o’ lanterns becomes an occasion to explore centuries-old concepts of boundaries and trespassing, and to examine why this originally pagan symbol has persisted into our own age. Even something as mundane as putting the cat out before going to bed is traced back to fears of unwatched animals and an untended frontier fireplace. Stilgoe ponders the forgotten connections between politics and painted landscapes and asks why a country whose vast majority lives less than a hundred miles from a coast nonetheless looks to the rural Midwest for the classic image of itself. At times breathtaking in their erudition, the essays collected here are as meticulously researched as they are elegantly written. Stilgoe’s observations speak to specialists—whether they be artists, historians, or environmental designers—as well as to the common reader. Our landscapes constitute a fascinating history of accident and intent. The proof, says Stilgoe, is all around us.
In Timeless Landscape Design: The Four-Part Master Plan, renowned landscape architects Hugh and Mary Palmer Dargan share the secret to creating an unforgettable landscape with the "Four-Part Master Plan" -- a unique method they've perfected over the past two-and-a-half decades of creating award-winning gardens and yards for clients.
Seascape Ecology provides a comprehensive look at the state-of-the-science in the application of landscape ecology to the seas and provides guidance for future research priorities. The first book devoted exclusively to this rapidly emerging and increasingly important discipline, it is comprised of contributions from researchers at the forefront of seascape ecology working around the world. It presents the principles, concepts, methodology, and techniques informing seascape ecology and reports on the latest developments in the application of the approach to marine ecology and management. A growing number of marine scientists, geographers, and marine managers are asking questions about the marine environment that are best addressed with a landscape ecology perspective. Seascape Ecology represents the first serious effort to fill the gap in the literature on the subject. Key topics and features of interest include: The origins and history of seascape ecology and various approaches to spatial patterning in the sea The links between seascape patterns and ecological processes, with special attention paid to the roles played by seagrasses and salt marshes and animal movements through seascapes Human influences on seascape ecology—includes models for assessing human-seascape interactions A special epilogue in which three eminent scientists who have been instrumental in shaping the course of landscape ecology offer their insights and perspectives Seascape Ecology is a must-read for researchers and professionals in an array of disciplines, including marine biology, environmental science, geosciences, marine and coastal management, and environmental protection. It is also an excellent supplementary text for university courses in those fields.
Composite Landscapes examines one of landscape architecture's most recognizable representational forms, the montage view. The volume gathers work from a select group of influential contemporary artists and a dozen of the world's leading landscape architects. These composite views reveal practices of photomontage depicting the conceptual, experiential, and temporal dimensions of landscape. Composite Landscapes illustrates the analog origins of a method now rendered ubiquitous through digital means. In revisiting the composite landscape view as a cultural form, Composite Landscapes illuminates the contemporary status of the photographically constructed image for the design disciplines, and beyond.Landscape architects and artists presented:Yves Brunier, Claude Cormier, James Corner, Jan Dibbets, Charles Eliot, Teresa Galí-Izard, Isabella Stewart Gardner, Adriaan Geuze, Booth Grey, Christopher Grubbs/Hargreaves Associates, Gary Hilderbrand, David Hockney, Kenneth Josephson, Kienast Vogt Partners, Anuradha Mathur/Dilip Da Cunha, Valerio Morabito, Eadweard Muybridge, Humphry Repton, Arthur Shurcliff, Ken Smith/Alice Adams, John Stezaker, Stöckli, Kienast & Koeppel, Superstudio, Michael Van Valkenburgh, Richard Weller, Byron Wolfe Ausstellung/Exhibition: Isabella Stewart Gardner Museum, Boston, Massachusetts, 27.6.-2.9.2013
