Ruskin Bond is an inveterate diarist, but over the years the nature of what he wants to record has changed, for ‘In the autumn of my life, I grow reflective’. Although Landour itself is a magical world—where every month has its own flower, every walker his own style, and the countryside is filled with a beauty all its own—in his mind Bond ranges further afield. In Landour Days, he ponders on the experience of being a writer, on writers he has known and those that he loves reading, and on critics, handwriting and typewriters. Filled with warmth and gentle humour, Landour Days captures the timeless rhythm of life in the mountains, and the serene wisdom of one of India’s best-loved writers.
The result of two decades of research, this volume on Mussoorie and Landour by Ruskin Bond and Ganesh Saili documents the daily life of this old English summer hill-town.
Ruskin Bond's first novel, The Room on the Roof, written when he was seventeen, won the John Llewellyn Rhys Memorial Prize in 1957. Since then he has written several novels (including Vagrants in the Valley, A Flight of Pigeons and Delhi Is Not Far), essays, poems and children's books, many of which have been published by Penguin India. He has also written over 500 short stories and articles that have appeared in a number of magazines and anthologies. He received the Sahitya Akademi Award in 1993 and the Padma Shri in 1999.
"This is the Garhwal Himalayas and the people who live on these mountain slopes in the mist-filled valleys of Garhwal, have long since learned humility, patience and a quiet resignation. Deep in the crouching mist lie their villages, while climbing the mountain slopes are forests of rhododendron, spruce and deodar, soughing in the wind from the ice-bound passes.' A lifetime in the hills and a bountiful collection of stories throughout it--for over six decades Ruskin Bond has been charming readers with his stories from India's hinterland. He has brought to the forefront of everybody's imagination the mountains, valleys and rivers of Garhwal, as well as the magic of small, tucked-away places. Landour Bazaar is a collection of his best-loved stories about Garhwal over the years. Featuring some of his classics along with heart-warming anecdotes and essays woven around life in the hills, this book showcases Bond's writing genius like never before.Get ready for an enchanting read that is sure to bring the mountains to you." --cover page [4].
Fourteen engaging stories from one of India's master story-tellers Semi-autobiographical in nature, these stories span the period from the author's childhood to the present. We are introduced, in a series of beautifully imagined and crafted cameos, to the author's family, friends, and various other people who left a lasting impression on him. In other stories we revisit Bond's beloved Garhwal hills and the small towns and villages that he has returned to time and again in his fiction. Together with his well-known novella, A Flight of Pigeons (which was made into the film Junoon), which also appears in this collection, these stories once again bring Ruskin Bond's India vividly to life.
This book represents a new vista, looking past the days when there were two distinct groups-those who were studied and those who studied them. This history of the Umatilla, Cayuse, and Walla Walla people had its beginnings in October 2000, when elders sat side by side with native students and native and non-native scholars to compare notes on tribal history and culture. Through this collaborative process, tribal members of the Confederated Tribes of the Umatilla Indian Reservation have taken on their own historical retellings, drawing on the scholarship of non-Indians as a useful tool and external resource. Primary to this history are native voices telling their own story. Beginning with ancient teachings and traditions, moving to the period of first contact with Euro-Americans, the Treaty council, war, and the reservation period, and then to today's modern tribal governance and the era of self-determination, the tribal perspective takes center stage. Throughout, readers will see continuity in the culture and in ways of life that have been present from the earliest times, all on the same landscape. Wiyaxayxt (Columbia River Sahaptin) and Wiyaakaa'awn (Nez Perce) can be interpreted to mean "as the days go by," "day by day," or "daily living." They represent the meaning of the English term "history" in two of the common languages still spoken on the Umatilla Indian Reservation.
Perched among peaks that loom over heat-shimmering plains, hill stations remain among the most curious monuments to the British colonial presence in India. In this engaging and meticulously researched study, Dane Kennedy explores the development and history of the hill stations of the raj. He shows that these cloud-enshrouded havens were sites of both refuge and surveillance for British expatriates: sanctuaries from the harsh climate as well as an alien culture; artificial environments where colonial rulers could nurture, educate, and reproduce themselves; commanding heights from which orders could be issued with an Olympian authority. Kennedy charts the symbolic and sociopolitical functions of the hill stations over the course of the nineteenth and early twentieth centuries, arguing that these highland communities became much more significant to the British colonial government than mere places for rest and play. Particularly after the revolt of 1857, they became headquarters for colonial political and military authorities. In addition, the hill stations provided employment to countless Indians who worked as porters, merchants, government clerks, domestics, and carpenters. The isolation of British authorities at the hill stations reflected the paradoxical character of the British raj itself, Kennedy argues. While attempting to control its subjects, it remained aloof from Indian society. Ironically, as more Indians were drawn to these mountain areas for work, and later for vacation, the carefully guarded boundaries between the British and their subjects eroded. Kennedy argues that after the turn of the century, the hill stations were increasingly incorporated into the landscape of Indian social and cultural life. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
Features playful tigers, ghosts, elephants, and crows, as well as old favorites like Uncle Ken, and Miss Bun. The author's slightly eccentric grandfather and Bond himself ease in and out of these pages.
The book reviews a range of the writings of Ruskin Bond spanning over six decades, from his debut making novella, The Room on the Roof in 1956 to A Little Book about India in 2022. It provides a bird’s eye view of Mr. Bond’s compendious vision as a Nature Mystic, Metaphysic, Romantic, Environmentalist, Humanist, Historian, Biographer and Raconteur, among others. It also incorporates vignettes of the life and experiences of the author, besides his beliefs and philosophy. The book is an enhanced and enriched adaptation of a Doctoral Research which contains substantial inputs from Ruskin Bond himself and these augment the authenticity and depth of the book and gives it a first person feel.
