This is a reinterpretation of the Kaumlipo by the author. The Kumulipo was transmitted from an oral tradition, put into Hawaiian written form by 1889, translated into English in 1897, and into German by 1881. The major commentaries have been by David Malo in 1830 and Martha Warren Beckwith in 1951.
Since its inception in 1974, the Hawai'i Award for Literature has recognized the work of writers who have captured important dimensions of the story of Hawai'i and of the many groups of people who have made Hawai'i their home. Historians, linguists, folklorists, and practitioners of other disciplines of cultural study, as well as poets, novelists, and playwrights, are among the contributors to this extensive anthology celebrating more than two decades of the best writings in the Islands.
The Kumulipo is the sacred creation chant of a family of Hawaiian alii, or ruling chiefs. Composed and transmitted entirely in the oral tradition, its 2000 lines provide an extended genealogy proving the family's divine origin and tracing the family history from the beginning of the world.
"The Queen and I will be a very important contribution to historical and political literature on early twentieth century Hawai'i. But through its intensely personal narrative, it could have an even greater impact on the way people look at history. Sydney Iaukea weaves archival information into a story about a well-known historical figure while demonstrating the impact of these archival voices on herself. In this way she binds herself to her ancestor and allows him to speak through her, showing how an ancient value can be a new methodology for Native writers in indigenous studies." —Jonathan Kay Kamakawiwo’ole Osorio, author of Dismembering Lahui: A History of the Hawaiian Nation to 1887 “Raised in Maui’s housing projects, Sydney Iaukea discovers as an adult that she is the direct descendent of Curtis P. Iaukea, a prominent statesman and trusted adviser to Queen Lili’uokalani, the Hawaiian Kingdom’s last ruling monarch. In this courageous work, she documents her dual quest to recover her lost lineage and her ancestor’s historical importance. Revealing the continuity between public and private, personal and historical, Sydney Iaukea’s compelling narrative brings her readers face-to-face with Lili’uokalani during the tragic days of her overthrow.” —Mary Palevsky, author of Atomic Fragments: A Daughter's Questions “For those of us born and raised in Hawai'i, Sydney Iaukea's work sheds light on a period of time about which we still know too little, the overthrow of Hawai’i’s sovereign government and its forcible annexation to the U.S. This is a compelling narrative, driven by the mystery of a girl growing up poor, unaware of her distinguished lineage. How could this disconnect have occurred? Through the exploration of memories embedded in the landscape, Iaukea ultimately links displacement, dispossession, and familial strife to Hawai'i's troubled history with the U.S. Iaukea is to be commended for her honest and open heart.” —Matthew M. Hamabata, Executive Director, The Kohala Center
The stories of Kauai's ruling chiefs were passed from generation to generation in songs and narratives recited by trained storytellers either formally at the high chief's court or informally at family gatherings. Their chronology was ordered by a ruler's genealogy, which, in the case of the pua alii (flower of royalty), was illustrious and far reaching and could be traced to one of the four great gods of Polynesia--Käne, Kü, Lono, and Kanaloa. In these legends, Hawaiians of old sought answers to the questions "Who are we?" "Who are our ancestors and where do they come from?" "What lessons can be learned from their conduct?" Nä Pua Alii o Kauai presents the stories of the men and women who ruled the island of Kauai from its first settlement to the final rebellion against Kamehameha I's forces in 1824. Only fragments remain of the nearly two-thousand-year history of the people who inhabited Kauai before the coming of James Cook in 1778. Now scattered in public and private archives and libraries, these pieces of Hawaii's precontact past were recorded in the nineteenth century by such determined individuals as David Malo, Samuel Kamakau, and Abraham Fornander. All known genealogical references to the Kauai alii nui (paramount chiefs) have been gathered here and placed in chronological order and are interspersed with legends of great voyages, bitter wars, courageous heroes, and passionate romances that together form a rich and invaluable resource.