For any house-proud owner of a Victorian property this book represents a unique and invaluable resource. Packed with information about Victorian architectural ideas, it includes a wealth of practical advice about the maintenance and conservation of Victorian homes. Part One provides a concise overview of the development of the Victorian house, the wide range of architectural styles that came in and out of fashion over the period, and the lifestyles of the original owners the houses were designed to accommodate. Throughout, the emphasis is on family houses of various sizes rather than the great houses of the aristocracy, which are discussed only in relation to their influence on contemporary builders and architects. Part Two discusses structures and materials, covering brickwork, stone, renders and stuccos, roofs, woodwork, windows and doors, ironwork, and conservatories. In each case there is comprehensive advice on symptoms of trouble, techniques for preservation and restoration, and the correct choice of materials. Part Three covers services—fireplaces and chimneys, lighting, kitchens and bathrooms—all subjects requiring particular sensitivity to achieve a satisfactory compromise between preserving the spirit of the original building and meeting modern standards of comfort and convenience. Part Four examines all aspects of interior decoration, including plasterwork, decorative tiles, paint colors and finishes, wall coverings, curtains and blinds, and floor coverings. The book is completed by lists of further reading, places to visit, and useful addresses, including those of specialist suppliers and contractors, and sources of more detailed information and advice.
First published in 1995. The essays in this volume demonstrate how Victorian women took up various positions along a continuum that ranged from the desire of Shelley’s creature for the power and acceptance it associated with the house to the rejection of Brontë’s heroine of the immobility and powerlessness she ultimately experienced there. More specifically the essays in this volume explore the nature of the Victorian woman’s domestic relations by centring in one activity that most informed her place in what was often the father’s house: housekeeping. The essays in this edition determine how writers, especially novelists, both male and female, used housekeeping to construct, reconstruct, represent, and inscribe the female self and condition. This title will be of interest to students of history and literature.
First published in 1995. The essays in this volume demonstrate how Victorian women took up various positions along a continuum that ranged from the desire of Shelley’s creature for the power and acceptance it associated with the house to the rejection of Brontë’s heroine of the immobility and powerlessness she ultimately experienced there. More specifically the essays in this volume explore the nature of the Victorian woman’s domestic relations by centring in one activity that most informed her place in what was often the father’s house: housekeeping. The essays in this edition determine how writers, especially novelists, both male and female, used housekeeping to construct, reconstruct, represent, and inscribe the female self and condition. This title will be of interest to students of history and literature.
This fourth wall–breaking middle grade collection of spooky, scary, and spoopy stories for fans of Lemony Snicket and Scary Stories to Tell in the Dark might just help you survive the night in a house full of vampires. If you are reading this book, then you must be trapped in that spooky house with those vampires. Sorry about that. But! You might just make it out if you manage to tell them one scary story each night in accordance with standard vampire rules. Don’t know any scary stories? Good thing you found this book! Every tale in this tome is true…more or less (more more than less). You get a little bit of everything in this monster mash: from hitchhiking phantoms to women in white, a carnivore beast that loves a good vacation to a haunted mannequin with a bug problem, killer phones, concerned werewolves, you name it. Everything you need to keep those vampires on the edge of their seats—and well away from your neck. But beware…don’t get too comfortable. Names have power, and if you whisper about too many things in the dark, they might just hear you.
Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.
"When you reach the age of 100, suddenly, even if you did nothing notable, you are a celebrity. Friends, even longtime ones, neighbors and strangers look at you differently. You see and feel it. When perfect strangers find out, they shake your hand, as if, by osmosis, you can transfer the secrets of long life to them." Morrie Markoff only has this advice: Keep Breathing. These are his recollections from the last century beginning in a New York tenement in 1914. Morrie recalls his impoverished beginnings that led to his creative years as a metal sculpture artist and photographer. Although he never set out to achieve any milestones, Los Angeleno Morrie has received media attention for his first gallery showing at age 100, diamond anniversary to his wife Betty, and his first book signing at age 103. Morrie has no plans to take it easy. He only has plans to "Keep Breathing."
Eleven-year-old Roz (Rosalind) Anthony and her family have just moved to Mills River, Illinois, to escape an abusive situation. Only days after settling into their new home, they are surprised to find the previous owner, Tillie Monroe, on their front porch reading the newspaper. Though her sons have sold the house and sent her to a facility for the aged, she is determined to die in the place she lived her life, and somehow manages to find her way "home" day after day. Feeling sympathy for the elderly woman, Roz's mother allows Tillie to move back in. Mara Nightingale becomes Roz's first friend in Mills River. In spite of their many differences, the girls discover they have something in common that binds them together--both are hiding secrets. So they make a promise--"cross my heart and hope to die"--never to tell anyone else. When danger stalks the Anthonys, Tillie exhibits unimaginable courage and selfless love in her determination to protect the family she has adopted as her own.