This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
In 1970 Katharine Briggs published in four volumes the vast and authoritative Dictionary of British Folktales and Legends to wide acclaim. This sampler comprises the very best of those tales and legends. Gathered within, readers will find an extravagance of beautiful princesses and stout stable boys, sour-faced witches and kings with hearts of gold. Each tale is a masterpiece of storytelling, from the hilarious 'Three Sillies' to the delightfully macabre 'Sammle's Ghost'.
The fairy tradition in the British Isles is a fantastically rich and varied one. This book celebrates this diversity with essays, poems and a wonderful selection of reported sightings and country tales, ranging from medieval chronicles to stories handed down almost within living memory.
Katharine Briggs made an indelible mark on the world of folklore with her compilation of the Dictionary of British Folktales in the English Languages, while her subsequent Dictionary of Fairies confirmed her already distinguished place among British Folklorists. Briggs’s initial academic interest while at Oxford University was in seventeenth-century literature and the Civil War. Upon leaving Oxford she pursued amateur dramatics and worked for the Guide Movement, and during the Second World War she served in the Women’s Auxiliary Air Force. It was here, perhaps, that her personality fully matured; among other activities she delighted her fellows with her remarkable gift for story-telling. After the war, her career as a folklorist began to blossom. As if to make up for lost time, she spent the last twenty years of her life writing and lecturing almost continually. As well as her books on folklore, she gained renown for her children’s books Kate Crackernuts and Hobberdy Dick. She was responsible for revitalising the Folklore Society and as its President, she laid the foundations of the Society as it is today. Hilda Davidson’s biography brings to life a remarkable woman whose combination of academic excellence and natural gift for narrative found her friends all over the world.
The basis for the new HBO Max documentary, Persona *A New York Times Critics' Best Book of 2018* *An Economist Best Book of 2018* *A Spectator Best Book of 2018* *A Mental Floss Best Book of 2018* An unprecedented history of the personality test conceived a century ago by a mother and her daughter--fiction writers with no formal training in psychology--and how it insinuated itself into our boardrooms, classrooms, and beyond The Myers-Briggs Type Indicator is the most popular personality test in the world. It is used regularly by Fortune 500 companies, universities, hospitals, churches, and the military. Its language of personality types--extraversion and introversion, sensing and intuiting, thinking and feeling, judging and perceiving--has inspired television shows, online dating platforms, and Buzzfeed quizzes. Yet despite the test's widespread adoption, experts in the field of psychometric testing, a $2 billion industry, have struggled to validate its results--no less account for its success. How did Myers-Briggs, a homegrown multiple choice questionnaire, infiltrate our workplaces, our relationships, our Internet, our lives? First conceived in the 1920s by the mother-daughter team of Katherine Briggs and Isabel Briggs Myers, a pair of devoted homemakers, novelists, and amateur psychoanalysts, Myers-Briggs was designed to bring the gospel of Carl Jung to the masses. But it would take on a life entirely its own, reaching from the smoke-filled boardrooms of mid-century New York to Berkeley, California, where it was administered to some of the twentieth century's greatest creative minds. It would travel across the world to London, Zurich, Cape Town, Melbourne, and Tokyo, until it could be found just as easily in elementary schools, nunneries, and wellness retreats as in shadowy political consultancies and on social networks. Drawing from original reporting and never-before-published documents, The Personality Brokers takes a critical look at the personality indicator that became a cultural icon. Along the way it examines nothing less than the definition of the self--our attempts to grasp, categorize, and quantify our personalities. Surprising and absorbing, the book, like the test at its heart, considers the timeless question: What makes you, you?
“The most satisfactory general collection of folktales to come out of England since the advent of modern collection and classification techniques.”—Journal of American Folklore Tales of unnatural beings, curses, and ghosts, tall tales, shaggy dog stories—this collection from a renowned British folklorist offers a wide historical range, as well as commentaries. If wonder tales are not as abundant in England as elsewhere, other kinds of folktales thrive: local traditions, historical legends, humorous anecdotes. Many of the favorite tales which English-speaking peoples carry with them from childhood come from a long tradition—stories as familiar to Shakespeare, Ben Jonson, Spenser, and their many contemporaries as they are to us. This volume is a “fine, homely feast” for anyone interested in the folklore of the world (Times Educational Supplement). “Should be of special concern to Americans since many of the tales are parallel to or the source of our own folk stories.”—Choice “This is entertainment, to be sure, but is also part of man’s attempts to comprehend his world.”—Quartet
