This beautifully designed customised Lined Notebook / journal will make the perfect gift for you or your loved ones who love her Financial Examiner. This is a journal lined notebook (lined front and back). Simple and elegant. 100 pages, high quality cover and (6 x 9) inches in size. Features - Unique design - Great for class, use as a journal, notebook, diary, planner, and much more - 100 ruled pages of lined paper - High-quality paper - Professionally designed thick cover - Perfect for gel, pen, ink, marker or pencils - 6" x 9" dimensions; portable size for school, home or traveling - Printed on White Paper - Perfect gift idea for woman, girl, girlfriend, daughter, niece, aunt, sister who in love with her boyfriend, Husband or Fiance.
This beautifully designed customised Lined Notebook / journal will make the perfect gift for you or your loved ones who love her Financial analyst. This is a journal lined notebook (lined front and back). Simple and elegant. 100 pages, high quality cover and (6 x 9) inches in size. Features - Unique design - Great for class, use as a journal, notebook, diary, planner, and much more - 100 ruled pages of lined paper - High-quality paper - Professionally designed thick cover - Perfect for gel, pen, ink, marker or pencils - 6" x 9" dimensions; portable size for school, home or traveling - Printed on White Paper - Perfect gift idea for woman, girl, girlfriend, daughter, niece, aunt, sister who in love with her boyfriend, Husband or Fiance.
A New York Times Book Review Editors' Choice • A Good Morning America Recommended Book • A LitReactor Best Book of the Year • A BuzzFeed Most Anticipated Book of the Year • A Lit Hub Most Anticipated Book of the Year • A Rumpus Most Anticipated Book of the Year • A Bustle Most Anticipated Book of the Month "A pathbreaking feminist manifesto, impossible to put down or dismiss. Gina Frangello tells the morally complex story of her adulterous relationship with a lover and her shortcomings as a mother, and in doing so, highlights the forces that shaped, silenced, and shamed her: everyday misogyny, puritanical expectations regarding female sexuality and maternal sacrifice, and male oppression." —Adrienne Brodeur, author of Wild Game Gina Frangello spent her early adulthood trying to outrun a youth marked by poverty and violence. Now a long-married wife and devoted mother, the better life she carefully built is emotionally upended by the death of her closest friend. Soon, awakened to fault lines in her troubled marriage, Frangello is caught up in a recklessly passionate affair, leading a double life while continuing to project the image of the perfect family. When her secrets are finally uncovered, both her home and her identity will implode, testing the limits of desire, responsibility, love, and forgiveness. Blow Your House Down is a powerful testimony about the ways our culture seeks to cage women in traditional narratives of self-sacrifice and erasure. Frangello uses her personal story to examine the place of women in contemporary society: the violence they experience, the rage they suppress, the ways their bodies often reveal what they cannot say aloud, and finally, what it means to transgress "being good" in order to reclaim your own life.
The highly arcane "wisdom" produced by the French psychoanalyst Jacques Lacan is either endlessly regurgitated and recited as holy writ by his numerous acolytes, or radically dismissed as unpalatable nonsense by his equally countless detractors. Contrary to these common, strictly antagonistic yet uniformly uncritical practices, this book offers a meticulous critique of some key theoretical and clinical aspects of Lacan’s expansive oeuvre, testing their consistency, examining their implications, and investigating their significance. In nine interrelated chapters, the book highlights both the flaws and the strengths of Lacan’s ideas, in areas of investigation that are as crucial as they are contentious, within as well as outside psychoanalysis. Drawing on a vast range of source materials, including many unpublished archival documents, it teases out controversial issues such as money, organisational failure, and lighthearted, "gay" thinking, and it relies on the highest standards of scholarly excellence to develop its arguments. At the same time, the book does not presuppose any prior knowledge of Lacanian psychoanalysis on the part of the reader, but allows its readership to indulge in the joys of in-depth critical analysis, trans-disciplinary creative thinking, and persistent questioning. This book will appeal to researchers and students alike in psychoanalytic studies and philosophy, as well as all those interested in French theory and the history of ideas.
Choices is the beginning of the story of Raven who is content in all aspects of her life with one exception. Love. When love let her down, she turns to her work and her family for refuge. Just as soon as she's made peace with being alone, two men cross her path, one who is immediately welcomed into her family and the other who has infiltrated her job. Now her safe havens aren't so comfortable anymore. Raven opens her heart to Wesley who upon first glance appears to be everything she's ever wished for in a man. But then there is Derrick who happens to be her new boss and seems to be intrigued by her. She can't figure out what it is that he sees in her and why is he having such an effect on her. Ultimately she will have to make a Choice between these two men, follow through the Decisions and then deal with the Consequences that follow. This story will take you on a roller coaster ride of emotions with the characters. Love, Laughter, Tears, Passion, Anger, Sensuality and Fear. Fasten your seatbelts, you're in for a fantastic ride.
The Daisy is a riveting story of self-awareness, temptations, forgiveness, and triumphs. Anthony Wilkerson has it alllooks, a new career, and a new apartment. He just relocated to Orlando, Florida, and has been working on moving up in his company as quick as possible. He is a charming poet whose love for women wont allow him to commit to anyone, and he is the master of every game that a man can play. When he meets Raven Sinclair, hes drawn to her mysterious demeanor and is challenged to deal with his own personal issues when the tables are turned. Raven Sinclair is a Christian married to an unequally yoked husband and struggling with her own personal challenges. She is striving to elevate herself in her marriage, spirituality, career, and personal life but is faced with a devastating situation that may change her life forever.
Arnold Ziegel formed Mountain Mentors Associates after his retirement from a corporate banking career of more than 30 years at Citibank. The lessons learned from his experience in dealing with entrepreneurs, multinational corporations, highly leveraged companies, financial institutions, and structured finance, led to the development and delivery of numerous senior level credit risk training programs for major global financial institutions from 2002 through the present. This book was conceived and written as a result of the development of these courses and his experience as a corporate banker. It illustrates the fundamental issues of credit and credit analysis in a manner that tries to take away its mystery. The overriding theme of this book is that when an investor extends credit of any type, the goal is "to get your money back", and with a return that is commensurate with the risk. The goal of credit analysis is not to make "yes or no" decisions about the extension of credit, but to identify the degree of risk associated with a particular obligor or a particular credit instrument. This is consistent with modern banking industry portfolio management and the rating systems of credit agencies. Once the "riskiness" of an obligor or credit instrument is established, it can be priced or structured to match the risk demands or investment criteria of the entity that is extending the credit. A simple quote from Mr. J. P. Morgan is used often in this text - "Lending is not based primarily on money or property. No sir, the first thing is character". This statement represents one of the conflicts in modern credit analysis - that of models for decision making versus traditional credit analysis. The 2008 financial crisis was rooted in the mortgage backed securities business. Sophisticated models were used by investors, banks, and rating agencies to judge the credit worthiness of billions (and maybe trillions) of dollars worth of residential mortgage loans that were packaged into securities and distributed to investors. The models indicated that these securities would have very low losses. Of course, huge losses were incurred. Mr. Morgan had a good point. In this case is was both property and character. The properties that were the collateral for many of the mortgages had much less value than was anticipated. The valuation of the collateral was na�ve and flawed. Many assumptions were made that the value of homes would rise without pause. Many mortgage loans were made that were at or even above the appraised value of a residence.But character was a huge, perhaps larger, factor behind these losses. Many of the residential mortgage loans were made to individuals who knew that they did not have the income to make the required payments on the mortgages. Many of the mortgage brokers and lenders who made these loans also knew that many of the borrowers were not properly qualified. And, many of the bankers who securitized these loans also may have doubted the credit quality of some of the underlying mortgages. If bankers and rating agencies understood the extent of the fraud and lax standards in the fundamental loans backing the mortgage securities, or were willing to acknowledge it, the fiasco would not have occurred.
The Crazy Analyst is a gripping story of a guy suffering from Hypomania. He is dealing with work pressure of a multinational company as well as his troubled personal life. All this time he is trying to get a girlfriend despite being married. He wants to fulfill his desire of having a steady relationship. He enters in various relationships but fails every time. From his point of view he sees people as fake. They just act good friends but in reality they are selfish & mean. Although his performance is pretty good but he picks fight with everybody including HR, his boss as well as MD of the company. To teach him a lesson company doesn't give him any awards whereas other person he hates got four awards in a year. He feels company is biased towards sales team. MD admits that sales team gets special treatment but justifies it saying it happens everywhere. He wants to quit his job but car mortgage doesn't let him do so. This is the story of a guy fighting with his own self and the world at the same time. The protagonist narrates the story of his troubled childhood & lonely adulthood. Will he be able to survive himself? Will the society accept him?
Julia Roberts played a prostitute, famously, in Pretty Woman. So did Jodie Foster in Taxi Driver, Jane Fonda in Klute, Anna Karina in Vivre sa vie, Greta Garbo in Anna Christie, and Charlize Theron, who won an Academy Award for Monster. This engaging and generously illustrated study explores the depiction of female prostitute characters and prostitution in world cinema, from the silent era to the present-day industry. From the woman with control over her own destiny to the woman who cannot get away from her pimp, Russell Campbell shows the diverse representations of prostitutes in film. Marked Women classifies fifteen recurrent character types and three common narratives, many of them with their roots in male fantasy. The “Happy Hooker,” for example, is the liberated woman whose only goal is to give as much pleasure as she receives, while the “Avenger,” a nightmare of the male imagination, represents the threat of women taking retribution for all the oppression they have suffered at the hands of men. The “Love Story,” a common narrative, represents the prostitute as both heroine and anti-heroine, while “Condemned to Death” allows men to manifest, in imagination only, their hostility toward women by killing off the troubled prostitute in an act of cathartic violence. The figure of the woman whose body is available at a price has fascinated and intrigued filmmakers and filmgoers since the very beginning of cinema, but the manner of representation has also been highly conflicted and fiercely contested. Campbell explores the cinematic prostitute as a figure shaped by both reactionary thought and feminist challenges to the norm, demonstrating how the film industry itself is split by fascinating contradictions.
A woman’s world is turned upside down by one night’s torrid fling in this Animal Magnetism romance from New York Times bestselling author Jill Shalvis. Veterinary intern Emily can’t believe she wound up in the small town of Sunshine, Idaho, instead of the Los Angeles clinic she had always imagined. Now she has to put her plans to move to L.A. on hold for a whole year while she fulfills the obligation of her vet school scholarship. Then Wyatt, her gorgeous one-night stand from a Reno vet conference, introduces himself as her new boss. And Emily is just as drawn to his seductive looks and quiet strength as she was on that very steamy night. She soon learns that Wyatt isn’t just a laid-back doctor, but a delicious alpha male tempting her away from her carefully laid-out plans...
