Juke Box Britain

Juke Box Britain

Author: Adrian Horn

Publisher: Manchester University Press

Published: 2011-12-15

Total Pages: 240

ISBN-13: 9780719083662

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British teenagers witnessed immense cultural change in the period following the second world war. There were fewer than 100 juke boxes in Britain in 1945 and over 15,000 by 1958. Over the same period, there was a similar unprecedented expansion of casual youth venues in the form of cafés, snack, milk, and coffee bars where young people could hear the sounds of hot American jazz and rock 'n' roll. It has been a common assumption among academics and cultural historians alike that British youth between 1945 and 1960 underwent a period of massive "Americanization."Juke Box Britain contests this view, maintaining that American popular-cultural influences were not examples of cultural domination but simply influences that combined with existing styles to create distinctly British style fusions. Juke Box Britain is suitable for students of cultural, social, and design histories, as well as cultural studies, providing fascinating reading for youth culture and juke box enthusiasts.


Juke Box Britain

Juke Box Britain

Author: Adrian Horn

Publisher:

Published: 2009-08-15

Total Pages: 252

ISBN-13:

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This title looks at teenage culture and experience of music, style and design in the form of 'hot' American jazz and rock'n'roll, Teddy Boy style and culture and breathtakingly flamboyant juke boxes.


Popular Music and Television in Britain

Popular Music and Television in Britain

Author: Ian Inglis

Publisher: Ashgate Publishing, Ltd.

Published: 2010

Total Pages: 280

ISBN-13: 9780754668640

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Ian Inglis is Reader in Popular Music Studies at Northumbria University, UK. His previous books include The Beatles, Popular Music And Society: A Thousand Voices; Popular Music And Film; Performance and Popular Music: History, Place And Time; and The Words And Music Of George Harrison. He is currently preparing The Beatles And Hamburg.


Jukebox Queen Of Malta

Jukebox Queen Of Malta

Author: Nicholas Rinaldi

Publisher: Simon and Schuster

Published: 2013-10-08

Total Pages: 458

ISBN-13: 1476766487

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The Jukebox Queen of Malta is an exquisite and enchanting novel of love and war set on an island perilously balanced between what is real and what is not. It's 1942 and Rocco Raven, an intrepid auto mechanic turned corporal from Brooklyn, has arrived in Malta, a Mediterranean island of Neolithic caves, Copper Age temples, and fortresses. The island is under siege, full of smoke and rubble, caught in the magnesium glare of German and Italian bombs. But nothing is as it seems on Malta. Rocco's living quarters are a brothel; his commanding officer has a genius for turning the war's misfortunes into personal profit; and the Maltese people, astonishingly, testify to the resiliency of the human spirit. When Rocco meets the beautiful and ethereal Melita, who delivers the jukeboxes her cousin builds out of shattered debris, they are drawn to each other by an immediate passion. And, it is their full-blown affair that at once liberates and imprisons Rocco on the island. In this mesmerizing novel, music and bombs, war and romance, the jukebox and the gun exist in arresting counterpoint in a story that is a profound and deeply moving exploration of the redemptive powers of love.


Juke Box Hero

Juke Box Hero

Author: Lou Gramm

Publisher: Triumph Books

Published: 2013-05

Total Pages: 228

ISBN-13: 1623682053

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Lou Gramm rose from humble, working-class roots in Rochester, New York, to become one of rock's most popular and distinctive voices in the 1970s and '80s, singing and cowriting more than a dozen hits with the band Foreigner. Songs such as "Cold As Ice," "I Want to Know What Love Is," "Waiting for a Girl Like You," "Double Vision," "Urgent," and "Midnight Blue" are among 20 Gramm songs that achieved Top 40 status on the Billboard charts and became rock classics still played often, nearly three decades after they first hit the airwaves and the record store shelves. "Juke Box Hero: The My Five Decades in Rock 'n' Roll" chronicles, with remarkable candor, the ups and downs of this popular rocker's amazing life--a life which saw him achieve worldwide fame and fortune, then succumb to its trappings before summoning the courage and faith to overcome his drug addiction and a life-threatening brain tumor. Gramm takes the reader behind the scenes--into the recording studio, back stage, on the bus trips and beyond--to give an insider's look into the life of the man "Rolling Stone" magazine referred to as "the Pavarotti of rock."


The History of Live Music in Britain, Volume I: 1950-1967

The History of Live Music in Britain, Volume I: 1950-1967

Author: Simon Frith

Publisher: Routledge

Published: 2016-03-09

Total Pages: 236

ISBN-13: 1317028872

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The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.


Youth in Britain

Youth in Britain

Author: William Osgerby

Publisher: Wiley-Blackwell

Published: 1998-02-11

Total Pages: 272

ISBN-13: 9780631194774

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This is a lively account of post-war British youth, combining history, theory and debate. It examines the emergence of youth as a social category which came to embody the hopes and fears of British society in the decades after 1945.


Boxes

Boxes

Author: Susanne Bauer

Publisher:

Published: 2020-10-13

Total Pages: 628

ISBN-13: 9781912729067

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A book full of boxes. A box in itself. An unboxing. This book explores boxes in their broadest sense and size. It invites us to step into the field, unravel how and why things are contained and how it might be otherwise. By turning the focus of Science and Technology Studies (STS) to boxing practices, this collation of essays examines boxes as world-making devices. Gathered in the format of a field guide, it offers an introduction to ways of ordering the world, unpacking their boxed-up, largely invisible politics and epistemics. Performatively, pushing against conventional uses of academic books, this volume is about rethinking taken-for-granted formats and infrastructures of scholarly ordering - thinking, writing, reading. It diverges from encyclopedic logics and representative overviews of boxing practices and the architectural organization of monographs and edited volumes through a single, overarching argument. This book asks its users to leave well-trodden paths of linear and comprehensive reading and invites them to read sideways, creating their own orders through associations and relating. Thus, this book is best understood as an intervention, a beginning, an open box, a slim volume that needs expansion and further experiments with ordering by its users.


The History of Live Music in Britain, Volume I: 1950-1967

The History of Live Music in Britain, Volume I: 1950-1967

Author: Dr Matt Brennan

Publisher: Ashgate Publishing, Ltd.

Published: 2013-04-28

Total Pages: 345

ISBN-13: 1472400291

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The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.