The work of one of the earliest Mexican American women writers who focused on life lived between two cultures and nations is the subject of this new literary study.
Josefina Niggli (1910–1983) was one of the most successful Mexican American writers of the early twentieth century. Born of European parents and raised in Mexico, she spent most of her adult life in the United States, and in her plays and novels she aimed to portray authentic Mexican experiences for English-speaking audiences. Niggli crossed borders, cultures, and genres, and her life and work prompt interesting questions about race, class, gender, modernity, ethnic and national identity, and the formation of literary canons. Although Niggli is perhaps best known for her fiction and folk plays, this anthology recovers her historical dramas, most of which have been long out of print or were never published. These plays are deeply concerned with the aftermath of the 1910 Mexican Revolution, imagining its implications for Mexico, Mexican Americans, and U.S.-Mexico relations. Included are Mexican Silhouettes (1928), Singing Valley (1936), The Cry of Dolores (1936), The Fair God (1936), Soldadera (1938), This is Villa! (1939), and The Ring of General Macias (1943). These works reflect on the making of history and often portray the Revolution through the lens of women’s experiences. Also included in this volume are an extensive critical introduction to Niggli, a chronology of her life and writings, plus letters and reviews by, to, and about Josefina Niggli. that provide illuminating context for the plays. Best Books for Special Interests, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association “The Best of the Best of the University Presses: Books You Should Know About” presented at the 2008 American Library Association Annual Conference
Introduction by Maria Herrera-Sobek Crammed with delightful folk tales and legends, this is a novel about the people in one post-Revolutionary northern Mexico village.
Born in Monterrey, Nuevo León, Mexico in 1910, Josefina María Niggli was one of the first Latina writers to have her work published in the United States—and thus one of the first to introduce American audiences to the culture and people flourishing along the U.S.–Mexico border. Well ahead of what is now called Chicano literature, her writings—spanning a broad range of genres, subjects, and styles—offer an insider's view of the everyday lives little known or noted outside of their native milieu. In Niggli's plays, for instance, these often invisible working class Mexicans were literally elevated to the public stage, their hidden reality given expression. A long-overdue gathering of Niggli's work, this volume showcases the writer's remarkable literary versatility, as well as the groundbreaking nature of her writing, which in many ways established a blueprint for future generations of writers and readers of Chicano literature. This collection includes Niggli's most famous and influential work, Mexican Village—a literary chronicle of Hidalgo, Mexico, which explores the distinct nature and tensions of Mexican life—along with her novel Step Down, Elder Brother, and five of her most well-known plays.
Uncovers the long history of how Latino manhood was integral to the formation of Latino identity In the first ever book-length study of Latino manhood before the Civil Rights Movement, Before Chicano examines Mexican American print culture to explore how conceptions of citizenship and manhood developed in the nineteenth and twentieth centuries. The year 1848 saw both the signing of the Treaty of Guadalupe Hidalgo that ended the U.S. Mexican War and the year of the Seneca Falls Convention, the first organized conference on women’s rights in the United States. These concurrent events signaled new ways of thinking about U.S. citizenship, and placing these historical moments into conversation with the archive of Mexican American print culture, Varon offers an expanded temporal frame for Mexican Americans as long-standing participants in U.S. national projects. Pulling from a wide-variety of familiar and lesser-known works—from fiction and newspapers to government documents, images, and travelogues—Varon illustrates how Mexican Americans during this period envisioned themselves as U.S. citizens through cultural depictions of manhood. Before Chicano reveals how manhood offered a strategy to disparate Latino communities across the nation to imagine themselves as a cohesive whole—as Mexican Americans—and as political agents in the U.S. Though the Civil Rights Movement is typically recognized as the origin point for the study of Latino culture, Varon pushes us to consider an intellectual history that far predates the late twentieth century, one that is both national and transnational. He expands our framework for imagining Latinos’ relationship to the U.S. and to a past that is often left behind.
"Latina Performance is a densely theorized treatment of rich materials." --MultiCultural Review "Arrizón's important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent." --Choice Latina Performance examines the Latina subject whose work as dramatist, actress, theorist, and/or critic further defines the field of theater and performance in the United States. Alicia Arrizón looks at the cultural politics that flows from the intersection of gender, ethnicity, race, class, and sexuality.
Mexicana and Chicana authors from the late 1970s to the turn of the century helped overturn the patriarchal literary culture and mores of their time. This landmark volume acquaints readers with the provocative, at times defiant, yet subtle discourses of this important generation of writers and explains the influences and historical contexts that shaped their work. Until now, little criticism has been published about these important works. Addressing this oversight, Teaching Late-Twentieth-Century Mexicana and Chicana Writers starts with essays on Mexicana and Chicana authors. It then features essays on specific teaching strategies suitable for literature surveys and courses in cultural studies, Latino studies, interdisciplinary and comparative studies, humanities, and general education that aim to explore the intersectionalities represented in these works. Experienced teachers offer guidance on using these works to introduce students to border studies, transnational studies, sexuality studies, disability studies, contemporary Mexican history and Latino history in the United States, the history of social movements, and concepts of race and gender.
An evocative portrayal of a remote place that offers a whole new way of looking at the U.S.-Mexico border Mexico and America have met for eight generations on their shared border. In this compelling book, photographer Jeffrey Gusky and historian Benjamin Johnson capture this encounter through their mesmerizing portrayal of Roma, Texas. European culture left its mark here, but it was brought by mixed-race, Spanish-speaking pioneers who practiced Muslim irrigation techniques and believed that they were descended from Jews. Triumphant American armies made this region part of the United States, but the descendants of those they conquered have fought in every American conflict from the Civil War to Iraq. Racial strife divided this land, but slaves gained freedom by fleeing south to Mexico and Hispanics reacquired wealth and power by buying out Anglos. Although today the area is one of the poorest in the United States, the fortune that founded Citibank was made here and the town has inspired such authors as John Steinbeck and Larry McMurtry. In a time when the border is a source of controversy and division, Johnson's unexpected stories and Gusky's haunting photographs demonstrate how deeply the story of the border is also the story of America itself.
A Study Guide for Josefina Niggli's "The Street of the Canon," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
The first anthology to focus specifically on the topic of Chicana expressive culture, Chicana Traditions features the work of native scholars: Chicanas engaged in careers as professors and students, performing artists and folklorists, archivists and museum coordinators, and community activists. Blending narratives of personal experience with more formal, scholarly discussions, Chicana Traditions tells the insider story of a professional woman mariachi performer and traces the creation and evolution of the escaramuza charra (all-female precision riding team) within the male-dominated charreada, or Mexican rodeo. Other essays cover the ranchera (country or rural) music of the transnational performer Lydia Mendoza, the complex crossover of Selena's Tejano music, and the bottle cap and jar lid art of Goldie Garcia. Framed by the Chicana feminist concept of the borderlands, a formative space where cultures and identities converge, Chicana Traditions offers a lively commentary on how women continue to invent, reshape, and transcend their traditional culture.