John Evelyn (1620-1706) was a pivotal figure in 17th-century intellectual life in England. The contributors approach him and his work from diverse disciplines: architectural and intellectual history and histories of science, agriculture, gardens, and literature. They present the "Elysium Britannicum" as a central document of late European humanism.
Interlacing in his work practical, literary, and philosophical approaches to landscape architecture, Evelyn created the first large-scale encyclopedic work on the science and art of gardening."--BOOK JACKET.
This volume focuses on the outstanding contributions made by botany and the mathematical sciences to the genesis and development of early modern garden art and garden culture. The many facets of the mathematical sciences and botany point to the increasingly “scientific” approach that was being adopted in and applied to garden art and garden culture in the early modern period. This development was deeply embedded in the philosophical, religious, political, cultural and social contexts, running parallel to the beginning of processes of scientization so characteristic for modern European history. This volume strikingly shows how these various developments are intertwined in gardens for various purposes.
A Japanese garden is immediately distinct to the eye from the traditional gardens of an English manor house, just as the manicured topiaries of Versailles contrast with the sharp cacti of the American Southwest. Though gardening is beloved the world over, the style of gardens themselves varies from region to region, determined as much by culture as climate. In this series of illustrated essays, John Dixon Hunt takes us on a world tour of different periods in the making of gardens. Hunt shows here how cultural assumptions and local geography have shaped gardens and their meaning. He explores our continuing responses to land and reworkings of the natural world, encompassing a broad range of gardens, from ancient Roman times to early Islamic and Mughal gardens, from Chinese and Japanese gardens to the invention of the public park and modern landscape architecture. A World of Gardens looks at key chapters in garden history, reviewing their significance past and present and tracing the recurrence of different themes and motifs in the design and reception of gardens throughout the world. A World of Gardens celebrates the idea that similar experiences of gardens can be found in many different times and places, including sacred landscapes, scientific gardens, urban gardens, secluded gardens, and symbolic gardens. Featuring two hundred images, this book is a treasure trove of ideas and inspiration, whether your garden is a window box, a secluded backyard, or a daydream.
Economy and Architecture addresses a timely, critical, and much-debated topic in both its historical and contemporary dimensions. From the Apple Store in New York City, to the street markets of the Pan American Highway; from commercial Dubai to the public schools of Australia, this book takes a critical look at contemporary architecture from across the globe, whilst extending its range back in history as far as the Homeric epics of ancient Greece. The book addresses the challenges of practicing architecture within the strictures of contemporary economies, grounded on the fundamental definition of ‘economy’ as the well managed household – derived from the Greek oikonomia – oikos (house) and nemein (manage). The diverse enquiries of the study are structured around the following key questions: How do we define our economies? How are the values of architecture negotiated among the various actors involved? How do we manage the production of a good architecture within any particular system? How does political economy frame and influence architecture? The majority of examples are taken from current or recent architectural practice; historical examples, which include John Evelyn’s villa, Blenheim Palace, John Ruskin’s Venice, and early twentieth century Paris, place the debates within an extended critical perspective.
When George I, Elector of Hanover, was crowned King of England in 1714, he established a dynastic union between the two countries that endured until 1837, leaving many cultural and political accomplishments to posterity. The 300th anniversary of this union led the Institute of Landscape Architecture, Technische Universität Dresden, and the Centre of Garden and Landscape Architecture (CGL), Leibniz Universität Hannover, to take a critical look at the gardens that resulted. The symposium “Hanover and England: a union of state and garden / German and British garden culture between 1714 and today” was sponsored by the Lower Saxonian Ministry of Science and Culture. The resulting papers dealt with far more than garden history, addressing as well the background and channels by which ideas on art, agriculture, commerce, technology, literature and politics were exchanged. Given the encyclopedic interests of late 18th century thinkers, it was necessary to invite several academic disciplines to participate, in order to describe and discuss the cultural transfer between Great Britain and Hanover. The transfer of horticultural and artistic ideas very often flourished in the 19th century at different places. For this reason, the conference focused on two key aspects: the Hanoverian-British exchange between 1714 and 1837 (the period of the actual royal union) and the Anglo-German relations that endure to the present day. Als Georg I., Kurfürst von Hannover, 1714 zum König von England gekrönt wurde, begründete dies eine Personalunion zwischen den beiden Ländern, die bis 1837 bestand und der Nachwelt eine Vielzahl kultureller und politischer Errungenschaften hinterließ. Das 300-jährige Jubiläum dieses Zusammenschlusses nahmen das Institut für Landschaftsarchitektur der Technischen Universität Dresden und das Zentrum für Gartenkunst und Landschaftsarchitektur (CGL) der Leibniz Universität Hannover zum Anlass, sich kritisch mit den in dieser Zeit entstandenen Gärten auseinanderzusetzen. Das Symposium „Hanover and England: a union of state and garden / German and British garden culture between 1714 and today“ wurde vom Niedersächsischen Ministerium für Wissenschaft und Kultur gefördert. Die Beiträge beschäftigten sich nicht nur mit Gartengeschichte, sondern widmeten sich auch dem Austausch von Ideen zu Kunst, Landwirtschaft, Handel, Technologie, Literatur und Politik. So schien es sinnvoll, unterschiedliche akademische Disziplinen zur Teilnahme einzuladen, um den kulturellen Transfer zwischen Großbritannien und Hannover zu untersuchen und zu diskutieren. Die Konferenz konzentrierte sich auf zwei Schlüsselaspekte: den hannoverisch-britischen Austausch zwischen 1714 und 1837 (die Zeit der Personalunion) und die deutsch-englischen Beziehungen, die bis heute andauern.
Mark Laird offers a wealth of visual and literary materials to revolutionize our understanding of the English landscape garden as a powerful cultural expression.
The Letterbooks of John Evelyn, a collection of more than eight hundred letters selected by Evelyn himself, constitutes an essential new resource for scholars of seventeenth-century England.
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
