“I’d rather win a Pulitzer Prize than be President of the United States,” John F. Kennedy confided to author Margaret Coit shortly after his election to the Senate in 1953. Kennedy got his wish four years later, when his book Profiles in Courage was awarded the Pulitzer for biography—even though it wasn’t among the finalists for the prize. Furthermore, the role of Ted Sorensen in drafting the main chapters in the book was never acknowledged by Kennedy’s inner circle, and Kennedy himself was hyper-sensitive until his dying day about rumors that cast doubt on his ownership of Profiles in Courage. Still, Jack Kennedy the writer is part of the Kennedy narrative that helped propel his political career. And he did indeed work for a time as a journalist, and brought a measures of erudition, wit, and charm to his speeches. But if the rumors surrounding authorship of Profiles in Courage were proven to be true prior to his ascendance to the Presidency, there might have been no brief and shining moment in America called Camelot.
"The best book ever written about the strangest CIA chief who ever lived." - Tim Weiner, National Book Award-winning author of Legacy of Ashes A revelatory new biography of the sinister, powerful, and paranoid man at the heart of the CIA for more than three tumultuous decades. CIA spymaster James Jesus Angleton was one of the most powerful unelected officials in the United States government in the mid-20th century, a ghost of American power. From World War II to the Cold War, Angleton operated beyond the view of the public, Congress, and even the president. He unwittingly shared intelligence secrets with Soviet spy Kim Philby, a member of the notorious Cambridge spy ring. He launched mass surveillance by opening the mail of hundreds of thousands of Americans. He abetted a scheme to aid Israel’s own nuclear efforts, disregarding U.S. security. He committed perjury and obstructed the JFK assassination investigation. He oversaw a massive spying operation on the antiwar and black nationalist movements and he initiated an obsessive search for communist moles that nearly destroyed the Agency. In The Ghost, investigative reporter Jefferson Morley tells Angleton’s dramatic story, from his friendship with the poet Ezra Pound through the underground gay milieu of mid-century Washington to the Kennedy assassination to the Watergate scandal. From the agency’s MKULTRA mind-control experiments to the wars of the Mideast, Angleton wielded far more power than anyone knew. Yet during his seemingly lawless reign in the CIA, he also proved himself to be a formidable adversary to our nation’s enemies, acquiring a mythic stature within the CIA that continues to this day.
Working with thousands of previously unreleased documents and drawing on more than one thousand interviews, with many witnesses speaking out for the first time, Joan Mellen revisits the investigation of New Orleans district attorney Jim Garrison, the only public official to have indicted, in 1969, a suspect in President John F. Kennedy s murder. Garrison began by exposing the contradictions in the Warren Report, which concluded that Lee Harvey Oswald was an unstable pro-Castro Marxist who acted alone in killing Kennedy. "A Farewell to Justice" reveals that Oswald, no Marxist, was in fact working with both the FBI and the CIA, as well as with U.S. Customs, and that the attempts to sabotage Garrison s investigation reached the highest levels of the U.S. government. Garrison interviewed various individuals involved in the assassination, ranging from Clay Shaw and CIA contract employee David Ferrie to a Marine cohort of Oswald named Kerry Thornley, who at the very least was a Defense Intelligence Agency asset. Garrison s suspects included CIA-sponsored soldiers of fortune enlisted in assassination attempts against Fidel Castro, an anti-Castro Cuban asset, and a young runner for the conspirators, interviewed here for the first time by the author. Building upon Garrison s effort, Mellen uncovers decisive new evidence and clearly establishes the intelligence agencies roles in both a president s assassination and its cover-up, set in motion well before the actual events of November 22, 1963."
Was journalist Dorothy Kilgallen murdered for writing a tell-all book about the JFK assassination? Or was her death from an overdose of barbiturates combined with alcohol, as reported? Shaw believes Kilgallen's death has always been suspect, and unfolds a list of suspects ranging from Frank Sinatra to a Mafia don, while speculating on the possibilities of reopening the case.
Thirteen-year-old Georgia is left feeling abandoned by her parents and so pretends that JFK is her father, yet as she grows and begins to discover her own self-worth, she soon realizes that she doesn't have to pretend any longer and can stand on her own merits.
In the Pacific during WWII, Billy Boyle must discover if skipper, and future president, Jack Kennedy is a cold-blooded killer. 1943: In the midst of the brutal, hard-fought Solomon Islands campaign between the Allies and the Japanese forces, Lieutenant Billy Boyle receives an odd assignment: he’s sent by the powerful Kennedy family to investigate a murder in which PT skipper (and future president) Jack Kennedy has been implicated. The victim is a native coastwatcher, an allied intelligence operative, whom Kennedy discovered on the island of Tulagi with his head bashed in. That’s Kennedy’s story, anyhow. Kennedy was recovering in the Navy hospital on the island after the sinking of his PT-109 motor torpedo boat. The military hasn’t decided yet whether to make him a hero for surviving the attack, or have him court-martialed for losing the boat, and the last thing the Kennedy clan wants is a murder charge hanging over his head. Billy knows firsthand that he shouldn’t trust Jack: the man is a charmer, a womanizer, and, when it suits his needs, a liar. But would he kill someone in cold blood? And if so, why? The first murder is followed by two more, and to find the killer, Billy must sort through a tangled, shifting web of motives and identities, even as combat rages all around him.
Based on once-secret government records and interviews with over 100 ex-CIA officers, Blond Ghost offers a fascinating portrait of Ted Shackley - a real-life George Smiley. It exposes the inner workings of the CIA and details the failure of the Agency's most important covert enterprises. It reveals dozens of top-secret operations: how the CIA recruited children as agents in Vietnam: how it encouraged perjury before Congress; how it paid off a suspected drug dealer; how it tried to use sex to blackmail communist officials; how it uncovered a Soviet-bloc spy in the German parliament; and more. Washington journalist David Corn discloses that for decades, the CIA's commitment to dirty tricks and secret wars compromised its ability to gather intelligence. Blond Ghost probes the CIA's Cold War record and shows that the Agency's efforts to penetrate the Iron Curtain in the 1950s were utterly unsuccessful, with an appalling and pointless loss of life: that the CIA tried to foment rebellion in Cuba, despite intelligence asserting no uprising was likely; that the CIA foisted on its Laotian allies unrealistic military operations that led to the death and displacement of tens of thousands of Laotians; that the CIA bungled miserably in Vietnam - ignoring intelligence collection for years and then suppressing information on the corruption and ineptness of the Saigon regime. Blond Ghost tells the tale of an important, decorated, and controversial spymaster, unveils the nitty-gritty of life in the Agency, and reveals the real job the CIA did in the Cold War.
This book follows the nation's presidents chronologically, from George Washington to Ronald Reagan, with stories about their ghostly manifestations, their experiences with unexplained phenomena, and odd encounters involving members of their families.
In White House Ghosts, veteran Washington reporter Robert Schlesinger opens a fresh and revealing window on the modern presidency from FDR to George W. Bush. This is the first book to examine a crucial and often hidden role played by the men and women who help presidents find the words they hope will define their places in history. Drawing on scores of interviews with White House scribes and on extensive archival research, Schlesinger weaves intimate, amusing, compelling stories that provide surprising insights into the personalities, quirks, egos, ambitions, and humor of these presidents as well as how well or not they understood the bully pulpit. White House Ghosts traces the evolution of the presidential speechwriter's job from Raymond Moley under FDR through such luminaries as Ted Sorensen and Arthur Schlesinger, Jr., under JFK, Jack Valenti and Richard Goodwin under LBJ, William Safire and Pat Buchanan under Nixon, Hendrik Hertzberg and James Fallows under Carter, and Peggy Noonan under Reagan, to the "Troika" of Michael Gerson, John McConnell, and Matthew Scully under George W. Bush. White House Ghosts tells the fascinating inside stories behind some of the most iconic presidential phrases: the first inaugural of FDR ("the only thing we have to fear is fear itself ") and JFK ("ask not what your country can do for you -- ask what you can do for your country"), Richard Nixon's "I am not a crook" and Ronald Reagan's "tear down this wall" speeches, Bill Clinton's ending "the era of big government" State of the Union, and George W. Bush's post-9/11 declaration that "whether we bring our enemies to justice or bring justice to our enemies, justice will be done" -- and dozens of other noteworthy speeches. The book also addresses crucial questions surrounding the complex relationship between speechwriter and speechgiver, such as who actually crafted the most memorable phrases, who deserves credit for them, and who has claimed it. Schlesinger tells the story of the modern American presidency through this unique prism -- how our chief executives developed their very different rhetorical styles and how well they grasped the rewards of reaching out to the country. White House Ghosts is dramatic, funny, gripping, surprising, serious -- and always entertaining.
