Is it impossible for old elementary-school friends and new junior-high friends to all get along as just, you know, friends? Good or bad, that's what I'm about to find out. Jessica Darling is finally getting the hang of seventh grade!Hosting an epic slumber party might even help to make Jessica popular...but is that what she really wants? New York Times bestselling author Megan McCafferty's It List series introduces readers to Jessica Darling, an unabashedly brainy seventh grader who tries to stay true to herself, even if it means being (totally not) cool.
Now a digital feature film! I hadn't even gotten to homeroom yet and I'd already discovered five hard truths about junior high: 1. My best friend had turned pretty. 2. She didn't know it yet. 3. It wouldn't be long before she did. 4. That knowledge would change everything between us. 5. And there wasn't a thing I could do about it. It's the first day of seventh grade. Is Jessica Darling doomed for dorkdom? New York Times bestselling author Megan McCafferty's hilarious new novel will have you laughing, cringing, and cheering for Jessica Darling as she learns that being herself beats being popular, pretty & perfect any day.
Second Helpings continues Megan McCafferty's New York Times bestselling series - now with a new foreword by New York Times bestselling author Rebecca Serle Jessica Darling is in her senior year of high school and things can’t seem to get worse: her best friend, Hope, still lives in another state, and the mysterious and oh-so-compelling Marcus Flutie continues to be a distraction she doesn’t need. Not to mention her parents won’t get off her back about choosing a college, and her older sister’s pregnancy is causing quite a bit of drama in the Darling household. The second book in Megan McCafferty’s critically acclaimed Jessica Darling series is fun, irreverent, and shows that being a teenager is never easy (or boring). Now with a foreword from New York Times bestselling author Rebecca Serle and a new author's note from Megan McCafferty!
Crazy teachers; best friends turning pretty overnight; "The Unbreakable Laws of Cafeteria Line Cutting".... Junior high is rough, and Jessica Darling needs help! Enter older sister Bethany and her "It List," meant to help Jessica uphold "The Darling Domination of Popularity." In Jessica Darling's It List 3, Jessica faces the potentially mortifying outcome of the Top Secret Pineville Junior High Crushability Test. Plus, she's kind of stuck in the middle, as smarties and skaters unite to collect signatures on a petition to bring back the school's annual dance. Will the dramarama of seventh grade be Jessica's downfall? Not if she can help it.
Devastated when her best friend moves away, sixteen-year-old Jessica Darling feels isolated at school and at home, as she struggles to deal with her father's obsession with her track meets, her boy-crazy peers, and her own nonexistent love life.
I hadn't even gotten to homeroom yet and I'd already discovered five hard truths about junior high: 1. My best friend had turned pretty. 2. She didn't know it yet. 3. It wouldn't be long before she did. 4. That knowledge would change everything between us. 5. And there wasn't a thing I could do about it. It's the first day of seventh grade. Is Jessica Darling doomed for dorkdom? New York Times bestselling author Megan McCafferty's hilarious new novel will have you laughing, cringing, and cheering for Jessica Darling as she learns that being herself beats being popular, pretty & perfect any day.
Exploring cultural and social differences in defining a children's film / Becky Parry -- Screening innocence in children's film / Debbie Olson -- Screen adaptations of the Wizard of OZ and metafilmicity in children's film / Ryan Bunch -- Children's films and the avant-garde / Bettina Kümmerling-Meibauer -- Intertextuality and 'adult' humour in children's film / Sam Summers -- Children's film and the problematic 'happy ending' / Noel Brown -- The cop and the kid in 1930s American film / Pamela Robertson-Wojcik -- History, forbidden games, children's play, and trauma theory / Ian Wojcik-Andrews -- Changing conceptions of childhood in the work of the Children's Film Foundation / Robert Shail -- Migrant children and the 'space between' in the films of Angelopoulos / Stephanie Hemelryk Donald -- Iranian cinema and a world through the eyes of a child / John Stephens -- The American tween and contemporary Hollywood cinema / Timothy Shary -- Growing up on Scandinavian screens / Anders Lysne -- Mary Pickford, Alma Taylor, and girlhood in Early Hollywood and British cinema / Matthew Smith -- Craft and play in Lotte Reiniger's fairy tale films / Caroline Ruddell -- Disney's musical landscapes / Daniel Batchelder -- Hayley Mills and the Disneyfication of childhood / David Buckingham -- Danny Kaye as children's film star / Bruce Babington -- Real animals and the problem of anthropomorphism in children's film / Claudia Alonso-Recarte and Ignacio Ramos-Gay -- Nation, identity, and the arrikin streak in Australian children's cinema / Adrian Schober -- Nationalism in Swedish Children's Film and the Case of Astrid Lindgren / Anders Wilhelm Åberg -- Unreality, Fantasy, and the Anti-Fascist Politics of the Children's Films of Satyajit Ray / Koel Banerjee -- Gender, Ideology, and Nationalism in Chinese Children's Cinema / Yuhan Huang -- Ethnic and racial difference in the Hungarian animated features Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007) / Gábor Gergely -- Negotiating East and West when representing childhood in Miyazaki's Spirited away / Katherine Whitehurst -- Coming of age in South Korean cinema / Sung-Ae Lee -- The Walt Disney Company, family entertainment, and global movie hits / Peter Krämer -- Reading Jason and the argonauts as a children's film / Susan Smith -- Hollywood and the baby boom audience in the 1950s and 1960s / James Russell -- Don Bluth and the Disney renaissance / Peter Kunze -- On 'love experts', evil princes, gullible princesses, and Frozen / Amy M. Davis -- Hollywood, regulation, and the 'disappearing' children's film / Filipa Antunes -- How children learn to 'read' movies / Cary Bazalgette -- Star Wars, children's film culture, and fan paratexts / Lincoln Geraghty -- Norwegian tween girls and everyday life through Disney tween franchises / Ingvild Kvale Sørenssen -- A multimethod study on contemporary young audiences and their film/cinema discourses and practices in Flanders, Belgium / Aleit Veenstra, Philippe Meers, and Daniël Biltereyst -- An empirical report on young people's responses to adult fantasy films / Martin Barker -- Disney's adult audiences / James R. Mason.
Growing Up Can Be Perfect in Its Imperfection The Jessica Darling series chronicles one young woman’s coming-of-age in the first decade of the 21st century. Over five books and ten years, Jessica Darling fumbles her way into adulthood. She evolves from a sixteen-year-old cynic, snarking in her diary about catty cliques, unrequited crushes, and other high school indignities, into a jet-setting twenty-six-year-old urbanite searching for more meaning in her life. Through all her misadventures in high school, college, and beyond, Jessica gets long-distance support from her best friend, Hope. But it's her on-again/off-again love of her life, Marcus Flutie, who can always be counted on to complicate her life in ways that are infuriating, intoxicating, and ultimately irresistible. SLOPPY FIRSTS: Meet Jessica Darling—and fall for Marcus Flutie—in this high school comedy of many, many errors. A fresh, funny, utterly compelling fiction debut, Sloppy Firsts is an insightful true-to-life look at sixteen-year-old Jessica's predicament as she embarks on another year of teenage torment—from the dark days after her best friend, Hope, moves away through her months as a type-A personality turned insomniac to her completely mixed up feelings about Marcus Flutie, the intelligent and mysterious "Dreg" who works his way into her heart. SECOND HELPINGS: Can Jessica survive senior year without losing her mind . . . or her heart? This time, Jess is going through the social and emotional ordeal of her last year at Pineville High. Not only does the mysterious Marcus Flutie continue to distract her, but Hope still lives in another state, and she can't seem to escape the clutches of the Clueless Crew, her annoying so-called friends. To top it off, Jessica's parents won't get off her butt about choosing a college. Will Jess crack under the pressure of senioritis? CHARMED THIRDS: Jessica is in college . . . and smart girls have more fun! Jessica has finally left her hometown/hellhole for Columbia University; she's into Marcus more than ever (so what if he's at a Buddhist college in California), and she's making new friends. But Jess soon realizes that her bliss might not last. As she and Marcus hit the rocks, will she fall for her GOPunk, neoconservative RA . . . or for the hot grad student she's assisting on a summer project . . . or for the oh-so-sensitive emo boy down the hall? Will she even make it now that her parents have cut her off financially? And what do the cryptic one-word postcards from Marcus really mean? FOURTH COMINGS: Is the real world ready for Jessica Darling? At first it seems like she's living the New York City dream. She's subletting an apartment with her best friend, working for a magazine that actually cares about her psychology degree, and is still deeply in love with Marcus. But when Marcus proposes—giving her only one week to answer—Jessica must decide if she's ready to give up a world of late-night literary soirees, art openings, and downtown drunken karaoke to move back to New Jersey and be with the one man who's gripped her heart for years. PERFECT FIFTHS: Does Jessica and Marcus's journey end here? Or is it just the beginning? . . . Now a young professional in her mid-twenties, Jess is off to a Caribbean wedding. As she rushes to her gate at the airport, she literally runs into her former boyfriend, Marcus Flutie. It's the first time she's seen him since she reluctantly turned down his marriage proposal three years earlier—and emotions run high. They have both changed dramatically, yet their connection feels as familiar as ever. Is their reunion just a fluke, or has fate orchestrated this collision of their lives once again?
Cinema has always engaged with the experiences, hopes, fears, and anxieties of—and about—adolescents, teenagers, and young people. This book is a comprehensive and accessible history of the depiction of teenagers in American film, from the silent era to the twenty-first century. Timothy Shary explores the development of teenage roles across eras and industrial cycles, such as the juvenile delinquent pictures of the 1950s, the beach movies of the 1960s, the horror films of the 1980s, and the fantasy epics of the 2000s. He considers the varied genres of the teen movie—horror and melodrama, romance and adventure, fantasy and science fiction—and its shifting themes and tropes around sex and gender, childhood and adulthood, rebellion and social order, crime and consumer culture. Teen Movies features analyses of films such as Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), American Pie (1999), and the Twilight series (2008–2012). This second edition is updated throughout and features a new chapter examining Millennials and Generation Z on screen, with discussions of many contemporary topics, including queer youth in movies like Moonlight (2016), abortion in films such as Never Rarely Sometimes Always (2020), and the flourishing of a “tween” cinema as seen in Are You There God? It’s Me, Margaret. (2023).
