One Hundred Poems from the Chinese

One Hundred Poems from the Chinese

Author: Kenneth Rexroth

Publisher: New Directions Publishing

Published: 1956

Total Pages: 164

ISBN-13: 9780811201803

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The lyrical world of Chinese poetry in faithful translations by Kenneth Rexroth.


Idly Scribbling Rhymers

Idly Scribbling Rhymers

Author: Robert Tuck

Publisher: Columbia University Press

Published: 2018-07-10

Total Pages: 202

ISBN-13: 0231547226

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How can literary forms fashion a nation? Though genres such as the novel and newspaper have been credited with shaping a national imagination and a sense of community, during the rapid modernization of the Meiji period, Japanese intellectuals took a striking—but often overlooked—interest in poetry’s ties to national character. In Idly Scribbling Rhymers, Robert Tuck offers a groundbreaking study of the connections among traditional poetic genres, print media, and visions of national community in late nineteenth-century Japan that reveals the fissures within the process of imagining the nation. Structured around the work of the poet and critic Masaoka Shiki, Idly Scribbling Rhymers considers how poetic genres were read, written, and discussed within the emergent worlds of the newspaper and literary periodical in Meiji Japan. Tuck details attempts to cast each of the three traditional poetic genres of haiku, kanshi, and waka as Japan’s national poetry. He analyzes the nature and boundaries of the concepts of national poetic community that were meant to accompany literary production, showing that Japan’s visions of community were defined by processes of hierarchy and exclusion and deeply divided along lines of social class, gender, and political affiliation. A comprehensive study of nineteenth-century Japanese poetics and print culture, Idly Scribbling Rhymers reveals poetry’s surprising yet fundamental role in emerging forms of media and national consciousness.


Haiku

Haiku

Author: Judith Patt

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780764956102

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The strictest and purest of poetic forms, the Japanese haiku contains in its seventeen sound characters (on) a reference to a season as well as a distinct pause or interruption. Cherry blossoms and swallows might refer to spring; red maple leaves and deer usually imply autumn. These seasonal allusions emphasize the essence of haiku: nature and its ephemeral beauty. The graceful, evocative haiku featured here were composed by the renowned Japanese haiku masters of the past four hundred years, including Matsuo Bash, Taniguchi Buson, and Kobayashi Issa. The deceptively simple poemsrendered in English with Japanese calligraphies and transliterationsare paired with exquisite eighteenth- or nineteenth-century paintings and ukiyo-e prints and twentieth-century shin hanga woodcuts from the Art Gallery of Greater Victoria, Canada. With their depth and delicacy, wide range of subtle hues, and time-honored focus on landscapes, birds, and flowers, these artworkslike their haiku counterpartsquietly capture a moment in time. Haiku: Japanese Art and Poetry presents thirty-five pairs of poems and images, organized seasonally. The Introduction details the origin and development of haiku, the lives of the most famous poets, and the obstacles faced when translating the concise yet complex lines.


The Art of Haiku

The Art of Haiku

Author: Stephen Addiss

Publisher: Shambhala Publications

Published: 2022-11-29

Total Pages: 353

ISBN-13: 1645471217

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In the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon—with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader’s and viewer’s understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry’s evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.


One Hundred Poets, One Poem Each

One Hundred Poets, One Poem Each

Author:

Publisher: Penguin UK

Published: 2018-05-31

Total Pages: 317

ISBN-13: 014139594X

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A new edition of the most widely known and popular collection of Japanese poetry. The best-loved and most widely read of all Japanese poetry collections, the Ogura Hyakunin Isshu contains 100 short poems on nature, the seasons, travel, and, above all, love. Dating back to the seventh century, these elegant, precisely observed waka poems (the precursor of haiku) express deep emotion through visual images based on a penetrating observation of the natural world. Peter MacMillan's new translation of his prize-winning original conveys even more effectively the beauty and subtlety of this magical collection. Translated with an introduction and commentary by Peter MacMillan.


Poetry & Image in Japanese Prints

Poetry & Image in Japanese Prints

Author: Charlotte van Rappard-Boon

Publisher: Hotei Publishing

Published: 2000

Total Pages: 200

ISBN-13:

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"Surimono" (literally "printed object"') are privately published prints inscribed with a dedication or poem that reflects upon everyday themes. This catalog includes more than 150 illustrations of prints drawn from the splendid Amsterdam Rijksmuseum collection. It also contains in-depth essays discussing the history of surimono and the subjects depicted in the prints, which incorporate seasonal references and classical themes. Most of the poems on the selected prints have been translated into English. This publication is an important reference work in the study of "surimono."


The Modern Japanese Prose Poem

The Modern Japanese Prose Poem

Author: Dennis Keene

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 196

ISBN-13: 1400855624

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Though the prose poem came into existence as a principally French literary genre in the nineteenth century, it occupies a place of considerable importance in twentieth-century Japanese poetry. This selection of poems is the first anthology of this genre and, in effect, the first appearance of this kind of poetry in English. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


101 Modern Japanese Poems

101 Modern Japanese Poems

Author:

Publisher: Thames River Press

Published: 2012-09-01

Total Pages: 168

ISBN-13: 0857285580

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This remarkable anthology features 101 modern Japanese poems by 55 poets, including Shuntarō Tanikawa, Minoru Yoshioka, Taeko Tomioka, Nobuo Ayukawa, Tarō Kitamura, Ryūichi Tamura, Hiroshi Yoshino, Noriko Ibaragi, Gōzō Yoshimasu and Yōji Arakawa, carefully selected by the renowned poet and literary critic Makoto Ōoka to ensure that the chosen poems express each poet’s special character. The collection provides a superb introduction to Japanese poetry from the immediate postwar period to the mid-1990s, and through these works one can sense the movement in poetry that reflected the challenging transitions and dizzying transformations occurring in postwar and contemporary Japan. Selected for inclusion in the Japanese Literature Publishing Project (JLPP) by the Japanese Agency for Cultural Affairs, this first-ever English edition has been translated by Paul McCarthy with both empathy and artistic felicity, and also includes a critical introduction by the Japanese poet and essayist Chūei Yagi. Suitable for both the student/scholar of modern Japanese literature and the general reader with a passion for poetry, the 101 poems in this authoritative collection will delight and inspire.