James Joyce and Catholicism is the first historicist study to explore the religious cultural contexts of Joyce's final masterpiece. Drawing on letters, authorial manuscripts and other archival materials, the book works its way through a number of crucial themes; heresy, anticlericalism, Mariology, and others. Along the way, the book considers Joyce's vexed relationship with the Catholic Church he was brought up in, and the unique forms of Catholicism that blossomed in Ireland at the turn of the last century, and during the first years of the Irish Free State.
Catholic antimodern, 1920-1929 -- Anti-communism and paternal Catholicism, 1929-1944 -- Anti-fascism and fraternal Catholicism, 1929-1944 -- Rebuilding Christian Europe, 1944-1950 -- Christian democracy and Catholic innovation in the long 1950s -- The return of heresy in the global 1960s
From the Introduction by Declan Kiberd, author of Ulysses and Us: "Francini Bruni, friend to Joyce in Trieste, wrote that 'he only completely admires the unchangeable: the mystery of Christ and the mute drama that surrounds it.' Colum Power, in a study of remarkable patience and rigour, traces Joyce's deep engagement with the more articulate forms which that necessarily mute, often mystical drama has sometimes taken when reduced to the humiliations of language . . . " "I am delighted to learn of this work about Joyce, being one of a relatively small number of Joyce critics who see him as having a very substantial religious sensibility; a topic that I continue to find of great interest and importance." -Weldon Thornton, The Antimodernism of Joyce's Portrait of an Artist as a Young Man "A very important book. I now understand Joyce better. Critiquing Joyce and Joycean critics is always perilous, affording many opportunities to tumble ignominiously from the tightrope of true balanced perspective. This book crosses that abyss with awe-inspiring aplomb! Leaves one almost breathless, the masterful handling of the material." -Joseph Pearce, The Quest for Shakespeare "A wonderful book, I have read it with great pleasure. The author has surely done his homework. The arguments are compelling and expressed with grace and sty≤ an excellent contribution to Joyce studies." -Mary Lowe-Evans, Catholic Nostalgia in Joyce and Company "A book of enormous significance not only for students of Joyce but for our coming to grips as a nation with Irish Catholicism, but it has enormous potential way beyond the special local Irish interest, considering the widespread influence of Joyce on world literature." -Father Vincent Twomey "A work of impressive quality, not only a matter of knowledge and extensive readings of Joyce's critics. The substance and course of the reflection is really interesting... So many of the observations made are absolutely remarkable." -Father Antoine Levy, O.P. Fr. Colum Power, born in Cork, Ireland, in 1965, is a religious missionary priest. He obtained a Master's degree in Anglo-Irish Studies (1st hons.) at University College Dublin in 1991, a Licentiate in the History of Theology (9) at the San Vicente de Ferrer Faculty of Theology in Valencia, Spain, in 2011, and a doctorate in the History of the Church (9.2) at the Pontifical University of the Holy Cross in Rome in 2013.
THE NUMBER ONE BESTSELLER Shortlisted for the Irish Book Awards 2021 'A great achievement . . . brilliant, engaging and essential' Colm Tóibín 'At once intimate and epic, this is a landmark book' Fintan O'Toole When Dubliner Derek Scally goes to Christmas Eve Mass on a visit home from Berlin, he finds more memories than congregants in the church where he was once an altar boy. Not for the first time, the collapse of the Catholic Church in Ireland brings to mind the fall of another powerful ideology - East German communism. While Germans are engaging earnestly with their past, Scally sees nothing comparable going on in his native land. So he embarks on a quest to unravel the tight hold the Church had on the Irish. He travels the length and breadth of Ireland and across Europe, going to Masses, novenas, shrines and seminaries, talking to those who have abandoned the Church and those who have held on, to survivors and campaigners, to writers, historians, psychologists and many more. And he has probing and revealing encounters with Vatican officials, priests and religious along the way. The Best Catholics in the World is the remarkable result of his three-year journey. With wit, wisdom and compassion Scally gives voice and definition to the murky and difficult questions that face a society coming to terms with its troubling past. It is both a lively personal odyssey and a resonant and gripping work of reporting that is a major contribution to the story of Ireland. 'Reflective, textured, insightful and original ... rich with history, interrogation and emotional intelligence' Diarmaid Ferriter, Irish Times 'An unblinking look at the collapse of the Church and Catholic deference in Ireland. Excellent and timely' John Banville, The Sunday Times 'Engaging and incisive' Caelainn Hogan, author of Republic of Shame 'Remarkable . . . Essential reading for anyone concerned about history and forgetting' Michael Harding 'Fair-minded . . . thoughtful' Melanie McDonagh, The Times 'Very pacey and entertaining . . . and it changed how I regard Ireland and our history for good. Fantastic' Oliver Callan 'Original, thought-provoking and very engaging' Marie Collins 'A provocative insight into a time that many would rather forget' John Boyne 'Challenging' Mary McAleese 'Explores this subject in a way that I've never seen before' Hugh Linehan, Irish Times
A personal examination of the Catholic faith, its leaders, and its complicated history by a National Book Award–winning, New York Times-bestselling author. James Carroll turns to the notion of practice—both as a way to learn and a means of improvement—as a lens for this thoughtful and frank look at what it means to be Catholic. He acknowledges the slow and steady transformation of the Church from its darker medieval roots to a more pluralist and inclusive institution, charting along the way stories of powerful Catholic leaders (Pope John XXIII, Thomas Merton, John F. Kennedy) and historical milestones like Vatican II. These individuals and events represent progress for Carroll, a former priest, and as he considers the new meaning of belief in a world that is increasingly as secular as it is fundamentalist, he shows why the world needs a Church that is committed to faith and renewal. “Carroll, a former Catholic priest who wrote of his conflict with his father over the Vietnam War in An American Requiem, revisits and expands on that tension in this spiritual memoir infused with church history . . . Readers who, like Carroll, remain Catholic but wrestle with their church’s positions on moral issues will most appreciate his story.” —Publishers Weekly “Thought-provoking.” —San Francisco Chronicle “[An] engrossing faith memoir . . . a page-turner.” —Kirkus Reviews
Roy Gottfried takes a controversial approach to the study of James Joyce's relation to religion by examining the author's 'misbelief' rather than the 'disbelief' so many scholars claim he professed. He argues that Joyce in fact had a great deal of respect for the Catholic Church though he did not accept the orthodox dogma he learned as a youth. Instead, Joyce was most interested in actual schisms that challenged the authority and universality of Catholic dogma.
"James Joyce and the Mythology of Modernism" examines anew how myth exists in Joyce's fiction. Using Joyce's idiosyncratic appropriation of the myths of Catholicism, this study explores how the rejected religion still acts as a foundational aesthetic for a new mythology of the Modern age starting with "A Portrait of the Artist as a Young Man" and maturing within "Ulysses". Like the mythopoets before him -- Homer, Dante, Milton, Blake -- Joyce consciously sets out to encapsulate his vision of a splintered and rapidly changing reality into a new aesthetic which alone is capable of successfully rendering the fullness of life in a meaningful way. Already reeling from the humanistic implications of an impersonal Newtonian universe, the Modern world now faced an Einsteinian one, a re-evaluation which includes Stephen's awakening from the "nightmare" of history, a re-definition of deity, and Bloom's urban identity. Written with both the experienced Joycean and the beginner in mind, this book tells how the Joycean myth is our own conception of the human being, and our place in the universe becomes (re)defined as definitively Modernist, yet still, through Molly Bloom's final affirmation, profoundly human.
