Pomorska (1928-1986) a noted specialist in Slavic literature and literary theory, is best known for her pioneering work in applying Roman Jakobson's theories of poetics to prose narratives. This collection brings together her writings over two decades (some of them appearing in English for the first time). She treats a wide range of Slavic literary works, including those by Puskin, Tolstoi, Pasternak, Chekhov, and Solzhenitsyn, as well as examples from Polish and Ukrainian folklore. Annotation copyright by Book News, Inc., Portland, OR
This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs.
Richard Bradford reasserts the value of Jakobson's work on poetry and poetics. Exploring Jakobson's thesis that poetry is the primary object of language, he demonstates how vital Jacobson's work is to an understanding of language and poetry.
This bibliography, first published in 1957, provides citations to North American academic literature on Europe, Central Europe, the Balkans, the Baltic States and the former Soviet Union. Organised by discipline, it covers the arts, humanities, social sciences, life sciences and technology.
A fascinating study of the motivations behind the political activities and philosophies of Putin's government in Russia "Part intellectual history, part portrait gallery . . . Black Wind, White Snow traces the background to Putin's ideas with verve and clarity."--Geoffrey Hosking, Financial Times "Required reading. This is a vivid, panoramic history of bad ideas, chasing the metastasis of the doctrine known as Eurasianism. . . . Reading Charles Clover will help you understand the world of lies and delusions that is Eurasia."--Ben Judah, Standpoint A powerful strain of Russian nationalism now lies at the heart of the Kremlin's political thinking: "Eurasianism". But how did this dangerous ideology, once a fringe theory, come to dominate Moscow's elite? Promoted most notably in recent years by Alexander Dugin, this theory has become the driving force behind the invasion of Ukraine and the perplexing manoeuvrings of Putin's Russia. In this fascinating investigation, Charles Clover, an award-winning journalist, traces Eurasianism's origins in the writings of White Russian exiles in 1920s Europe, through Siberia's Gulag archipelago in the 1950s, the dissolution of the Soviet Union in the early 1990s, and up to its steady infiltration of the governing elite. Based on extensive research and dozens of interviews with Putin's close advisers, this eye-opening account is essential reading to understand Russia's past century - and the dangers of our present political moment.
Investigating the conceptualisation of structure and form within literature, the Russian Formalists affected both the creation of art during the 1920s and 1930s and the development of literary theory as a scientific discipline. Crucial to the understanding of this theoretical movement, this collection of essays by and about the Russian Formalists features work by: - Boris M. Eichenbaum ("The Theory of the Formal Method") - Viktor Shklvosky ("The Mystery Novel: Dickens's Little Dorrit") - Roman Jakobson ("On Realism in Art") - Mikhail Bakhtin ("Discourse Typology in Prose") - Osip M. Brik ("Contributions to the Study of Verse Language") A new introduction by Gerald L. Bruns provides a context for understanding why these works remain as important and influential now as when they were first written.
Joe Andrew and Robert Reid assemble thirteen analytical discussions of Tolstoi’s key works, written by leading scholars from around the world. The works studied cover almost the entire length of Tolstoi’s career; the analyses present unique insights into Tolstoi’s artistic world.
This book explores the unique way in which Russian culture constructs the notion of everyday life, or byt, and offers the first unified reading of Silver-age narrative which it repositions at the centre of Russian modernism. Drawing on semiotics and theology, Stephen C. Hutchings argues that byt emerged from a dialogue between two traditions, one reflected in western representational aesthetics for which daily existence figures as neutral and normative, the other encapsulated in the Orthodox emphasis on iconic embodiment. Hutchings identifies early 'Decadent' formulations of byt as a milestone after which writers from Chekhov to Rozanov sought to affirm the iconic potential hidden in Russian realism's critique of representationalism. Provocative, yet careful, textual analyses reveal a consistent urge to redefine art's function as one not of representing life, but of transfiguring the everyday.