Jackson Rising is a chronicle of one of the most dynamic experiments in radical social transformation in the United States. The book documents the ongoing organizing and institution building of the political forces concentrated in Jackson, Mississippi dedicated to advancing the "Jackson-Kush Plan".
James Beard Foundation Book Award Nominee • Winner of the Ida B. Wells-Barnett Book Award, Association of Black Sociologists • Winner of the C. Wright Mills Award, the Society for the Study of Social Problems A vivid portrait of African American life in today’s urban South that uses food to explore the complex interactions of race and class Getting Something to Eat in Jackson uses food—what people eat and how—to explore the interaction of race and class in the lives of African Americans in the contemporary urban South. Joseph Ewoodzie Jr. examines how “foodways”—food availability, choice, and consumption—vary greatly between classes of African Americans in Jackson, Mississippi, and how this reflects and shapes their very different experiences of a shared racial identity. Ewoodzie spent more than a year following a group of socioeconomically diverse African Americans—from upper-middle-class patrons of the city’s fine-dining restaurants to men experiencing homelessness who must organize their days around the schedules of soup kitchens. Ewoodzie goes food shopping, cooks, and eats with a young mother living in poverty and a grandmother working two jobs. He works in a Black-owned BBQ restaurant, and he meets a man who decides to become a vegan for health reasons but who must drive across town to get tofu and quinoa. Ewoodzie also learns about how soul food is changing and why it is no longer a staple survival food. Throughout, he shows how food choices influence, and are influenced by, the racial and class identities of Black Jacksonians. By tracing these contemporary African American foodways, Getting Something to Eat in Jackson offers new insights into the lives of Black Southerners and helps challenge the persistent homogenization of blackness in American life.
The 1930s and 1940s saw unprecedented prosperity for the African Americans of Jackson's Church Street. From the first black millionaire in the United States to defenders of civil rights, nearly all of Jackson's black professionals lived on Church Street. It was one of the most popular places to see and be seen, whether that meant spotting Louis Armstrong strolling out of the Crystal Palace Club or Martin Luther King Jr. organizing an NAACP meeting at his field office on nearby Farish Street. Join authors and veterans of Church Street Grace Sweet and Benjamin Bradley as they explore the astounding history and legacy of Church Street.
One of the most elegant cookbooks you will ever own! Screen doors are a symbol of southern hospitality -- they invite you in to enjoy warm conversation and delicious food. Beautiful color photos of many dishes and some of the most unique doorways in the South, and charming anecdotes about southerners make this a welcome addition to any collection.
A novel in which a successful art dealer confesses the story of his rise to a former classmate in an airport bar--a story that begins with his rescue and resuscitation of a drowning man with whom he becomes inextricably and disturbingly linked.
This is the gripping story of the civil rights movement in Jackson, Mississippi, told by one of its foremost activists, John R. Salter Jr. In 1961 Salter, then a teacher at Tougaloo Southern Christian College, the private and almost entirely African American school just north of the state capital, became the adult advisor of the North Jackson NAACP Youth Council, a post that for lifelong activist Salter blossomed into impassioned involvement in the Jackson movement. The struggle for civil rights featured some of the bloodiest resistance by a panoply of repressive resources—“lawmen,” hoodlums, politicians, and vigilantes—but also introduced Salter to the movement’s most compelling and important figures, including NAACP field secretary Medgar Evers. Jackson, Mississippi tells the riveting story of their campaigns to abolish Jim Crow, including a committed and courageous economic boycott of Jackson that was instrumental in the desegregation of the capital’s business district. A fierce and passionate retelling of frontline stories from a cultural revolution, Jackson, Mississippi is a vivid snapshot of the Deep South in the 1960s and a testament to the brilliant, dangerous, and historic actions of the civil rights activists there.
Winner of the 2014 Lillian Smith Book Award Once in a great while, a photograph captures the essence of an era: Three people—one black and two white—demonstrate for equality at a lunch counter while a horde of cigarette-smoking hotshots pour catsup, sugar, and other condiments on the protesters' heads and down their backs. The image strikes a chord for all who lived through those turbulent times of a changing America. The photograph, which plays a central role in the book's perspectives from frontline participants, caught a moment when the raw virulence of racism crashed against the defiance of visionaries. It now shows up regularly in books, magazines, videos, and museums that endeavor to explain America's largely nonviolent civil rights battles of the late 1950s and early 1960s. Yet for all of the photograph's celebrated qualities, the people in it and the events they inspired have only been sketched in civil rights histories. It is not well known, for instance, that it was this event that sparked to life the civil rights movement in Jackson, Mississippi, in 1963. Sadly, this same sit-in and the protest events it inspired led to the assassination of Medgar Evers, who was leading the charge in Jackson for the NAACP. We Shall Not Be Moved puts the Jackson Woolworth's sit-in into historical context. Part multifaceted biography, part well-researched history, this gripping narrative explores the hearts and minds of those participating in this harrowing sit-in experience. It was a demonstration without precedent in Mississippi—one that set the stage for much that would follow in the changing dynamics of the state's racial politics, particularly in its capital city.
Describes the circumstances that led to a demonstration at Jackson State College and the shooting of two students by the police, and discusses the impact of the tragedy.
In the capital city of Jackson, visual artists and craftsmen have historically found a place where their work is cherished as part of the local economy. The works span nearly all mediums from sculpting to painting. Beginning in the 1920s with the formation of Wolfe Studios and spanning decades of change and development, Jackson studios have emerged and reigned as the preeminent strongholds of economic development and creative culture in the capital city. Author Nell Linton Knox and photographer Ellen Rodgers Johnson capture the compelling narratives behind some of the well-known craftsmen whose studios are mainstays in Jackson's oldest neighborhoods.