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Italian Violin Makers

Author: Karel Jalovec

Publisher: Hassell Street Press

Published: 2021-09-09

Total Pages: 484

ISBN-13: 9781014165206

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Masterpieces of Italian Violin Making (1620-1850)

Author: David Rattray

Publisher: Scarecrow Press

Published: 2000-12-13

Total Pages: 194

ISBN-13: 146166960X

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This book presents a unique view of the work of the great Italian violin-makers from the 17th to the 19th centuries, based on the collection of The Royal Academy of Music in London. The Academy, founded in 1822, is Britain's senior conservatory and one of the oldest institutions in the world for advanced musical training. Included here are masterpieces by Amati, Cappa, Celoniato, Ceruti, Dalla Costa, Deconet, Gagliano, Grancino, Guadagnini, Guarneri, Landolfi, Pressenda, Rota, Rugeri, Seraphin, Sorsana, Stradivari, Tecchler, and Testore. This revised edition has an updated descriptive text, features 15 extra entries, devotes at least two full-color spreads to each instrument, and is supplemented with a new dendrochronological study. Specially-commissioned photographs display each violin, viola, or cello with large, high-quality illustrations, revealing details of these instruments as never before. The Academy's collection of stringed instruments consists of around 100 violins and a similar combined number of violas and celli, the majority of which were received as gifts over the last century, beginning with the Rutson Bequest in 1906. These working instruments are maintained in fine playing condition and generally are in the hands of young musicians during their time as students or at the outset of their careers. The fine selection presented here underlines the collection's core of masterpiece Italian violins, and for the most part this book includes only those instruments in the purest state of conservation.

The Late Cremonese Violin Makers

Author: Dmitry Gindin

Publisher:

Published: 2002

Total Pages: 328

ISBN-13:

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Four Centuries of Violin Making

Author: Tim Ingles

Publisher: Cozio Publishing

Published: 2006

Total Pages: 13

ISBN-13: 0976443112

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Featuring colour photographs of 225 fine stringed instruments (violins, violas, cellos, and double basses), this title includes the work of Amati, Gagliano, Guarneri, Guadagnini and Stradivari families.

The Secrets of Stradivari

Author: Simone F. Sacconi

Publisher:

Published: 1979

Total Pages: 314

ISBN-13:

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The Violin-makers of the Guarneri Family, 1626-1762

Author: William Henry Hill

Publisher: Courier Corporation

Published: 1989-01-01

Total Pages: 273

ISBN-13: 0486260615

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A family history of the legendary violinmakers of Mantua, Cremona and Venice, and the definitive commentary on their craftsmanship. Includes 131 photographs, 16 in full color.

Violins and Violin Makers. Biographical Dictionary of the Great Italian Artistes, Their Followers and Imitators, to the Present Time. with Essays on Important Subjects Connected with the Violin

Author: Joseph Pearce

Publisher: Franklin Classics

Published: 2018-10-15

Total Pages: 208

ISBN-13: 9780343310172

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Violin Varnish

Author: Joseph Michelman

Publisher: Read Books Ltd

Published: 2011-03-23

Total Pages: 211

ISBN-13: 144654687X

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After more than eight years of extensive research on the varnish used by the Italian Violin Makers from 1550 to 1750 A. D., it has not been possible to corroborate the results in the chemical laboratory. This is due entirely to the unavailability of samples of the varnish for confirmatory analysis. Violins made by the Italian masters of this period are so valuable and so scarce that a small sample of the varnish has not been procurable for experimental purposes. Therefore, synthesis must precede analysis . . . . and with no assistance from the latter. This, then, will explain the sub-title of this book as: "A Plausible Re-creation of the Varnish Used by the Italian Makers Between the Years 1550 and 1750 A. D." However, the results of this investigation are so logical and so deeply supported by a vast amount of convincing evidence, that publication of the book is in order. First, possibly the findings will be confirmed, or otherwise, by investigators who may be more fortunate in having access to material from authentic violins made by the old masters. Confirmatory chemical tests will be suggested; it should be comparatively simple, especially through modern micro-analytical methods, to determine the presence of certain constituents in the varnish. The subject matter of this book will of necessity become technical, especially when the theoretical aspects are considered. It is realized that not everyone who will be interested in the rediscovery of the old Italian varnish will also be interested in the scientific deductions and conclusions. For this reason, a chapter will be included in which the preparation of the materials from which the varnish is made, the formulation of the varnish and its application will be reduced to the simplest terms. The old masters who lived several hundred years ago and who possessed none of the advantages of modern technology also used only the simplest technique in varnishing and finishing their violins.