Aja Minor: Island of Lost Souls

Aja Minor: Island of Lost Souls

Author: Chris Bliersbach

Publisher: Chris Bliersbach

Published: 2024-01-26

Total Pages: 275

ISBN-13:

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Aja and SHIELD almost met their demise by trying to take down the Black Widow. Now a new nemesis has taken over her trafficking operation. Aja narrowly escaped dying, being incarcerated as a traitor, and suffering a catastrophic rift in her relationship with Marsha. All just to have the Black Widow avoid capture, pivot, and sell her trafficking operation to some unknown U.S. billionaire. Complicating matters, three U.S. Senators who tried to eliminate SHIELD through budget cuts are missing. Fueling rumors that they may somehow be involved in the billionaire’s nefarious operation. And then there’s the not-so-little matter of Aja’s former paramour joining the team to work on the SPIDA project. Will Aja’s former paramour be the key to making SPIDA a reality? Or will her presence corrode the bond between Aja and Marsha? And can Aja and the SHIELD team overcome their past failure, solve who’s behind the operation, and rescue the abused and exploited children? Or will this case spell doom for Aja and the SHIELD team? Aja Minor: Island of Lost Souls is the sixth book in the Aja Minor psychic crime thrillers series. Fans of fierce female protagonists with unique powers who overcome adversity will find a home in this series. A portion of the proceeds from this series are donated to the National Center for Missing & Exploited Children, established in 1984 to help find missing children, reduce child sexual exploitation, and prevent child victimization.


Lost Souls of Horror and the Gothic

Lost Souls of Horror and the Gothic

Author: Elizabeth McCarthy

Publisher: McFarland

Published: 2016-10-28

Total Pages: 259

ISBN-13: 1476663149

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In recent years horror and gothic themes have penetrated mainstream popular culture in a manner unseen since the horror boom of the 1970s. Primetime television viewers who before might not have shown interest in such late-night fare now happily settle down after dinner to watch zombie or serial killer shows. This collection of 54 biographical essays examines many overlooked and underrated figures who have played a role in the ever expanding world of horror and gothic entertainment. The contributors push the boundaries of how we define these terms, bringing into the discussion such diverse figures as singer-songwriter Tom Waits, occultist Dion Fortune, author Charles Beaumont, historian and bishop Gregory of Tours and video game designer Shinji Mikami.


A Year of Fear

A Year of Fear

Author: Bryan Senn

Publisher: McFarland

Published: 2015-03-26

Total Pages: 561

ISBN-13: 1476610908

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This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.


Screen Consciousness

Screen Consciousness

Author:

Publisher: BRILL

Published: 2006-01-01

Total Pages: 202

ISBN-13: 9401203083

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This collection of essays is driven by the question of how we know what we know, and in particular how we can be certain about something even when we know it is an illusion. The contention of the book is that this age-old question has acquired a new urgency as certain trends in science, technology and ideas have taken the discussion of consciousness out of the philosophy department and deposited it in the world at large. As a consequence, a body of literature from many fields has produced its own sets of concerns and methods under the rubric of Consciousness Studies. Each contribution in this collection deals with issues and questions that lots of people have been thinking about for many years in many different contexts, things such as the nature of film, cinema, world, mind and so on. Those of us fascinated by these diverse yet related issues may have often felt we were working in a disciplinary no-man's-land. Now suddenly, it seems with Consciousness Studies we have a coherent intellectual home - albeit one that is self-consciously eclectic. The essays included in Screen Consciousness: Cinema, Mind and World are from a range of disciplines — art, philosophy, film theory, anthropology and technology studies — each represented by significant international figures, and each concerned with how their field is being transformed by the new discipline of Consciousness Studies. Together they attempt to reconcile the oncoming rush of new data from science and technology about how we know what we know, with the insights gained from the long view of history, philosophy and art. Each of the contributions seeks to interpose Consciousness Studies between film and mind, where for cultural theorists psychoanalysis had traditionally stood. This is more than simply updating Film Studies or nodding in the direction of cognitive film theory. Film, with all its sentient, sensuous and social qualities, is a common reference point between all these forces, and Consciousness Studies provides the intellectual impetus for this book to revisit familiar problems with fresh insight.


Censored Screams

Censored Screams

Author: Tom Johnson

Publisher: McFarland

Published: 2006-07-05

Total Pages: 222

ISBN-13: 0786427310

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As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood's horror movies. The issue most often used to limit the showing of horror films was their "unsuitability" to children. With that in mind, the BBFC developed specific film codes--the "A" (for adults) and the "H" (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood's golden age of horror.


The Turn to Gruesomeness in American Horror Films, 1931-1936

The Turn to Gruesomeness in American Horror Films, 1931-1936

Author: Jon Towlson

Publisher: McFarland

Published: 2016-09-12

Total Pages: 241

ISBN-13: 1476626391

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Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.


The Very Witching Time of Night

The Very Witching Time of Night

Author: Gregory William Mank

Publisher: McFarland

Published: 2014-06-20

Total Pages: 445

ISBN-13: 0786449551

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The book covers unusual and often surprising areas of horror film history: (1) The harrowingly tragic life of Dracula's leading lady, Helen Chandler, as intimately remembered by her sister-in-law. (2) John Barrymore's 1931 horror vehicles Svengali and The Mad Genius, and their rejection by the public. (3) The disastrous shooting of 1933's Murders in the Zoo, perhaps the most racy of all Pre-Code horror films. (4) A candid interview with the son of legendary horror star Lionel Atwill. (5) The censorship battles of One More River, as waged by Frankenstein director James Whale. (6) The adventures (and misadventures) of Boris Karloff as a star at Warner Bros. (7) The stage and screen versions of the horror/comedy Arsenic and Old Lace. (8) Production diaries of the horror noirs Cat People and The Curse of the Cat People. (9) Frankenstein Meets the Wolf Man revisited. (10) Horror propaganda: The production of Hitler's Madman. (11) Horror star John Carradine and the rise and fall of his Shakespearean Repertory Company. (12) The Shock! Theatre television phenomenon. And (13) A Tribute to Carl Laemmle, Jr., producer of the original Universal horror classics, including an interview with his lady friend of almost 40 years.


Introducing Mad Scientists

Introducing Mad Scientists

Author: Betty Burnett

Publisher: The Rosen Publishing Group, Inc

Published: 2006-08-15

Total Pages: 62

ISBN-13: 9781404208278

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Presents the plots of several films dealing with scientists whose experiments have gotten out of control, introduces several well-known literary or historical mad scientists, and describes how the special effects were created for some of them.


Religious Horror and the Ecogothic

Religious Horror and the Ecogothic

Author: Mary Going

Publisher: Rowman & Littlefield

Published: 2024-06-10

Total Pages: 283

ISBN-13: 166694596X

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Religious Horror and the Ecogothic explores the intersections of Anglophone Christianity and the Ecogothic, a subgenre that explores the ecocritical in Gothic literature, film, and media. Acknowledging the impact of Christian ideologies upon interpretations of human relationships with the environment, the Ecogothic in turn interrogates spiritual identity and humanity’s darker impulses in relation to ecological systems. Through a survey of Ecogothic texts from the eighteenth century to the present day, this book illuminates the ways in which a Christianized understanding of hierarchy, dominion, fear, and sublimity shapes reactions to the environment and conceptions of humanity’s place therein. It interrogates the discourses which inform environmental policy, as well as definitions of the “human” in a rapidly changing world.