This book explores how Irish prison policy has come to take on its particular character, with comparatively low prison numbers, significant reliance on short sentences and a policy-making climate in which long periods of neglect are interspersed with bursts of political activity all prominent features. Drawing on the emerging scholarship of policy analysis, the book argues that it is only through close attention to the way in which policy is formed that we will fully understand the nature of prison policy.
Focusing on women's relationships, life-circumstances and agency, Elaine Farrell reveals the voices, emotions and decisions of incarcerated women and those affected by their imprisonment, offering an intimate insight into their experiences of the criminal justice system across urban and rural post-Famine Ireland.
This book is the first national history of the building of some of Ireland's most important historic public buildings. Focusing on the former assize courthouses and county gaols, it tells a political history of how they were built, who paid for them, and the effects they had on urban development in Ireland. Using extensive archival sources, it delves in unprecedented detail into the politics and personalities of county grand jurors, Protestant landed society, government prison inspectors, charities, architects, and engineers, who together oversaw a wave of courthouse and prison construction in Ireland in an era of turbulent domestic and international change. It investigates the extent to which these buildings can be seen as the legacy of the British or imperial state, especially after the Act of Union, and thus contributes to ongoing debates within post-colonial studies regarding the built environment. Richly illustrated with over 300 historic drawings, photographs and maps, this book analyses how and why these historic buildings came to exist. It discusses crime, violence and political and agrarian unrest in Ireland during the years when Protestant elites commissioned such extensive new public architecture. The book will be of interest to academic and popular audiences curious to learn more about Irish politics, culture, society and especially its rich architectural heritage.
The incredible true story of one of the most extraordinary and inspirational prison breaks in Australian history. New York, 1874. Members of the Clan-na-Gael - agitators for Irish freedom from the English yoke - hatch a daring plan to free six Irish political prisoners from the most remote prison in the British Empire, Fremantle Prison in Western Australia. Under the guise of a whale hunt, Captain Anthony sets sail on the Catalpa to rescue the men from the stone walls of this hell on Earth known to the inmates as a 'living tomb'. What follows is one of history's most stirring sagas that splices Irish, American, British and Australian history together in its climactic moment. For Ireland, who had suffered English occupation for 700 years, a successful escape was an inspirational call to arms. For America, it was a chance to slap back at Britain for their support of the South in the Civil War; for England, a humiliation. And for a young Australia, still not sure if it was Great Britain in the South Seas or worthy of being an independent country in its own right, it was proof that Great Britain was not unbeatable. Told with FitzSimons' trademark combination of arresting history and storytelling verve, The Catalpa Rescue is a tale of courage and cunning, the fight for independence and the triumph of good men, against all odds.
This book explores 50 years of Irish women’s prison writing, 1960s–2010s, connecting the work of women leaders and writers in Northern Ireland during the Troubles. This volume analyzes political communiqués, petitions, news coverage, prison files, personal letters, poetry and short prose, and memoirs, highlighting the personal correspondence, auto/biographical narratives, and poetry of the following key women: Bernadette McAliskey, Eileen Hickey, Mairéad Farrell, Síle Darragh, Ella O’Dwyer, Martina Anderson, Dolours Price, Marian McGlinchey (formerly Marian Price), Áine and Eibhlín Nic Giolla Easpaig (Ann and Eileen Gillespie), Roseleen Walsh, and Margaretta D’Arcy. This text builds on different fields and discourses to reimagine gender and genre as central to an interdisciplinary and intersectional prison archive. Centering Irish women’s prison writings, in order to challenge canonization in history and literature, this volume argues that women’s lives and words offer a different view of gender and nation as well as offer a fuller and more inclusive archive of Irish history and literature. Additionally, this book will point to the ways in which their politics of everyday life and their cultural work is a form of anti-colonial civil rights feminism, for it speaks truth to power in a world in which compliance and silence are valued. Overall, this text focuses on rethinking and recasting women’s voices and words in order to document and promote the ongoing Irish freedom struggle from an abolitionist feminist perspective.
