Irish Classical Recordings
Irish Classical Recordings

Author: Axel Klein

Publisher: Greenwood

Published: 2001-09-30

Total Pages: 296

ISBN-13:

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Though the term Irish music typically evokes images of fiddles, flutes, and Riverdance, Ireland and its culture have also given rise to a wealth of orchestral music, including compositions ranging from string quartets to operas. In this important new work, author Axel Klein provides much more than a mere discography: he documents and promotes a largely unknown aspect of Irish culture in a unique combination of discographical and biographical information. Featuring ninety-three recorded Irish composers and forty-three international composers influenced by Irish music, the volume offers the means for scholars and general readers alike to familiarize themselves with a subject to which most of the world, until now, has not been exposed. As most of the music described is currently available on compact disc, Klein's compilation serves as an invaluable resource guide for both academics and amateur enthusiasts.

Notes from the Heart
Notes from the Heart

Author: P. J. Curtis

Publisher: Dufour Editions

Published: 1994

Total Pages: 216

ISBN-13:

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Charting the history of Irish traditional music since the turn of the century, award-winning record producer and radio presented PJ Curtis provides an overview of Irish music and song from the earliest recordings, through the bleak decades of the Forties and Fifties, to the popular renaissance of recent years. Vividly capturing the personalities of musicians, past and present, who have contributed to this living tradition, 'Notes from the Heart' explores the social milieu from which they spring, their influences, their cultural significance, and the social milieu from which they spring, their influences, their cultural significance, and the spirit and essence of the music they make.

50 Easy Classical Guitar Solos
50 Easy Classical Guitar Solos

Author: Jerry Willard

Publisher: Hal Leonard Corporation

Published: 1998-12-01

Total Pages: 204

ISBN-13: 1540093433

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(Music Sales America). The pieces and etudes you need to develop your first classical guitar repertoire. This book and CD package contains delightful repertory of pieces in both standard notation and tab for the beginning or intermediate player. The selections are drawn from all periods of classical guitar literature and have been newly arranged and edited by Jerry Willard. The CD includes full-length performances. Learn pieces by Sor, Carulli, Dowland, Mozart, Tarrega, and many more.

The Companion to Irish Traditional Music
The Companion to Irish Traditional Music

Author: Fintan Vallely

Publisher: NYU Press

Published: 1999-09

Total Pages: 506

ISBN-13: 9780814788028

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"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.

A Pocket History of Irish Traditional Music
A Pocket History of Irish Traditional Music

Author: Gearóid Ó hAllmhuráin

Publisher: O'Brien Press

Published: 1998

Total Pages: 168

ISBN-13:

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From the mythological harp of the Dagda to Riverdance, this concise history of Irish traditional music and dance explores a rich spectrum of historical sources and folklore. It uncovers the contribution of the Normans to Irish dancing, the rote of the music maker in Penal Ireland, and the popularity of dance tunes and set dancing from the end of the eighteenth century to the present. It also follows the music of the Irish diaspora from the music halls of vaudeville to the musical tapestry of Irish America today.

Irish Folk Songs for Classical Guitar
Irish Folk Songs for Classical Guitar

Author: Steve Marsh

Publisher: Mel Bay Publications

Published: 2010-10-07

Total Pages: 49

ISBN-13: 1609742621

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Author Steve Marsh has spent many years playing guitar in the folk clubs of the United Kingdom where Irish music is in abundance. This collection draws from his extensive collection of original arrangements of traditional tunes. the songs vary in style and can be grouped into sets for use in a recital program. Many of the folk songs have been handed down from generation to generation so several versions of a song may exist. Therefore, the author has taken a few liberties with the tempo and rhythmic structures of a limited number of tunes in this collection. In general, the pieces in this album range from moderate standard to difficult. In standard notation only.

A Short History of Irish Traditional Music
A Short History of Irish Traditional Music

Author: Gearóid Ó hAllmhuráin

Publisher: The O'Brien Press Ltd

Published: 2017-05-08

Total Pages: 212

ISBN-13: 1847179401

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The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance and beyond. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.

The Irishness of Irish Music
The Irishness of Irish Music

Author: John O'Flynn

Publisher: Routledge

Published: 2017-07-05

Total Pages: 256

ISBN-13: 1351543377

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This book brings together important material from a range of sources and highlights how government organizations, musicians, academics and commercial companies are concerned with, and seek to use, a particular notion of Irish musical identity. Rooting the study in the context of the recent history of popular, traditional and classical music in Ireland, as well as providing an overview of aspects of the national field of music production and consumption, O'Flynn goes on to argue that the relationship between Irish identity and Irish music emerges as a contested site of meaning. His analysis exposes the negotiation and articulation of civic, ethnic and economic ideas within a shifting hegemony of national musical culture, and finds inconsistencies between and among symbolic constructions of Irish music and observed patterns in the domestic field. More specifically, O'Flynn illustrates how settings, genres, social groups and values can influence individual identifications or negations of Irishness in music. While the apprehension of intra-musical elements leads to perceptions of music that sounds Irish, style and authenticity emerge as critical articulatory principles in the identification of music that feels Irish. The celebratory and homogenizing discourse associated with the international success of some Irish musical forms is not reflected in the opinions of the people interviewed by O'Flynn; at the same time, an insider/outsider dialectic of national identity is found in various forms of discourse about Irish music. Performers and composers discussed include Bill Whelan (Riverdance), Sinead O'Connor, The Corrs, Altan, U2, Martin Hayes, Dolores Keane and Gerald Barry.

Ancestral Imprints
Ancestral Imprints

Author: Thérèse Smith

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9781859184929

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"Publication of the International Council for Traditional Music, Ireland."

Irish Music on the Silver Flute
Irish Music on the Silver Flute

Author: Philippe Barnes

Publisher: Independently Published

Published: 2020-10-12

Total Pages: 24

ISBN-13:

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This book is for someone who can already play the silver flute to some extent. I hope to show you some of the techniques to engage with the sounds of traditional wooden flute, as well as teach you a few tunes along the way. There are lots of my own tunes included which are particularly suited to the silver flute and a few traditional tunes to help illustrate the techniques."a wealth of information for silver flute players who wish their instrument to sound more like a traditional wooden flute...deeply thought through and gives really useful practical advice. ...It really is an impressive book...both entertaining and really useful." - Living Tradition Magazine"hugely important book...Philippe is a master of those techniques...Irish Music Magazine's John Brophy's comment is quoted in the book; "I've heard nobody else who can make the Boehm flute sound like the true traditional thing, who can mould tone to the tune so nicely, the sheer musicality is exceptionally impressive."...This is an invaluable resource for Silver flute players and is a great teaching aid; it should be in every secondary school music room in the country." - Seán Laffey, IRISH MUSIC MAGAZINE"This book serves as an ideal introduction for any Boehm flute players who are interested in exploring the traditional language of Irish Music. One of the most important elements in idiomatic Irish flute playing is the execution of a wide range of ornaments, and they are clearly explaned her and backed up with examples from the repertoire. Barnes stresses the difference between classical ornamentation (which is essentially melodic) and Irish ornamentatin where the focus is on rhythm. He disusses differences in hand position and an appropriate approach to vibrato, and covers techniques such as feathering, cuts, rolls, cranns, bounces and slides. Each technique is clearly explaned in straigntforward language, and there is plenty of repertoire included to help skills develop in each area. Recommended." Carla Rees, British Flute Society Magazine