Interviews with Mexican Women: We Don’t Talk About Feminism Here presents a series of conversations with Mexican women representing a wide geographical range within Mexico. The interviews broach current social issues and discuss their correlation to the Mexican feminist movement of the 1970s and 1980s. This unique project focuses on cultural, political, economic, and social topics as they pertain to Mexican women impacted (or not) by the women’s struggle in Mexico to achieve gender equality in their country. This book offers a rare insight into feminist influence on many areas of social life, and will be a vital text for students and researchers in Gender Studies and Mexican or Latin American Studies.
2016 Victoria Urbano Critical Monograph Book Prize, presented by the International Association of Hispanic Feminine Literature and Culture Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness. México’s Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as “La Adelita” and “La Cucaracha,” iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art’s crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.
Refusing the Favor tells the little-known story of the Spanish-Mexican women who saw their homeland become part of New Mexico. A corrective to traditional narratives of the period, it carefully and lucidly documents the effects of colonization, looking closely at how the women lived both before and after the United States took control of the region. Focusing on Santa Fe, which was long one of the largest cities west of the Mississippi, Deena González demonstrates that women's responses to the conquest were remarkably diverse and that their efforts to preserve their culture were complex and long-lasting. Drawing on a range of sources, from newspapers to wills, deeds, and court records, González shows that the change to U.S. territorial status did little to enrich or empower the Spanish-Mexican inhabitants. The vast majority, in fact, found themselves quickly impoverished, and this trend toward low-paid labor, particularly for women, continues even today. González both examines the long-term consequences of colonization and draws illuminating parallels with the experiences of other minorities. Refusing the Favor also describes how and why Spanish-Mexican women have remained invisible in the histories of the region for so long. It avoids casting the story as simply "bad" Euro-American migrants and "good" local people by emphasizing the concrete details of how women lived. It covers every aspect of their experience, from their roles as businesswomen to the effects of intermarriage, and it provides an essential key to the history of New Mexico. Anyone with an interest in Western history, gender studies, Chicano/a studies, or the history of borderlands and colonization will find the book an invaluable resource and guide.
Born in the remote mountains and tropical forests of southern Mexico, the elder women of Chiapas have witnessed tumultuous change during their lifetimes, which in some cases spanned the entire twentieth century. Through hard experience, these women have gained unique perspectives on the transformations that modernity has brought to their traditional way of life. Reflecting on this rich store of wisdom, artists Gayle Walker and Kiki Suárez began interviewing and photographing Chiapanec women between the ages of 60 and 108. In this book, they present the life stories of twenty-eight women, who speak for the silent members of a divided society - well-to-do, urban ladinas of European descent; mixed race, low-income mestizas; and indigenous Maya from the highlands and Lacandon rainforest. As the women tell their stories, they shed light on major historical events as well as the personal dramas of daily life. For some, the Mexican Revolution and the 1918 Spanish influenza epidemic are still painfully vivid. Others focus on recent social upheavals, such as the 1994 Zapatista Uprising. Women whose families had more resources fondly recall their high school days, while poorer women tell tragic stories of deprivation, hunger, and family violence. Particularly thought-provoking are the women's attitudes toward marriage, work, religion, and their own mortality. Considering the limited opportunities these women faced, Walker and Suárez sum up the significant theme of these interviews by observing that the women of Chiapas "remind us that if we are flexible, creative, and courageous, we have many more possibilities than we think we have."
Vicki L. Ruiz provides the first full study of Mexican-American women in the 20th century, in a narrative enhanced by interviews and personal stories that capture a vivid sense of the Mexicana experience in the United States. Beginning with the first wave of women crossing the border early this century, Ruiz reveals the struggles they have faced, the communities they have built, and also highlights the various forms of political protest they have initiated. What emerges from the book is a portrait of a distinctive culture in America that has slowly gathered strength in the last 95 years.
Winner, 2019 Inaugural Outstanding Ethnography Book Award, given by the Ethnography in Education Research Forum Winner, 2019 Outstanding Book Award, given by the Council on Anthropology and Education The stories of Mexican migrant women who parent from afar, and how their transnational families stay together While we have an incredible amount of statistical information about immigrants coming in and out of the United States, we know very little about how migrant families stay together and raise their children. Beyond the numbers, what are the everyday experiences of families with members on both sides of the border? Focusing on Mexican women who migrate to New York City and leave children behind, Motherhood across Borders examines parenting from afar, as well as the ways in which separated siblings cope with different experiences across borders. Drawing on more than three years of ethnographic research, Gabrielle Oliveira offers a unique focus on the many consequences of maternal migration. Oliveira illuminates the life trajectories of separated siblings, including their divergent educational paths, and the everyday struggles that undocumented mothers go through in order to figure out how to be a good parent to all of their children, no matter where they live. Despite these efforts, the book uncovers the far-reaching effects of maternal migration that influences both the children who accompany their mothers to New York City, and those who remain in Mexico. With more mothers migrating without their children in search of jobs, opportunities, and the hope of creating a better life for their families, Motherhood across Borders is an invaluable resource for scholars, educators, and anyone with an interest in the current dynamics of U.S immigration.
“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today
National Book Award Finalist! Instant New York Times Bestseller! The Absolutely True Diary of a Part-Time Indian meets Jane the Virgin in this poignant but often laugh-out-loud funny contemporary YA about losing a sister and finding yourself amid the pressures, expectations, and stereotypes of growing up in a Mexican-American home. Perfect Mexican daughters do not go away to college. And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga’s role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed. But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal? “Alive and crackling—a gritty tale wrapped in a page-turner. ”—The New York Times “Unique and fresh.” —Entertainment Weekly “A standout.” —NPR
