A study in social evolution. The author believes there exists a great number of intermediate types between the normal man and the normal woman, meaning a feminine body with the mind and feelings being masculine or vice versa. Divided into two parts: Part 1 is entitled the Intermediate in the Service of Religion, and Part 2 is the Intermediate as Warrior. Chapters are entitled: Part 1: as prophet or priest; as wizard or witch; as inventors of the arts and crafts; hermaphrodism among gods and mortals; Part 2: Dorian military comradeship; its relation to the status of woman; its relation to civic life and religion; samurai of Japan, their ideal.
Excerpt from Intermediate Types Among Primitive Folk a Study in Social Evolution The four chapters forming Part I of this book were originally published in Professor Stanley Hall's American Journal of Religious Psychology for July, 1911; and in the Revue d' Ethnographie et de Sociologie of the same date, issued by the International Ethnographic Institute of Paris. With regard to the Dorian institutions in Part II, I owe much to Professor E. Bethe's learned and authoritative treatise on that subject in the Rheinisches Museum fur Philologie, Frankfurt-a-M., 1907. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: ... /' CHAPTER VI -.-'." THE DORIAN COMRADESHIP IN RELATION TO THE STATUS OF WOMAN Although, as has been already indicated, there are instances of manly and military institutions of somewhat similar quality among other early peoples, it is doubtful whether in the history of the world there has ever been another case of such complete acceptance of comrade-love as a valued and recognised cu
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Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors. Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller
"Blind seer, articulate dead, and mythic transsexual, the figure of Tiresias has always represented a liminal identity and forms of knowledge associated with the crossing of epistemological and ontological boundaries. In twentieth-century literature, the boundaries crossed andembodied by Tiresias are primarily sexual, and the liminal and usually prophetic knowledge associated with Tiresias is based in sexual difference and sexual pleasure. Indeed, in literature of the twentieth century, Tiresias has come to function as a cultural shorthand for queer sexualities." "This book argues for the emergence of a Tiresian poetics at the end of the nineteenth century. As Victorian andmodernist writers reimagined Ovid's tale of sex change and sexual judgment, they also created a poetics that grounded artistic or perfonnative power in figures of sexual difference - most often a feminized, often homosexual malebody, which this study links to the developing discourses of homosexuality and sexual identity."--BOOK JACKET.
By reading the work of the British modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - through the lens of material culture, this text argues that women's imaginative work is inseparable from their ambivalent, complicated relation to Britain's imperial history.
More than an occult parlour game, 19th century American Spiritualism was a new religion, which channeled the voices of the dead, linked present with past, and conjured new worldly and otherworldly futures. Tracing the persistence of magic in an emergent culture of secularism, McGarry looks at this part of American cultural history.
