People in U.S. prisons are routinely subjected to physical, sexual, and mental abuse. While this has been documented in male prisons, women in prison often suffer in relative anonymity. Women Inside addresses this critical social justice issue, empowering incarcerated and formerly incarcerated women to share the stories that have previously been silenced. Among the narrators: •Irma Rodriguez, in prison on drug charges. While in prison in 1990, Irma was diagnosed HIV positive, but after a decade and a half of aggressive and toxic treatment, Irma learned that she never had HIV. •Sheri Dwight, a domestic violence survivor who was sent to prison for attempting to kill her batterer. While in prison, she underwent surgery for abdominal pain and learned more than four years later that she had been sterilized without her consent.
Caldecott Honor Book Today Show Best Book for the Holidays ALA Notable Book for All Ages ALSC Notable Children's Book NCTE Notable Poetry Book Evanston Public Library's Top 100 Great Book for Kids Nerdy Award Winner for Single Poem Picture Book Bank Street Best Books of the Year In this powerful, affirming poem by award-winning author Zetta Elliott, a Black child explores his shifting emotions throughout the year. There is a place inside of me a space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace. In her stunning debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color as vibrant as his words. Here is a groundbreaking narrative that can help all readers—children and adults alike—talk about the feelings hiding deep inside each of us.
"Grace refused to be confined by the fifties' notion of a woman's place. In her struggle to find herself, she lifted the lid off sex and violence, power and powerlessness, truth and hypocrisy, and became known as the Pandora in Blue Jeans.".
One of the New York Times’s Best Books of the 21st Century Named one of the most important nonfiction books of the 21st century by Entertainment Weekly‚ Slate‚ Chronicle of Higher Education‚ Literary Hub, Book Riot‚ and Zora A tenth-anniversary edition of the iconic bestseller—"one of the most influential books of the past 20 years," according to the Chronicle of Higher Education—with a new preface by the author "It is in no small part thanks to Alexander's account that civil rights organizations such as Black Lives Matter have focused so much of their energy on the criminal justice system." —Adam Shatz, London Review of Books Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists and organizations motivated by Michelle Alexander's unforgettable argument that "we have not ended racial caste in America; we have merely redesigned it." As the Birmingham News proclaimed, it is "undoubtedly the most important book published in this century about the U.S." Now, ten years after it was first published, The New Press is proud to issue a tenth-anniversary edition with a new preface by Michelle Alexander that discusses the impact the book has had and the state of the criminal justice reform movement today.
DIVDIV“A welcome and poignant account of the intense human and political dynamics of a major children’s hospital that will have a substantial impact on the way you view children and their care.” —The New England Journal of Medicine/divDIV Lee Gutkind is a master at stepping into the worlds of medicine and revealing the unique desires, characteristics, and stories of the people therein. For One Children’s Place, he spent two years at Children’s Hospital of Pittsburgh, observing not just the patients but also their nurses, surgeons, therapists, administrators, and families. What he found was an institution that excelled at responding to the needs of the children who stayed there, from the professionals who dealt with the unique problems of hospital furniture and design, to the nurses and social workers who became unwaveringly close allies to their young charges, to the doctors who undertook risky new procedures to save lives./divDIV Brimming with hope and animated by fascinating anecdotes, One Children’s Place is a powerful portrait of heroism and heartbreak, by one of America’s foremost nonfiction storytellers./divDIV/div/div
Inside This Place, Not of It reveals some of the most egregious human rights violations within women's prisons in the United States. In their own words, the thirteen narrators in this book recount their lives leading up to incarceration and their experiences inside- ranging from forced sterilization and shackling during childbirth, to physical and sexual abuse by prison staff. Together, their testimonies illustrate the harrowing struggles for survival that women in prison must endure.
"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."
From a nationally recognized expert, a fresh and original argument for bettering affirmative action Race-based affirmative action had been declining as a factor in university admissions even before the recent spate of related cases arrived at the Supreme Court. Since Ward Connerly kickstarted a state-by-state political mobilization against affirmative action in the mid-1990s, the percentage of four-year public colleges that consider racial or ethnic status in admissions has fallen from 60 percent to 35 percent. Only 45 percent of private colleges still explicitly consider race, with elite schools more likely to do so, although they too have retreated. For law professor and civil rights activist Sheryll Cashin, this isn’t entirely bad news, because as she argues, affirmative action as currently practiced does little to help disadvantaged people. The truly disadvantaged—black and brown children trapped in high-poverty environs—are not getting the quality schooling they need in part because backlash and wedge politics undermine any possibility for common-sense public policies. Using place instead of race in diversity programming, she writes, will better amend the structural disadvantages endured by many children of color, while enhancing the possibility that we might one day move past the racial resentment that affirmative action engenders. In Place, Not Race, Cashin reimagines affirmative action and champions place-based policies, arguing that college applicants who have thrived despite exposure to neighborhood or school poverty are deserving of special consideration. Those blessed to have come of age in poverty-free havens are not. Sixty years since the historic decision, we’re undoubtedly far from meeting the promise of Brown v. Board of Education, but Cashin offers a new framework for true inclusion for the millions of children who live separate and unequal lives. Her proposals include making standardized tests optional, replacing merit-based financial aid with need-based financial aid, and recruiting high-achieving students from overlooked places, among other steps that encourage cross-racial alliances and social mobility. A call for action toward the long overdue promise of equality, Place, Not Race persuasively shows how the social costs of racial preferences actually outweigh any of the marginal benefits when effective race-neutral alternatives are available.
Notions of diaspora are central to contemporary debates about 'race', ethnicity, identity and nationalism. Yet the Irish diaspora, one of the oldest and largest, is often excluded on the grounds of 'whiteness'. Outsiders Inside explores the themes of displacement and the meanings of home for these women and their descendants. Juxtaposing the visibility of Irish women in the United States with their marginalization in Britain, Bronwen Walter challenges linear notions of migration and assimilation by demonstrating that two forms of identification can be held simultaneously. In an age when the Northern Ireland peace process is rapidly changing global perceptions of Irishness, Outsiders Inside moves the empirical study of the Irish diaspora out of the 'ghetto' of Irish Studies and into the mainstream, challenging theorists and policy-makers to pay attention to the issue of white diversity.
