This interdisciplinary study is the first book to provide a complete survey of Śrī Nālandā Mahāvihāra from the perspective of its educational curricula as well as its religious influence. It provides detailed descriptions of the origin, growth, management, and academic and cultural life of Nālandā, with particular attention to its pedagogy, curriculum, teachers, and students. It also presents an alternative interpretation of nationalist and popular notions about Śrī Nālandā as an international university and proves that it was, at its core, a Buddhist monastery and an institution of Buddhist learning focused on the study and promotion of Buddhism.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
The Anthology Explodes The Myth Of India Being A Static Society And Reflects The Commitment Of To Indian History Congress To Scientific And Secular History. This Volume Comprising Thirty Four Articles Taken From Ihc Proceedings Of Last Fifty Years Is Being Put Together In The Hope That It Could Afford An Impression Of The Research Problems Which Have Engaged Economic Historians In The Past Fifty Years. The Conceptual Frame Work In Which Their Research Was Conceived, And The Methodology They Employed. It Provides An Overview Of The Continuities And Changes In The Professional Historians Approach To The Economic Aspects Of `Modern` Indian History.
Through a curated collection of key Jain paintings, this volume offers a glimpse into the way people lived in western India during the medieval times: What they wore, how they ornamented themselves, what they amused themselves with, what furniture they sat on, which modes of transport they used. It includes Jain paintings from various collections in India and abroad to underscore the value of pictorial evidence in piecing together the past. The book takes the reader on a breath-taking visual journey through the varied costumes, exquisite textiles, handcrafted ornaments, curiously shaped vessels and containers, musical instruments, arms and armour, conveyances, and many such articles of everyday use. These articles of everyday use are corroborated with the descriptions left by foreign travellers passing through western India at that time. It explores contemporary lexicons and vernacular literature from this period, for possible names in vogue for the articles of Material Culture. The work is richly illustrated with line drawings by the author to highlight the objects being referred to. What comes across clearly through this book is that art is the mirror of the times, and as such, paintings reflect the society in which they are created. A magnificent read, this book will be essential for scholars and researchers of Indian painting, art history, Indian art, arts and aesthetics, Jainism, visual arts, South Asian history, Indian history, heritage studies and cultural history. It will also be a must-have for history and visual arts enthusiasts all over the world.
