A man with no death, listening for the first time itself, shall definitely be fascinating for many, but the curiosity?? How many of you know that there are 7 death defying characters in the rich Indian mythology ! This book is a series which showcases their being right from their childhood Let me take the privilege to exhibit their life
Irawati Karve studies the humanity of the Mahabharata`s great figures, with all their virtues and their equally numerous faults. Sought out by an inquirer like her, whose view of life is secular, scientific, anthropological in the widest sense, yet appreciative of literary values, social problems of the past and present alike, and human needs and responses in her own time and in antiquity as she identifies them... Seen through her eyes the Mahabharata is more than a work which Hindus look upon as divinely inspired, and venerate. It becomes a record of complex humanity and a mirror to all the faces which we ourselves wear.
Why should we be good? How should we be good? And how might we more deeply understand the moral and ethical failings--splashed across today's headlines--that have not only destroyed individual lives but caused widespread calamity as well, bringing communities, nations, and indeed the global economy to the brink of collapse? In The Difficulty of Being Good, Gurcharan Das seeks answers to these questions in an unlikely source: the 2,000 year-old Sanskrit epic, Mahabharata. A sprawling, witty, ironic, and delightful poem, the Mahabharata is obsessed with the elusive notion of dharma--in essence, doing the right thing. When a hero does something wrong in a Greek epic, he wastes little time on self-reflection; when a hero falters in the Mahabharata, the action stops and everyone weighs in with a different and often contradictory take on dharma. Each major character in the epic embodies a significant moral failing or virtue, and their struggles mirror with uncanny precision our own familiar emotions of anxiety, courage, despair, remorse, envy, compassion, vengefulness, and duty. Das explores the Mahabharata from many perspectives and compares the successes and failures of the poem's characters to those of contemporary individuals, many of them highly visible players in the world of economics, business, and politics. In every case, he finds striking parallels that carry lessons for everyone faced with ethical and moral dilemmas in today's complex world. Written with the flair and seemingly effortless erudition that have made Gurcharan Das a bestselling author around the world--and enlivened by Das's forthright discussion of his own personal search for a more meaningful life--The Difficulty of Being Good shines the light of an ancient poem on the most challenging moral ambiguities of modern life.
An invaluable encyclopedia of Hinduism Hinduism is one of the world’s oldest religions; an amalgam of diverse beliefs and schools, it originates in the Vedas and is rooted in Indian culture. Hinduism: An Alphabetical Guide illuminates complex philosophical concepts through lucid definitions, a historical perspective and incisive analyses. It examines various aspects of Hinduism, covering festivals and rituals, gods and goddesses, philosophers, memorials, aesthetics, and sacred plants and animals. The author also explores pivotal ideas, including moksha, karma, dharma and samsara, and details the diverse commentaries on the Bhagavad Gita and other important texts. Citing extensively from the regional languages, the book describes Hinduism’s innumerable myths and legends, and looks at the many versions of texts including the Ramayana and Mahabharata, placing each entry in its historical context and tracing its evolution to the present. • Outlines all eighteen major Puranas, the 108 Upanishads, and a selection of Vaishnava, Sahiva and Tantric texts • Provides quotations from rare original texts • A product of years of research, with a wide range of entries
In ancient Egypt women enjoyed a legal, social and sexual independence unrivalled by their Greek or Roman sisters, or in fact by most women until the late nineteenth century. They could own and trade in property, work outside the home, marry foreigners and live alone without the protection of a male guardian. Some of them even rose to rule Egypt as ‘female kings’. Joyce Tyldesley’s vivid history of how women lived in ancient Egypt weaves a fascinating picture of daily life – marriage and the home, work and play, grooming and religion – viewed from a female perspective, in a work that is engaging, original and constantly surprising.
The Greatest Story Ever Told Dispute over land and kingdom may lie at the heart of this story of war between cousins—the Pandavas and the Kouravas—but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. In this superb and widely acclaimed translation of the complete Mahabharata, Bibek Debroy takes us on a great journey with incredible ease.
Khrisna of India. Thammuz of Syria. Esus of the Celtic Druids. Mithra of Persia. Quexalcoati of Mexico. All were crucified gods, and all met their fates hundreds of years before Jesus appeared on the scene. In this foundational work of modern atheism, American spiritualist KERSEY GRAVES (1813-1883) breaks the Christ myth down into its component parts and ably demonstrates how the story of Jesus has its roots in the depths of antiquity. Here you'll read about the surprising prevalence throughout global folklore of: . the miraculous and immaculate conception of the gods . stars that point out the time and place of a savior's birth . angels, shepherds, and magi visiting an infant savior . the 25th of December as the universal birth date of gods . saviors who descend into Hell . and much more. This is essential reading for students of comparative mythology and modern freethinkers. Also available from Cosimo: Graves's The Biography of Satan and The Bible of Bible.
Unlike many modern historians, Perry was a diffusionist who believed that modern civilization began in Egypt and was spread via ships to Indonesia, the Pacific Islands, and even to North America. Perry traces the origin of megalithic culture starting in Egypt, and then across the Pacific. Searching for gold, obsidian, and pearls, they travelled across the Pacific to the American Southwest and Mexico.
I knew there was nothing poetic about death. I knew not that the most horrific battles are fought off the battlefield. Arjun: The idealist in a non-ideal world; the warrior whose deadliest opponent was his conscience. History forgot his voice, but misquoted his silence. My self-esteem originates from me and ends in me. Why does your honor depend on me? Find your own. Draupadi: The untamed tigress, the fragrant flame, the unbridled spirit. Power does not justify sin. Power is not virtue. Virtue is that which lasts in spite of power. Krishn: The enigma whose unique ideology churned the battlefield into a quest for Truth. The Missile …The Trajectory … The Vision. The trio that makes for the core of The Mahabharata (Indian Epic). This is their saga. Insightful, visceral and candid. Find ‘other’ famous Arjuns; compare Arjun vis-a-vis Achilles and Alexander; Explore Myths of Mahabharata. All this and much more in ‘Arjun: Without A Doubt’. First published in 2015 by Leadstart Publishing Pvt. Ltd. Genre: Epic/ Indian Mythology/ History/ Fiction Website: http://sweetyshinde.wordpress.com
Culture of Memory in South Asia reconfigures European representations of India as a paradigmatic extension of a classical reading, which posits the relation between text and context in a determined way. It explores the South Asian cultural response to European “textual” inheritances. The main argument of this work is that the reflective and generative nodes of Indian cultural formations are located in the configurations of memory, the body and idiom (verbal and visual), where the body or the body complex becomes the performative effect and medium of articulated memories. This work advances its arguments by engaging with mnemocultures-cultures of memory that survive and proliferate in speech and gesture. Drawing on Sanskrit and Telugu reflective sources, this work emphasizes the need to engage with cultural memory and the compositional modes of Indian reflective traditions. This important and original work focuses on the ruptured and stigmatised resources of heterogeneous Indian traditions and calls for critical humanities that move beyond the colonially configured received traditions. Cultures of Memory suggests the possibilities of transcultural critical humanities research and teaching initiatives from the Indian context in today’s academy.
