Iktomi, a Plains Indian trickster, attempts to defeat a boulder with the assistance of some bats, in this story which explains why the Great Plains are covered with small stones.
Iktomi, the Plains Indian trickster, interrupts a powwow of the Mouse People and gets his head stuck in a buffalo skull. Asides and questions printed in italics may be addressed by the storyteller to listeners, encouraging them to make their own remarks about the action.
IKTOMI is a spider fairy. He wears brown deerskin leggins with long soft fringes on either side, and tiny beaded moccasins on his feet. His long black hair is parted in the middle and wrapped with red, red bands. Each round braid hangs over a small brown ear and falls forward over his shoulders.He even paints his funny face with red and yellow, and draws big black rings around his eyes. He wears a deerskin jacket, with bright colored beads sewed tightly on it. Iktomi dresses like a real Dakota brave. In truth, his paint and deerskins are the best part of him—if ever dress is part of man or fairy.
After tricking some prairie dogs into becoming his dinner, Iktomi is himself outwitted by Coyote. Asides and questions printed in italics may be addressed by the storyteller to listeners, encouraging them to make their own remarks about the action.
Iktomi the trickster tries to fool a buzzard into carrying him across the river on the buzzard's back. Asides printed in italics may be used by the storyteller to encourage listeners to make their own remarks about the action, as in traditional Iktomi storytelling.
Ella Deloria (1889?1971), one of the first Native students of linguistics and ethnography in the United States, grew up on the Standing Rock Reservation on the northern Great Plains and was trained by Franz Boas at Columbia University. Dakota Texts presents a rich array of Sioux mythology and folklore in its original language and in translation. Originally published in 1932 by the American Ethnological Society, this work is a landmark contribution to the study of the Sioux tribes.
Of all the characters in myths and legends told around the world, it's the wily trickster who provides the real spark in the action, causing trouble wherever he goes. This figure shows up time and again in Native American folklore, where he takes many forms, from the irascible Coyote of the Southwest, to Iktomi, the amorphous spider man of the Lakota tribe. This dazzling collection of American Indian trickster tales, compiled by an eminent anthropologist and a master storyteller, serves as the perfect companion to their previous masterwork, American Indian Myths and Legends. American Indian Trickster Tales includes more than one hundred stories from sixty tribes--many recorded from living storytellers—which are illustrated with lively and evocative drawings. These entertaining tales can be read aloud and enjoyed by readers of any age, and will entrance folklorists, anthropologists, lovers of Native American literature, and fans of both Joseph Campbell and the Brothers Grimm.
A prowling wildcat finds a surprise in an old dried-up buffalo skull. A group of mice are dancing the night away and not paying attention to the dangers around them. Does the wildcat spell doom for the mice, or will they escape to safety? Dance in a Buffalo Skull is an American Indain tale of danger and survival on the Great Plains.
A thought-provoking collection of searing prose from a Sioux woman that covers race, identity, assimilation, and perceptions of Native American culture Zitkala-Sa wrestled with the conflicting influences of American Indian and white culture throughout her life. Raised on a Sioux reservation, she was educated at boarding schools that enforced assimilation and was witness to major events in white-Indian relations in the late 1800s and early 1900s. Tapping her troubled personal history, Zitkala-Sa created stories that illuminate the tragedy and complexity of the American Indian experience. In evocative prose laced with political savvy, she forces new thinking about the perceptions, assumptions, and customs of both Sioux and white cultures and raises issues of assimilation, identity, and race relations that remain compelling today.