"Sandra Beasley eschews the poet-as-speaker convention and unleashes a collection teeming with the inanimate, the anachronistic, and the animal kingdom. In these poems Beasley approaches the world with all of its wild music, Wednesday compromises, migrating battlefields, and lovelorn minotaurs with clarity, humor, and compassion."--
“[Beasley’s] lightness works best when it dapples her darkness—and when her darkness, as it often does, feels truly deep.”—Abigail Deutsch, Poetry The winner of the 2009 Barnard Women Poets Prize—“These poems are fresh, crisp, and muscular. They are decisive and fearless. Every object, icon, or historical moment has a soul with a voice. In these poems these soulful ones elbow their way to the surface of the page, smartly into the contemporary now.”—Joy Harjo, prize citation from “The Piano Speaks” For an hour I forgot my fat self, my neurotic innards, my addiction to alignment. For an hour I forgot my fear of rain. For an hour I was a salamander shimmying through the kelp in search of shore, and under his fingers the notes slid loose from my belly in a long jellyrope of eggs that took root in the mud.
From the mid-1930s to 1978 Elizabeth Bishop published some ninety poems and thirty translations. Yet her notebooks reveal that she embarked upon many more compositions, some existing in only fragmentary form and some embodied in extensive drafts. Edgar Allan Poe & The Juke-Box presents, alongside facsimiles of many notebook pages from which they are drawn, poems Bishop began soon after college, reflecting her passion for Elizabethan verse and surrealist technique; love poems and dream fragments from the 1940s; poems about her Canadian childhood; and many other works that heretofore have been quoted almost exclusively in biographical and critical studies. This revelatory and moving selection brings us into the poet's laboratory, showing us the initial provocative images that moved Bishop to begin a poem, illustrating terrain unexplored in the work published during her lifetime. Editor Alice Quinn has also mined the Bishop archives for rich tangential material that illuminates the poet's sources and intentions.
Bartlett's Poems for Occasions, an entertaining, thought-provoking companion to the bestselling Bartlett's Familiar Quotations, is the book to turn to for any circumstance -- from birth to death and everything in between. Under the direction of esteemed poet and writer Geoffrey O'Brien, Bartlett's Poems for Occasions will inspire you to turn to poetry to celebrate a new baby or marriage, toast a colleague, cheer a graduate, honor a birthday, deliver a eulogy, or add zest to a holiday party. It is the perfect solution to the age-old question, What should I say?
Naomi Shihab Nye is one of the most beloved poets in America, and the poem "Famous" is literally her most famous poem. It has been used in countless commencement speeches—from elementary school to university graduations. At once simple and profound, this illustrated version of the poem is a charmingly ironic take on what it means to be "famous." It is a perfect gift book for people of all ages—for those who need encouragement, who are at a crossroads, who are graduating, who are nervous about the future, or who want to be more or other than they are.
A beautifully written and darkly funny journey through the world of the allergic. Like twelve million other Americans, Sandra Beasley suffers from food allergies. Her allergies—severe and lifelong—include dairy, egg, soy, beef, shrimp, pine nuts, cucumbers, cantaloupe, honeydew, mango, macadamias, pistachios, cashews, swordfish, and mustard. Add to that mold, dust, grass and tree pollen, cigarette smoke, dogs, rabbits, horses, and wool, and it’s no wonder Sandra felt she had to live her life as “Allergy Girl.” When butter is deadly and eggs can make your throat swell shut, cupcakes and other treats of childhood are out of the question—and so Sandra’s mother used to warn guests against a toxic, frosting-tinged kiss with “Don’t kill the birthday girl!” It may seem that such a person is “not really designed to survive,” as one blunt nutritionist declared while visiting Sandra’s fourth-grade class. But Sandra has not only survived, she’s thrived—now an essayist, editor, and award-winning poet, she has learned to navigate a world in which danger can lurk in an unassuming corn chip. Don’t Kill the Birthday Girl is her story. With candor, wit, and a journalist’s curiosity, Sandra draws on her own experiences while covering the scientific, cultural, and sociological terrain of allergies. She explains exactly what an allergy is, describes surviving a family reunion in heart-of-Texas beef country with her vegetarian sister, delves into how being allergic has affected her romantic relationships, exposes the dark side of Benadryl, explains how parents can work with schools to protect their allergic children, and details how people with allergies should advocate for themselves in a restaurant. A compelling mix of memoir, cultural history, and science, Don’t Kill the Birthday Girl is mandatory reading for the millions of families navigating the world of allergies—and a not-to-be-missed literary treat for the rest of us.
A collection of poems in which the author draws upon her experiences as a Palestinian-American living in the Southwest, and her travels in Central America, the Middle East, and Asia, to comment upon the shared humanity of different cultures throughout the world.
Poetry. THEORIES OF FALLING is the winner of the 2007 New Issues Poetry Prize. Judge Marie Howe said of THEORIES OF FALLING, "I kept coming back to these poems--the tough lyric voice that got under my skin. Clear, intent, this poet doesn't want to fool herself or anybody else. Desire pushes defeat against the wall, and the spirit climbs up from underground." "Sandra Beasley slices her way down the page with precision and punch. Her haunting 'Allergy Girl' series will set off such an itch, I doubt you'll ever fully recover...This poet leaves us to smolder and ache in small kingdoms where 'even the tame dogs dream of biting clear to the bone.'"--Aimee Nezhukumatathil.