Quintessential good girl Sakurai finds herself trapped in the middle of a bribery scheme. Her teacher offers to write a recommendation letter in exchange for luring a truant student into attendance. Sakurai pins down the reclusive transfer student Honda, but there are strings attached. Honda demands that Sakurai grant one wish every day. The first wish is a kiss-and Sakurai finds herself feeling very eager to please…
After a dramatic intervention, Ayaka finally makes her heartfelt confession and prevents Sora from moving to Hokkaido. Their mutual affection deepens their relationship, calling for “requests” that demand more. “Something besides kissing…” Ayaka and Sora are feeling the heat, and they're ready to jump into romance with no regrets.
Going to school is a drag for Sora, but she's slowly coming around-especially since summer vacation is here! Despite finally making friends, Sora feels the brush-off from Ayaka when the two try to discuss moving their relationship forward. “Why are you rejecting me?” What's holding Ayaka back? Certainly not peer pressure. Sora just might pull her “request” card…
Ayaka is caught in a blackmail situation, obligating her to grant the new student Sora one request each day. The “requests” are surprisingly intimate, leaving Ayaka excited for more. Despite Sora's affectionate gestures, Ayaka feels insecure. “Where is our relationship going? Next challenge? A hot new transfer student. A love triangle up ahead? A goody two-shoes falls for a devil-may-care underachiever in an uproarious yuri rom-com!
First published serially in the Yiddish daily newspaper di Varhayt in 1916–18, Diary of a Lonely Girl, or The Battle against Free Love is a novel of intimate feelings and scandalous behaviors, shot through with a dark humor. From the perch of a diarist writing in first person about her own love life, Miriam Karpilove’s novel offers a snarky, melodramatic criticism of radical leftist immigrant youth culture in early twentieth-century New York City. Squeezed between men who use their freethinking ideals to pressure her to be sexually available and nosy landladies who require her to maintain her respectability, the narrator expresses frustration at her vulnerable circumstances with wry irreverence. The novel boldly explores issues of consent, body autonomy, women’s empowerment and disempowerment around sexuality, courtship, and politics. Karpilove immigrated to the United States from a small town near Minsk in 1905 and went on to become one of the most prolific and widely published women writers of prose in Yiddish. Kirzane’s skillful translation gives English readers long-overdue access to Karpilove’s original and provocative voice.
LONGLISTED FOR THE NED KELLY BEST FIRST FICTION AWARD 2019 This voice is something else, it belongs to her as surely as the things in this room do. It's one thing Ana has always known about herself. She can be cruel. In the shadow of a mountain in small-town Tasmania, a woman named Ana is watching the clock, marking the days until she ends her life. The strange, reclusive daughter of the local pariah, that's how the people will remember her, when they remember her at all. No one will mourn her, she reasons, not really. Not even her faithful dog River. The only thing she's waiting for is the opportunity. But then, on the very day she planned to end it all, the police find the body of local woman Rebecca Marsden. And for Ana, that changes everything. Because Ana was the last person to see Rebecca alive. Because Ana thinks she knows who killed her. And because Ana has decided to keep him for herself... PRAISE FOR LONELY GIRL "Lonely Girl is dark, disturbing and utterly compelling. Lynne Vincent McCarthy has created a unique protagonist in Ana, and an atmospheric story that will keep you reading long into the night. I can't wait to read more." Emma Viskic, author of the Caleb Zelic series
A serious-minded teenager and her self-absorbed, style-obsessed mother struggle to understand each other in this poignant, witty novel. Single mom Stella wants nothing more than to impress her teenage daughter—who doesn’t share her mother’s interests in fashion, social media, or partying. Instead, Tara can only cringe over the fact that her mother is famous—or at least thinks she is—as an editor at a magazine for “hot teens.” Stella has shielded her daughter from her own religious upbringing and has told her nothing about her father. But when they move back to Belfast, hiding the past becomes trickier—and the strained relationship expands from two generations to three. Meanwhile, Tara blogs about her teenage angst and begins working at a home for rescued animals run by the enigmatic Nora. When Tara’s blog takes off, a rival magazine offers to publish it as a column, putting her in a difficult situation—having to risk hurting her mother in order to achieve her own dream of being a writer . . .
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