Humor in Eighteenth-and Nineteenth-Century British Literature

Humor in Eighteenth-and Nineteenth-Century British Literature

Author: Don Lee Fred Nilsen

Publisher: Greenwood

Published: 1998-05-30

Total Pages: 0

ISBN-13: 0313297053

DOWNLOAD EBOOK

During the 18th and 19th centuries in Britain there was a wide range of literary humor. Much of this humor was satiric, ranging from the sharp barbs of Pope and Swift to the more subtle but stinging wordplay of Addison. In the 18th century, Richardson, Fielding, Smollett, and Sterne wrote humorous novels, in which they criticized society. The period was largely dominated by satire, in which the dunce was a common figure. There was a proliferation of satires in prose and verse, along with satiric operas, pamphlets, and other writings. During the 19th century, writers such as Dickens, Thackeray, Eliot, and Carlyle continued to use humor to comment on the issues of their day, though their writings were often far more gentle than those of their predecessors. This reference book is a comprehensive guide to how British writers of the 18th and 19th centuries used humor in their works. An introductory chapter overviews humor in British literature of the era. The sections that follow then treat humor in British literature of the 18th century and of the early, middle, and later 19th century. Each of these sections includes a short introduction, followed by chronologically arranged profiles of various authors. Each profile discusses how the author used humor and includes extensive bibliographic information. A thorough index allows the reader to access information alphabetically, while the chronological arrangement of the profiles shows how humor in British literature evolved over time.


Smile of Discontent

Smile of Discontent

Author: Eileen Gillooly

Publisher: University of Chicago Press

Published: 1999-06

Total Pages: 282

ISBN-13: 9780226294018

DOWNLOAD EBOOK

Like sex, Eileen Gillooly argues, humor has long been viewed as a repressed feature of nineteenth-century femininity. However, in the works of writers such as Jane Austen, George Eliot, Elizabeth Gaskell, Anthony Trollope, and Henry James, Gillooly finds an understated, wryly amusing perspective that differs subtly but significantly in rhetoric, affect, and politics from traditional forms of comic expression. Gillooly shows how such humor became, for mostly female writers at the time, an unobtrusive and prudent means of expressing discontent with a culture that was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as "masculine," then for Gillooly, the passivity, indirection, and sympathy of the humor she discusses render it "feminine." She goes on to disclose how the humorous tactics employed by writers from Burney to Wharton persist in the work of Barbara Pym, Anita Brookner, and Penelope Fitzgerald. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.


Necessary Madness

Necessary Madness

Author: Gregg Camfield

Publisher: Oxford University Press, USA

Published: 1997

Total Pages: 255

ISBN-13: 0195100409

DOWNLOAD EBOOK

Turning next to literary case studies powerfully revealing of this contact, Camfield in part II pairs male and female humorists - Washington Irving and Fanny Fern; Harriet Beecher Stowe and Herman Melville; Mark Twain and Marietta Holley; and George Washington Harris and Mary Wilkins Freeman - not only to demonstrate the way these influential writers approach domesticity with genial humor, but also to support his claim that gender difference does not always correlate to differences in viewpoint and practice within this common style.


The Primer of Humor Research

The Primer of Humor Research

Author: Victor Raskin

Publisher: Walter de Gruyter

Published: 2008-11-06

Total Pages: 679

ISBN-13: 3110198495

DOWNLOAD EBOOK

The book is intended to provide a definitive view of the field of humor research for both beginning and established scholars in a variety of fields who are developing an interest in humor and need to familiarize themselves with the available body of knowledge. Each chapter of the book is devoted to an important aspect of humor research or to a disciplinary approach to the field, and each is written by the leading expert or emerging scholar in that area. There are two primary motivations for the book. The positive one is to collect and summarize the impressive body of knowledge accumulated in humor research in and around Humor: The International Journal of Humor Research. The negative motivation is to prevent the embarrassment to and from the "first-timers," often established experts in their own field, who venture into humor research without any notion that there already exists a body of knowledge they need to acquire before publishing anything on the subject-unless they are in the business of reinventing the wheel and have serious doubts about its being round! The organization of the book reflects the main groups of scholars participating in the increasingly popular and high-powered humor research movement throughout the world, an 800 to 1,000-strong contingent, and growing. The chapters are organized along the same lines: History, Research Issues, Main Directions, Current Situation, Possible Future, Bibliography-and use the authors' definitive credentials not to promote an individual view, but rather to give the reader a good comprehensive and condensed view of the area.


The Language of Humor

The Language of Humor

Author: Alleen Pace Nilsen

Publisher: Cambridge University Press

Published: 2018-11

Total Pages: 403

ISBN-13: 1108416543

DOWNLOAD EBOOK

Explores how humor can be explained across the various sub-disciplines of linguistics, in order to aid communication.


The Humor of the Old South

The Humor of the Old South

Author: M. Thomas Inge

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 484

ISBN-13: 0813185459

DOWNLOAD EBOOK

The humor of the Old South—tales, almanac entries, turf reports, historical sketches, gentlemen's essays on outdoor sports, profiles of local characters—flourished between 1830 and 1860. The genre's popularity and influence can be traced in the works of major southern writers such as William Faulkner, Erskine Caldwell, Eudora Welty, Flannery O'Connor, and Harry Crews, as well as in contemporary popular culture focusing on the rural South. This collection of essays includes some of the past twenty five years' best writing on the subject, as well as ten new works bringing fresh insights and original approaches to the subject. A number of the essays focus on well known humorists such as Augustus Baldwin Longstreet, Johnson Jones Hooper, William Tappan Thompson, and George Washington Harris, all of whom have long been recognized as key figures in Southwestern humor. Other chapters examine the origins of this early humor, in particular selected poems of William Henry Timrod and Washington Irving's "The Legend of Sleepy Hollow," which anticipate the subject matter, character types, structural elements, and motifs that would become part of the Southwestern tradition. Renditions of "Sleepy Hollow" were later echoed in sketches by William Tappan Thompson, Joseph Beckman Cobb, Orlando Benedict Mayer, Francis James Robinson, and William Gilmore Simms. Several essays also explore antebellum southern humor in the context of race and gender. This literary legacy left an indelible mark on the works of later writers such as Mark Twain and William Faulkner, whose works in a comic vein reflect affinities and connections to the rich lode of materials initially popularized by the Southwestern humorists.


Shandean Humour in English and German Literature and Philosophy

Shandean Humour in English and German Literature and Philosophy

Author: James Vigus

Publisher: Routledge

Published: 2017-12-02

Total Pages: 353

ISBN-13: 1351192531

DOWNLOAD EBOOK

"One of many writers inspired by Laurence Sterne's Tristram Shandy, the German novelist Jean Paul Richter coined the term 'Shandean humour' in his work of aesthetic theory. The essays in this volume investigate how Sterne's humour functions, the reasons for its enduring appeal, and what role it played in identity-construction and in the representation of melancholy. In tracing its hitherto under-recognised impact both on literary writers, such as Jean Paul and Herman Melville, and on philosophers, including Hegel and Marx, the collection reveals that Shandean humour is a Grenzganger - a point of commerce not only between Anglophone and German discourses, but also between literature and philosophy. Klaus Vieweg is Professor of Philosophy at the Friedrich Schiller University of Jena; James Vigus is postdoctoral research fellow at the Department of English and American Studies, Ludwig Maximilian University of Munich; Kathleen M. Wheeler is Reader in English Literature at the University of Cambridge."


City of Laughter

City of Laughter

Author: Vic Gatrell

Publisher: Bloomsbury Publishing USA

Published: 2007-01-01

Total Pages: 720

ISBN-13: 0802716024

DOWNLOAD EBOOK

Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.


Mark Twain

Mark Twain

Author: Harold H. Kolb

Publisher: University Press of America

Published: 2014-10-29

Total Pages: 518

ISBN-13: 0761864210

DOWNLOAD EBOOK

Mark Twain is America’s—perhaps the world’s—best known humorous writer. Yet many commentators in his time and our own have thought of humor as merely an attractive surface feature rather than a crucial part of both the meaning and the structure of Twain’s writings. This book begins with a discussion of humor, and then demonstrates how Twain’s artistic strategies, his remarkable achievements, and even his philosophy were bound together in his conception of humor, and how this conception developed across a forty-five year career. Kolb shows that Twain is a writer whose lifelong mode of perception is essentially humorous, a writer who sees the world in the sharp clash of contrast, whose native language is exaggeration, and whose vision unravels and reorganizes our perceptions. Humor, in all its mercurial complexity, is at the center of Mark Twain’s talent, his successes, and his limitations. It is as a humorist—amiably comic, sharply satiric, grimly ironic, simultaneously humorous and serious—that he is best understood.


Dimensions of Humor

Dimensions of Humor

Author: Carmen Valero-Garcés

Publisher: Universitat de València

Published: 2011-11-28

Total Pages: 479

ISBN-13: 8437082900

DOWNLOAD EBOOK

This is the first edited volume dedicated specifically to exploring humor in the academic world. It is a rich collection of essays by an international array of scholars representing various theoretical perspectives and practical orientations in the disciplines of Linguistics, Literature, Cultural Studies, and Translation, but all concerned with the interactional aspects of humor. The two main reasons behind the publication of this volume are, first, to continue the journey along the path towards full recognition of humor as a discipline worthy of research and assessment, and, second, to offer a new and integrating perspective on hu¬mor to showcase the wide range of dimensions that it offers. This book is sure to become an important reference and source of inspiration for scholars in the various subfields of Humor Studies: Linguistics, Literature, Cultural Studies, and Translation.