The core of the book is Emerson's personal take on writing and selling historical mysteries, but it also includes contributions from over forty other historical mystery writers practical advice, anecdotes, and suggestions for research and input from assorted editors, booksellers, and reviewers. For both historical mystery writers and readers.This book embodies its subtitle: The Art & Adventure of Sleuthing Through the Past. Veteran author Emerson published her first mystery twenty-three years ago, and this is her thirty-sixth published book. It draws on her experience in researching, writing, selling, and sustaining both her Lady Appleton series (Elizabethan England) and her Diana Spaulding series (1880s U.S.). This unique reference book also includes the contributions of more than forty other historical mystery writers. Their books backgrounds and settings are as diverse as Ancient Egypt and Rome, antebellum New Orleans, early Constantinople, Jazz Age England and Australia, Depression-era California, turn-of-the-century New York, Victorian England, and eighteenth-century Venice.
In her useful, fascinating, and complete guide to writing historical mysteries, Emerson demonstrates how she and her colleagues bring history to life, rather than merely writing contemporary mystery in costume.
This new edition of How to Write Killer Historical Mysteries is the author's personal take on writing historical mysteries, based on over forty years in print as a writer of fiction and nonfiction and the publication of eighteen of her historical mysteries and two collections of historical mystery short stories. Her experiences are the core of the book. The remainder of the text consists of contributions from fellow historical mystery writers--advice, opinions, anecdotes, and suggestions for research--and input from assorted editors, booksellers, reviewers, and historical mystery fans. The first edition of How to Write Killer Historical Mysteries won the Agatha award for best mystery nonfiction of 2008 and was nominated in that category for the Anthony and Macavity awards. Reviewer Marv Lachman, in Deadly Pleasures, described it as "the best book about writing mysteries that I have ever read." Whether you are an old hand at writing historical mysteries, or a neophyte who has only dreamed about delving into the past, or a reader and fan of the genre, you will find this volume both inspiring and entertaining.
Former lovers become reluctant allies in this delightfully witty historical rom-com from the bestselling author of A Lady's Guide to Mischief and Mayhem—for fans of Evie Dunmore, Enola Holmes, and Netflix's Bridgerton! England, 1867: As half of the writing duo behind England’s most infamous crime column, Miss Caroline Hardcastle has quite the scandalous reputation. It may have cost her a fiancé, but she would much rather bring attention to crimes against those ignored by society than worry about what the ton thinks of her. After Caro’s dear friend is kidnapped, however, she has no choice but to work with Lord Valentine Thorn, the same man who broke her heart. Worse, when her actions put her father’s business at risk, a marriage of convenience may be her only solution . . . but can she trust Val to stand by her? Or will their past repeat itself? Val—the new Viscount Wrackham—is in an untenable position: His father is demanding he find a respectable bride to secure the succession. Yet the only woman he’s ever loved, Miss Caroline Hardcastle, is notorious for behaving improperly. And she’s never forgiven him for his youthful transgressions, missteps made in the name of familial duty, but ones he still regrets to this day. As they grow closer to unmasking the culprit, Val sees an opportunity to show Caro he’s a changed man. But can he convince her to give their love a second chance—before death does them part?
"When Grace Hansen finds a box belonging to her beloved grandfather, she has no idea it holds the key to his past--and to long-buried family secrets. In the box are his World War I diaries and a cryptic note addressed to her. Determined to solve her grandfather's puzzle, Grace follows his diary entries across towns and battle sites in northern France, where she becomes increasingly drawn to a charming French man--and suddenly aware that someone is following her... Through her grandfather's vivid writing and Grace's own travels, a picture emerges of a man very unlike the one who raised her: one who watched countless friends and loved ones die horrifically in battle; one who lived a life of regret. But her grandfather wasn't the only one harboring secrets, and the more Grace learns about her family, the less she thinks she can trust them."--Page 4 of cover.
The pleasures of mystery novels and historical fiction double when the two genres meet in a single book. This detailed guide is the first to document and describe the diverse writings in the growing body of historical mystery literature. Organized alphabetically by author name and series title, the guide covers the works of approximately 70 authors, and contains descriptions of more than 700 works with crime themes (whether strictly in the mystery genre or a mainstream literary novel). For those who want to read historical mysteries in sequence, this is an essential guide; and for those seeking background information on historical mysteries to guide their reading or collection development choices, this book offers a level of detail that facilitates selection. The pleasures of mystery novels and historical fiction double when the two genres meet in a single book. This detailed guide is the first to document and describe the diverse writings in the growing body of historical mystery literature. Its focus is on the best, most representative, most current and easily accessible publications, with an emphasis on series novels. Most have been released in the past decade, with select classic historical mysteries (e.g., Christie's Death Comes as the End, 1945) also cited. Organized alphabetically by author name and series title, the guide covers the works of approximately 70 authors, and contains descriptions of more than 700 works with crime themes (whether strictly in the mystery genre or a mainstream literary novel). For those who want to read historical mysteries in sequence, this is an essential guide; and for those seeking background information on historical mysteries to guide their reading or collection development choices, this book offers a level of detail that facilitates selection. Each series entry names the scene of the crime; identifies the detective and his or her chief associates; notes the series premise; comments on characteristics, features, and overall series quality; and discusses the critical response. Individual series titles (The Cases) are then listed and described in series (or chronological) order. Additional access to titles is provided through detailed indexes: author, title (series and individual), characters, and settings (time and place). Academic, public, and high school librarians will welcome this guide as a valuable reference, readers' advisory, and collection development tool.
Retired folk art curator Beatrice Coleman knows everything there is to know about quilts, except how to make them. But with her recent move to Dapple Hills, North Carolina, she’s learning all sorts of new things—including how to solve a murder… As the newest member of the Village Quilters Guild, Beatrice has a lot of gossip to catch up on—especially with the Patchwork Cottage quilt shop about to close. It seems that Judith, the landlord everyone loves to hate, wants to raise the rent, despite being a quilter herself… But when Judith is found dead, the harmless gossip becomes an intricate patchwork of mischievous motives. And it’s up to Beatrice’s expert eye to decipher the pattern and catch the killer, before her life gets sewn up for good. Includes quilting tips!
WHODUNIT? YOUDUNIT! So you want to write a mystery. There's more to it than just a detective, a dead body, and Colonel Mustard in the drawing room with the candlestick. Fortunately, Larry Beinhart--Edgar Award-winning author of You Get What You Pay For, Foreign Exchange, and American Hero--has taken a break from writing smart, suspenseful thrillers to act as your guide through all the twists and turns of creating the twists and turns of a good mystery. Drawing on advice and examples from a host of the best names in mystery writing--from Raymond Chandler and Mickey Spillane to Scott Turow and Thomas Harris--plus some of his own prime plots, Larry Beinhart introduces you to your most indispensable partners in crime: *Character, plot, and procedure * The secrets to creating heroes, heroines, and villains ("All writers draw upon themselves and their experience. While the whole of yourself might not be capable of being either a serial killer or an FBI agent, there are parts in each of us that are capable of almost anything.") * The fine art of scripting the sex scene *The low-down on violence ("A crime novel without violence is like smoking pot without inhaling, sex without orgasm, or a hug without a squeeze." ) *And much more! From the opening hook to the final denouement, Larry Beinhart takes the mystery out of being a mystery writer.
Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York for her first London season. But no sooner has Frances begun her new life than the Metropolitan police receive an anonymous letter implicating Frances in her husband's death. Frances assures Inspector Delaney of her innocence, but she's also keen to keep him from learning the scandalous circumstances of Reggie's demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily's behalf, and worrying if Reggie really was murdered, Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst and Frances must unmask the villain before Lily's season, and their lives, come to a most unseemly end.
It is the 830s; a time of warring Anglo-Saxon kingdoms, declining monastic standards and outbursts of fear of divine retribution. Elmstow Minster – a community of nuns in the Kingdom of the East Angles – has been recently established to atone for the execution of a young prince. The minster is torn between two camps – pious nuns and those who have no intention of giving up their worldly ways. These ungodly women are supported by powerful, degenerate donors, who treat Elmstow as an aristocratic whoring nest. The abbess of Elmstow has been humiliated by the influence wielded over her minster by these rich patrons and plots revenge. Two naked bodies are discovered, hanged together. A young, introspective priest, Father Eadred, is sent to Elmstow to spy on the declining standards and against his wishes becomes entangled in the task of uncovering the guilty. He challenges the traditional approach of using an ordeal of hot iron to identify the culprits. Instead, he has the novel idea of exploring the evidence. He faces significant opposition, including an attempt on his life. Eadred is befriended by a hermit monk who becomes the only person with whom he can talk about his detection. Further murders will take place. As Eadred moves closer to the truth the situation is thrown into further disarray when the minster is attacked by the neighbouring kingdom. Can they be saved and the final culprit revealed?
