Vietnamese girls are universally acknowledged as the hottest of all Asian girls. They have the most beautiful faces, the hottest bodies, and the best attitudes and personalities. Every guy wishes he could have a Vietnamese girlfriend. But if you don't know much about Vietnamese girls and their culture, it's going to be difficult, and you could have some big setbacks. This book shows you exactly how to meet Vietnamese girls (either in Vietnam or in the US) and make one special Vietnamese girl your loving girlfriend. I cover everything in this guide: online dating, Vietnamese culture and language, what Vietnamese girls like and expect, how to have a successful first date, and even what Vietnamese girls like to do in bed. There are also quick guides to the five types of Vietnamese girls you are likely to meet online, and how best to approach each type, and the thirteen "red flags" that indicate that your Vietnamese girl might not be who she claims to be. Get ready for your new love life with a hot, loving, caring Vietnamese girlfriend. Let this book be your guide.
How to Get an Asian Girlfriend is a four-book collection of Derek Strong's complete step-by-step guide for a regular guy to get a hot Asian girlfriend, whether in your home country or in Asia, and whether you prefer to meet women in your daily environment or online. Book 1: The Basics of How To Get an Asian Girlfriend Book 2: My Six Asian Girlfriends Book 3: How to Get a Vietnamese Girlfriend Book 4: Asian MILF Hunting Derek Strong is an average white guy who loves Asian girls. At first he was frustrated by how impossible it seemed to get in with Asian girls, but then he observed and developed a system. Since then, he's been dating and making love to hot Asian girls pretty much nonstop. If you learn how to get past Asian girls' barriers and make them crave you, you can have a hot Asian girlfriend on your arm, while other guys can only stare and envy you. Once you know the secrets, you can get the Asian girlfriend you deserve.
In the aftermath of treacherous war, Saigon--a city often compared to Paris--transforms into hellishness under the dictates of a cruel new government. A young Saigonese and her family flees to their earlier home in a peaceful village on the banks of a great river, but the repressive new regime is soon breathing down their backs again. Gambling everything, they put their lives and all their trust into an old frail antiquated and barely powered river boat. Never meant to traverse wide and deep waters such as the China Sea, it bobs like flotsam in waters patrolled by murdering pirates and subject to pounding storms. What follows is a miraculous event and good fortune delivers them to a Chinese fishing village within Malaysia, then a refugee camp outside Kuala Lumpur, and finally to a strange and wondrous place called San Diego, free of Viet Cong and monsoon rains and home to a yearly celebration in which kids can wear costumes and demand candy. Where many helpful people greet the newcomers with helping hands and open hearts. But also, where some people label newcomers as Gooks, or worse, act as if they are completely without human value. This thrilling and touching story is told through the eyes of a girl born just after the pivotal Tet Offensive of 1968, which turned the tide of American opinion against the dubious Vietnam war, a girl merely ten years old when she and her family faced almost certain death but who found in America a land, and a welcome, that outstripped her ability to hope.
Truth be told, the great subjective treasures of a life can only be well guarded if kept within a good and "faithful heart". That's because, most of the time, we're not so sure whether sharing them with others will increase or decrease their value to us. In this case, it may happen that these treasures are kept in our hearts for a long time - dusty for entire lifetimes even. Well, until we can't stand it any longer and, with just a little bit of courage, we start sharing them to see if, at least in this way, we can be granted the support we need to turn them into reality.
During the aftermath of the Vietnam War, Van wakes up one morning to find that her mother, her sisters Loan and Lan, and her brother Tuan are gone. They have escaped the new communist regime that has taken over Ho Chi Minh City for freedom in the West. Four-year-old Van is too young--and her grandmother is too old--for such a dangerous journey by boat, so the two have been left behind. Once settled in North America, her parents will eventually be able to sponsor them, and Van and her grandmother will fly away to safety. But in the meantime, Van is forced to work hard to satisfy her aunt and uncle, who treat her like an unwelcome servant. And at school she must learn that calling attention to herself is a mistake, especially when the bully who has been tormenting her turns out to be the son of a military policeman. Van Ho's true story strikes at the heart and will resonate with so many families affected by war, where so many children are forced to live under or escape from repressive regimes.
Get out! Run! We must leave this place! They are going to destroy this whole place! Go, children, run first! Go now! These were the final shouts nine year-old Kim Phuc heard before her world dissolved into flames—before napalm bombs fell from the sky, burning away her clothing and searing deep into her skin. It’s a moment forever captured, an iconic image that has come to define the horror and violence of the Vietnam War. Kim was left for dead in a morgue; no one expected her to survive the attack. Napalm meant fire, and fire meant death. Against all odds, Kim lived—but her journey toward healing was only beginning. When the napalm bombs dropped, everything Kim knew and relied on exploded along with them: her home, her country’s freedom, her childhood innocence and happiness. The coming years would be marked by excruciating treatments for her burns and unrelenting physical pain throughout her body, which were constant reminders of that terrible day. Kim survived the pain of her body ablaze, but how could she possibly survive the pain of her devastated soul? Fire Road is the true story of how she found the answer in a God who suffered Himself; a Savior who truly understood and cared about the depths of her pain. Fire Road is a story of horror and hope, a harrowing tale of a life changed in an instant—and the power and resilience that can only be found in the power of God’s mercy and love.
"More than any other Vietnam book in recent years, The Girl in the Picture confronts us with the ceaseless, ever-compounding casualties of modern warfare." —The San Francisco Chronicle On June 8, 1972, nine-year-old Kim Phuc, severely burned by napalm, ran from her blazing village in South Vietnam and into the eye of history. Her photograph-one of the most unforgettable images of the twentieth century-was seen around the world and helped turn public opinion against the Vietnam War. This book is the story of how that photograph came to be-and the story of what happened to that girl after the camera shutter closed. Award-winning biographer Denise Chong's portrait of Kim Phuc-who eventually defected to Canada and is now a UNESCO spokesperson-is a rare look at the Vietnam War from the Vietnamese point-of-view and one of the only books to describe everyday life in the wake of this war and to probe its lingering effects on all its participants.
Vietnamese culture and religious traditions place the utmost importance on dying well: in old age, body unblemished, with surviving children, and properly buried and mourned. More than five million people were killed in the Vietnam War, many of them young, many of them dying far from home. Another 300,000 are still missing. Having died badly, they are thought to have become angry ghosts, doomed to spend eternity in a kind of spirit hell. Decades after the war ended, many survivors believe that the spirits of those dead and missing have returned to haunt their loved ones. In War and Shadows, the anthropologist Mai Lan Gustafsson tells the story of the anger of these spirits and the torments of their kin. Gustafsson's rich ethnographic research allows her to bring readers into the world of spirit possession, focusing on the source of the pain, the physical and mental anguish the spirits bring, and various attempts to ameliorate their anger through ritual offerings and the intervention of mediums. Through a series of personal life histories, she chronicles the variety of ailments brought about by the spirits' wrath, from headaches and aching limbs (often the same limb lost by a loved one in battle) to self-mutilation. In Gustafsson's view, the Communist suppression of spirit-based religion after the fall of Saigon has intensified anxieties about the well-being of the spirit world. While shrines and mourning are still allowed, spirit mediums were outlawed and driven underground, along with many of the other practices that might have provided some comfort. Despite these restrictions, she finds, victims of these hauntings do as much as possible to try to lay their ghosts to rest.
It's always been the same: good fortune seldom came the way of those endowed, they say, with genius and a dainty face. What tragedies take place within each circling space of years! 'Rich in good looks' appears to mean poor luck and tears of woe; which may sound strange, I know, but is not really so, I swear, since Heaven everywhere seems jealous of the fair of face. The tale of Kieu, a talented young girl, was written in verse in Vietnamese by Nguyen Du, who lived in Vietnam from 1765 to 1820. Although the story is set in China, it was the greatest work of literature until then to be written in the Vietnamese language, and many would say it is still unrivalled. It tells the story of Kieu, a beautiful girl, who falls in love with Kim, a handsome student, and they become engaged. But while Kim is away, Kieu's father is arrested on a false charge, and Kieu follows the Confucian teaching that duty to one's parents overrides all other duties, and gives herself to be sold as a bride to a stranger. Her life continues with terrible suffering alternating with periods of relative happiness, but always she dreams of Kim. But eventually they are reunited and there is a happy ending. Michael Counsell lived as a civilian in Vietnam for almost four years during the Vietnam War. He read the tale of Kieu, and was deeply moved by the human drama and the descriptions of nature. It seemed to symbolise the suffering which the Vietnamese people, and especially Vietnamese women, endured during the twentieth century. Among the many misunderstandings of the Vietnamese people by the English-speaking world in our days, he says, we must include the failure to understand that they are a nation of poets and heirs to a great culture. So to make this story more widely known, he started to translate the poem into English. This was probably the first and may still be the only translation made by a native speaker of English directly from the Vietnamese into English verse using the same scansion and rhyme-scheme as the original. Michael visited Hanoi in 1994, and was again struck by the beauty of the scenery and the friendliness of the people. His translation of Kieu was published in a bilingual edition, with beautiful illustrations, by the Thé Gioi Publishers. But it has proved difficult to buy that edition outside Vietnam, so in order that many more people should be able to enjoy it, the English text only is now published by Createspace, a branch of amazon, and also aas an e-book on Kindle. Michael Counsell is now living in Birmingham in England. His dream is that eventually, like Edward Fitzgerald's translation of The Rubaiyat of Omar Khayyam, his translation of Kieu may prove as popular among English-speakers as with those who can read the original. Janet Marshall writes: Kieu is not a love story in the romantic, light-hearted sense. But it expresses not only the profound and lasting love between Kieu and Kim, but also their patience and endurance through years of cruel, undeserved trials. Yet even through the darkest parts of the poem, the reader has hope of the triumph of goodness over evil, and that Kuan-Yin will eventually bring about a happy ending. All the characters are delicately drawn, and bring a Far Eastern culture, with its modes and manners, vividly to life. So many stories from far-away lands lose much of their fascination and genuine warmth and believability in translation. It is not so in this instance. Michael Counsell, with a true understanding for, and sympathy with the Vietnamese traditions, has brought before the English reader a literary experience of extraordinary beauty.