Cutting edge author Dennis Cooper teams up with notorious artist keith Mayerson to bring us this queer psychedelic slacker tale of Trevor Machine: a twentysomething, gay-but-sexually confused lead singer for an LA indie band on its way to fame and fortune. The book chronicles Trevor's adventures and struggles with love, se, the music industry and a spiritual visitation from the ghost of River Phoenix.
In Horror Hospital Unplugged, well-known cutting-edge author Dennis Cooper and notorious artist Keith Mayerson collaborate to bring us the dark, but hilarious story of Trevor Machine: a twenty-something, gay-but-sexually-confused lead singer for an L.A. Indy band on its way to fame and fortune. Inspired by the story "Horror Hospital" from Cooper's story collection Wrong, the book chronicles Trevor's adventures and struggles with love, sex, the music industry and a spiritual visitation from the ghost of River Phoenix.
Dennis Cooper has been both praised and censured as the most controversial writer working today for his creation of a searing, outlaw textuality that charts psychosexual terrain uncensored by desire police. This volume is the first to explore Cooper's significance as a pioneering literary artist who illuminates the hidden or repressed extremities of the fin de millennium American zeitgeist. Leora Lev has assembled a roster of internationally acclaimed scholars, fiction writers, filmmakers, and artists who conjure a provocative encounter between Cooper's fiction, European transgressive literature and philosophy (e.g., Sade, Rimbaud, Bataille, Bresson), and American psychocultural topographies.
“I started writing books about and for my friend George Miles because whenever I would speak about him honestly like I am doing now I felt a complicated agony beneath my words that talking openly can’t handle.” For most of his life, Dennis Cooper believed the person he had loved the most and would always love above all others was George Miles. In his first novel in ten years, Dennis Cooper writes about George Miles, love, loss, addiction, suicide, and how fiction can capture these things, and how it fails to capture them. Candid and powerful, I Wished is a radical work of shifting forms. It includes appearances by Santa Claus, land artist James Turrell, sentient prairie dogs, John Wayne Gacy, Nick Drake, and George, the muse for Cooper’s acclaimed novels Closer, Frisk, Try, Guide, and Period, collectively known as “The George Miles Cycle.” In revisiting the inspiration for the Cycle, Dennis has written a masterwork: the most raw, personal, and haunted book of his career.
From literary cult hero Dennis Cooper comes his most haunting work to date. “An American master…. Cooper is the most important transgressive literary artist since Burroughs.” --Salon In secret passageways, hidden rooms, and the troubled mind of our narrator, a mystery perpetually takes shape—and the most compelling clue to its final nature is “the marbled swarm” itself, a complex amalgam of language passed down from father to son. Cooper ensnares the reader in a world of appearances, where the trappings of high art, old money, and haute cuisine obscure an unspeakable system of coercion and surrender. And as the narrator stalks an elusive truth, traveling from the French countryside to Paris and back again, the reader will be seduced by a voice only Dennis Cooper could create.
Megadeth: Another Time, A Different Place gives the audience a front-row seat into the early days and meteoric rise of this young band who would become one of the most influential groups of all time and, with Anthrax, Slayer, and Metallica, consistently touted among the best "thrash metal" bands ever to cross the stage. This is the first Megadeth photography book and only the second book documenting their rise to rock glory, including rare, never-before-seen photographs representing a small but crucial period of time in their career. Hale's photographs, from intimate backstage photographs to screaming, kinetic live shots, are the images of a young band prepared to take on the world. "The 'work' that you hold in your hands now is the work of a friend, who is also a 'photo-grrrrrrr-apher,' and who has captured the very essence of my career: hungry, gritty, hard, cold, impersonal, personal, and very personal. Also, the sensitive unseen side of me, which was somewhat of an anomaly with the public and left me an enigma to my peers." -Dave Mustaine from the Foreword
Dennis Cooper is one of the most inventive and prolific artists of our time. Working in a variety of forms and media since he first exploded onto the scene in the early 1970s, he has been a punk poet, a queercore novelist, a transgressive blogger, an indie filmmaker—each successive incarnation more ingenious and surprising than the last. Cooper’s unflinching determination to probe the obscure, often violent recesses of the human psyche have seen him compared with literary outlaws like Rimbaud, Genet, and the Marquis de Sade. In this, the first book-length study of Cooper’s life and work, Diarmuid Hester shows that such comparisons hardly scratch the surface. A lively retrospective appraisal of Cooper’s fifty-year career, Wrong tracks the emergence of Cooper’s singular style alongside his participation in a number of American subcultural movements like New York School poetry, punk rock, and radical queercore music and zines. Using extensive archival research, close readings of texts, and new interviews with Cooper and his contemporaries, Hester weaves a complex and often thrilling biographical narrative that attests to Cooper’s status as a leading figure of the American post–War avant-garde.
In this title, Ziggy, the adopted teenaged son of two sexually abusive fathers, turns to his uncle, who sells pornographic videos, and his best friend, a junkie, in a complex tale of sexuality, abuse, and attraction.
