Hen Harrier Poems is Colin Simms' fifth collection with Shearsman, and his third devoted to poems on a specific species, following Otters and Martens (2004) and Gyrfalcon Poems (2007). Future plans include volume devoted to poems on merlins and on goshawks. Simms is a naturalist who has observed the harrier and its North American cousin, the marsh hawk, for decades; his poems fuse a rich Bunting-esque diction and sonority with a focused eye and imagination.
An acknowledged classic of narrative nature-writing, Donald Watson's The Hen Harrier was the culmination of a lifetime's study of this beautiful upland bird. A gentle, warm and wonderfully written book, The Hen Harrier stems from an age of 'amateur' conservation, from the pen of a man who cared deeply about birds and their habitats, especially of the Scottish borders where he conducted much of his research and painting. The book was among the last of a dying breed; it would be thirty years or more before writing on our natural history would again reach the heights of accessibility to nature-lovers exemplified by Donald Watson and his peers. The book starts with Watson setting down more or less everything known about harriers – which at that time often consisted of information sent by letter to the author, rather than published in a journal – before moving on to the story of Watson's years studying nests in the south-west of Scotland. With a foreword by conservation champion Mark Avery, this edition of Watson's greatest work is particularly timely. The conflict between grouse-shooting interests, which has overseen the virtual extinction of the harrier as a breeding bird in England through illegal persecution, and an increasingly vocal conservationist lobby is the number one conservation issue in Britain today. Donald Watson's narrative soars like a sky-dancing harrier throughout this book. Read it, and be taken back to a simpler age of nature conservation by a true master of the art.
Completing the influential Oxford edition of Clare's collected poems, this volume presents the poems of the Northborough period of Clare's creativity. As with other volumes in the edition, many of the poems have never before been published, and Clare's spelling, punctuation, grammar, and vocabulary have all been carefully preserved. This final volume also includes corrections to the texts, variants, and notes in previously-published volumes in the series, along with a cumulative glossary and cumulative indices of first-lines and titles that will assist readers in their use of the edition as a whole. Clare's poetry deals not only with his own countryside, but also with its ceremonies and celebrations, its customs and games, its political, economic, and religious concerns, its proverbs, tales, and songs - indeed, with all aspects of its popular culture. The poems of the Northborough period are some of Clare's best work, demonstrating a particularly concise vision of Clare's experience of Nature.
