Green Hills of Africa is a work of nonfiction by American writer Ernest Hemingway. Hemingway's second work of nonfiction, Green Hills of Africa is an account of a month on safari he and his wife, Pauline Marie Pfeiffer, took in East Africa during December 1933. Much of the narrative describes Hemingway's adventures hunting in East Africa, interspersed with ruminations about literature and authors. Generally the East African landscape Hemingway describes is in the region of Lake Manyara in Tanzania.
Ondaatje follows the trail of Hemingway's two major African safaris and analyzes Hemingway's writings to uncover a startling amount of new material on this vitally important aspect of his life and work. Includes lavish illustrations.
Ernest Hemingway’s lifelong zeal for hunting is reflected in his masterful works of fiction, from his famous account of an African safari in “The Short Happy Life of Francis Macomber” to passages about duck hunting in Across the River and into the Trees. For Hemingway, hunting was more than just a passion; it was a means through which to explore our humanity and man’s relationship to nature. Courage, awe, respect, precision, patience—these were the virtues that Hemingway honored in the hunter, and his ability to translate these qualities into prose has produced some of the strongest accounts of hunting of all time. Hemingway on Hunting offers the full range of Hemingway’s writing about the hunting life. With selections from his best-loved novels and stories, along with journalistic pieces from such magazines as Esquire and Vogue, this spectacular collection is a must-have for anyone who has ever tasted the thrill of the hunt—in person or on the page.
This is the last of Hemingway's manuscripts to be published in its entirety. Editors Lewis and Fleming have taken great pains to publish as complete and faithful a publication as possible without editorial distortion. Hemingway called this title his "African Book." It is a thoughtful, adventuresome, and comedic recounting of his final safari in Africa.
Both revealing self-portrait and dramatic fictional chronicle of his final African safari, Ernest Hemingway's last unpublished work was written when he returned from Kenya in 1953. Edited by his son Patrick, who accompanied his father on the safari, True at First Light offers rare insights into the legendary American writer. A blend of autobiography and fiction, the book opens on the day his close friend Pop, a celebrated hunter, leaves Ernest in charge of the safari camp and news arrives of a potential attack from a hostile tribe. Drama continues to build as his wife, Mary pursues the great black–maned lion that has become her obsession. Spicing his depictions of human longings with sharp humor, Hemingway captures the excitement of big-game hunting and the unparalleled beauty of the scenery—the green plains covered with gray mist, zebra and gazelle traversing the horizon, cool dark nights broken by the sounds of the hyena's cry. As the group at camp help Mary track her prize, she and Ernest suffer the “incalculable casualties of marriage,” and their attempts to love each other well are marred by cruelty, competition and infidelity. Ernest has become involved with Debba, an African girl whom he supposedly plans to take as a second bride. Increasingly enchanted by the local African community, he struggles between the attraction of these two women and the wildly different cultures they represent. In True at First Light, Hemingway also chronicles his exploits—sometimes hilarious and sometimes poignant—among the African men with whom he has become very close, reminisces about encounters with other writers and his days in Paris and Spain and satirizes, among other things, the role of organized religion in Africa. He also muses on the act of writing itself and the author's role in determining the truth. What is fact and what is fiction? This is a question that was posed by Hemingway's readers throughout his career and is one of his principal subjects here. Equally adept at evoking the singular textures of the landscape, the thrill of the hunt and the complexities of married life, Hemingway weaves a tale that is rich in laughter, beauty and profound insight. True at First Light is an extraordinary publishing event—a breathtaking final work from one of this nation's most beloved and important writers.
One of America's most distinguished travel writers and the PBS-TV host of hisown program presents a fascinating look at the world of white Africans today.
“They burn the grass in July to get it short again, and the decent hunting starts in August.” —Robert Ruark Americans from Roosevelt to Hemingway to Ruark to Capstick to Robert Jones defined Africa in ways that no European colonist ever would or could. In Augusts in Africa, Thomas McIntyre presents the stories he has gathered from four decades of safari-ing in Africa—and from among the most transforming days, weeks, and months of his life. For those who know it well, these tales may read like accurate reflections of their own experiences on the continent. For others who have journeyed to Africa only briefly, or even not at all, there is a transporting insight to be found in them. And if there is more than one account on the hunting of the Cape buffalo, that is only because it, the buffalo, may simply represent the ideal combination (the “perfect game”) of size, strength, intelligence, and vehemence to be found in any large wild animal and is therefore indicative of what draws us back again and again to Africa. Whether crouched in a blind for hours until he can clearly make out the individual rosettes on a leopard’s hide or listening to the professional hunter utter “Oh oh, you should run” when faced with a charging elephant cow, Tom McIntyre brings to life amazing African animals and exciting expeditions in Augusts in Africa.
