This novel "narrates the life of a young physician, Dr. Helen Brent, who refuses to give up medicine and marry a wealthy New York lawyer and social reformer. The novel reflects on her struggle for acceptance as a doctor and a lady as she treats wealthy New Yorkers; in particular, she often treats sexually transmitted infections, and the novel dwells on sex education and the social and medical impact of such health concerns on women"--Book seller.
Annie Nathan Meyer's 1892 novel Helen Brent, M.D. narrates one woman's struggle for public acceptance as a doctor and a lady among the New York City elite. Unlike earlier works of medical fiction, Helen Brent M.D. does not offer just a marriage-or-career narrative but also a treatise on sex education. Dr. Brent is a skilled surgeon, a New Woman, who also deals with the negative effects of venereal diseases and other social ills of the urban elite on women's health.
From the colonial period through to the 20th century, this text examines the intersection of medical science, social theory and cultural practices as they shaped relations among wet nurses, physicians and families. It explores how Americans used wet nursing to solve infant feeding problems, shows why wet nursing became controversial as motherhood slowly became medicalized, and elaborates how the development of scientific infant feeding eliminated wet nursing by the beginning of the 20th century. Janet Golden's study contributes to our understanding of the cultural authority of medical science, the role of physicians in shaping child rearing practices, the social construction of motherhood, and the profound dilemmas of class and culture that played out in the private space of the nursery.
Medical Progress and Social Reality is an anthology of nineteenth-century literature on medicine and medical practice. Situated at the interdisciplinary juncture of medicine, history, and literature, it includes mostly fictional but also some nonfictional works by British, French, American, and Russian writers that describe the day-to-day social realities of medicine during a period of momentous change. Issues addressed in these works include the hierarchy in the profession, the use of new instruments such as the stethoscope, the advent of women doctors, the function of the hospital, and the shifting balance of power between physicians and patients. The volume provides an introductory overview of the most important aspects of medical progress in the nineteenth century, and it includes an annotated bibliography of further readings in medical history and literature. Selections from Anthony Trollope, George Eliot, Gustave Flaubert, Sarah Orne Jewett, Sinclair Lewis, Mikhail Bulgakov, and others are included, as well as the American Medical Association's 1847 Code of Ethics.
In Medical Women and Victorian Fiction, Kristine Swenson explores the cultural intersections of fiction, feminism, and medicine during the second half of the nineteenth century in Britain and her colonies by looking at the complex and reciprocal relationship between women and medicine in Victorian culture. Her examination centers around two distinct though related figures: the Nightingale nurse and the New Woman doctor. The medical women in the fiction of Elizabeth Gaskell (Ruth), Wilkie Collins (The Woman in White), Dr. Margaret Todd (Mona McLean, Medical Student), Hilda Gregg (Peace with Honour), and others are analyzed in relation to nonfictional discussions of nurses and women doctors in medical publications, nursing tracts, feminist histories, and newspapers. Victorian anxieties over sexuality, disease, and moral corruption came together most persistently around the figure of a prostitute. However, Swenson takes as her focus for this volume an opposing figure, the medical woman, whom Victorians deployed to combat these social ills. As symbols of traditional female morality informed and transformed by the new social and medical sciences, representations of medical women influenced public debate surrounding women's education and employment, the Contagious Diseases Acts, and the health of the empire. At the same time, the presence of these educated, independent women, who received payment for performing tasks traditionally assigned to domestic women or servants, inevitably altered the meaning of womanhood and the positions of other women in Victorian culture. Swenson challenges more conventional histories of the rise of the actual nurse and the woman doctor by treating as equally important the development of cultural representations of these figures.
