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Author: Yin Cao
Publisher: Thames & Hudson
Published: 2019
Total Pages: 0
ISBN-13: 9781741741438
DOWNLOAD EBOOKForewords / Michael Brand, Chen Chi-nan -- Heaven and earth in Chinese art / Yin Cao -- Nature in Chinese philosophy / Karyn Lai -- The workds of art -- Heaven and earth -- Seasons -- Places -- Landscape -- Humanity -- List of works and entries -- Timeline of Chinese dynasties -- Selected bibliography
Author: Robin R. Wang
Publisher: Cambridge University Press
Published: 2012-09-24
Total Pages: 486
ISBN-13: 1139536214
DOWNLOAD EBOOKThe concept of yinyang lies at the heart of Chinese thought and culture. The relationship between these two opposing, yet mutually dependent, forces is symbolized in the familiar black and white symbol that has become an icon in popular culture across the world. The real significance of yinyang is, however, more complex and subtle. This brilliant and comprehensive analysis by one of the leading authorities in the field captures the richness and multiplicity of the meanings and applications of yinyang, including its visual presentations. Through a vast range of historical and textual sources, the book examines the scope and role of yinyang, the philosophical significance of its various layers of meanings and its relation to numerous schools and traditions within Chinese (and Western) philosophy. By putting yinyang on a secure and clear philosophical footing, the book roots the concept in the original Chinese idiom, distancing it from Western assumptions, frameworks and terms, yet also seeking to connect its analysis to shared cross-cultural philosophical concerns.
Author: Paul Moss
Publisher:
Published: 1988
Total Pages: 178
ISBN-13:
DOWNLOAD EBOOKAuthor: Lillian Lan-ying Tseng
Publisher: BRILL
Published: 2020-03-17
Total Pages: 479
ISBN-13: 1684175097
DOWNLOAD EBOOKTian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge. By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.
Author: Stephen Little
Publisher: Univ of California Press
Published: 2000-01-01
Total Pages: 422
ISBN-13: 9780520227859
DOWNLOAD EBOOKA celebration of Taoist art traces the influence of philosophy on the visual arts in China.
Author: John S. Major
Publisher: SUNY Press
Published: 1993-08-03
Total Pages: 416
ISBN-13: 9780791415863
DOWNLOAD EBOOKThe Huainanzi has in recent years been recognized by scholars as one of the seminal works of Chinese thought at the beginning of the imperial era, a summary of the full flowering of early Taoist philosophy. This book presents a study of three key chapters of the Huainanzi, The Treatise on the Patterns of Heaven, The Treatise on Topography, and The Treatise on the Seasonal Rules, which collectively comprise the most comprehensive extant statement of cosmological thinking in the early Han period. Major presents, for the first time, full English translations of these treatises. He supplements the translations with detailed commentaries that clarify the sometimes arcane language of the text and presents a fascinating picture of the ancient Chinese view of how the world was formed and sustained, and of the role of humans in the cosmos.
Author: Harriet Beinfield
Publisher: Ballantine Books
Published: 2013-12-18
Total Pages: 448
ISBN-13: 0804151733
DOWNLOAD EBOOK“Comprehensive, encyclopedic, and lucid, this book is a must for all practitioners of the healing arts who want to broaden their understanding. Readers interested in the role of herbs and foods in healing will also find much to learn here, as I have. . . . A fine work.”—Annemarie Colbin, author of Food and Healing The promise and mystery of Chinese medicine has intrigued and fascinated Westerners ever since the “Bamboo Curtain” was lifted in the early 1970s. Now, in Between Heaven and Earth, two of the foremost American educators and healers in the Chinese medical profession demystify this centuries-old approach to health. Harriet Beinfeld and Efrem Korngold, pioneers in the practice of acupuncture and herbal medicine in the United States for over eighteen years, explain the philosophy behind Chinese medicine, how it works and what it can do. Combining Eastern traditions with Western sensibilities in a unique blend that is relevant today, Between Heaven and Earth addresses three vital areas of Chinese medicine—theory, therapy, and types—to present a comprehensive, yet understandable guide to this ancient system. Whether you are a patient with an aggravating complaint or a curious intellectual seeker, Between Heaven and Earth opens the door to a vast storehouse of knowledge that bridges the gap between mind and body, theory and practice, professional and self-care, East and West. “Groundbreaking . . . Here at last is a complete and readable guide to Chinese medicine.”—San Francisco Chronicle
Author: Dave Alber
Publisher: Dave Alber
Published: 2020-04-14
Total Pages: 92
ISBN-13: 1497355206
DOWNLOAD EBOOKThe Taotie Image in Chinese Art, Culture, and Cosmology by Dave Alber. The taotie, also known as the “beast mask”, is the most distinctive feature of Shang dynasty art. It is a fascinating motif in Chinese art and, for centuries, has inspired curiosity as to its meaning. In this book, cultural scholar, Dave Alber, explores the many meanings of the taotie image. • What was the meaning of the taotie among traditional Chinese art historians? • What is the taotie’s influence in Chinese art history? • What is the most probable cultural origin of the taotie? • What function did the taotie image serve in Shang dynasty cosmology and psychology? • What is the Pan-Asian diffusion of the original motif? • How does this art motif enrich our experience of Chinese architecture, history, and contemporary music? Dave Alber, MA originally presented the content of this book as a lecture at Henan Polytechnic University (HPU) in Mainland China. The Taotie Image in Chinese Art, Culture, and Cosmology is written in dual-language English and Chinese. Thus, it is a great tool for learning either English or Traditional Chinese. With almost one hundred photographs from Dave Alber’s travels in China and Asia, it is also an ideal book for studying Chinese and Pan-Asian art.
Author: Laura Hein
Publisher: U of M Center For Japanese Studies
Published: 2010-01-08
Total Pages: 175
ISBN-13: 1929280637
DOWNLOAD EBOOKTomiyama Taeko, a Japanese visual artist born in 1921, is changing the way World War II is remembered in Japan, Asia, and the world. Her work deals with complicated moral and emotional issues of empire and war responsibility that cannot be summed up in simple slogans, which makes it compelling for more than just its considerable beauty. Japanese today are still grappling with the effects of World War II, and, largely because of the inconsistent and ambivalent actions of the government, they are widely seen as resistant to accepting responsibility for their nation’s violent actions against others during the decades of colonialism and war. Yet some individuals, such as Tomiyama, have produced nuanced and reflective commentaries on those experiences, and on the difficulty of disentangling herself from the priorities of the nation despite her lifelong political dissent. Tomiyama’s sophisticated visual commentary on Japan’s history—and on the global history in which Asia is embedded—provides a compelling guide through the difficult terrain of modern historical remembrance, in a distinctively Japanese voice.
Author: Lennert Gesterkamp
Publisher: BRILL
Published: 2011-03-21
Total Pages: 494
ISBN-13: 9004190236
DOWNLOAD EBOOKOne of the most magnificent and enduring themes in Chinese painting history can be found depicted in Daoist temples from the local village up to the very capital, viz., the paintings of the Heavenly Court (chaoyuan tu). Surprisingly, its images have remained largely unstudied in Western scholarship. Drawing on a comparative study of four complete sets of wall paintings dating back to the thirteenth and fourteenth centuries (the oldest examples), and their related images, painting criticism, stele inscriptions, and Daoist ritual manuals, the author offers the first comprehensive study of the historical development, iconography, ritual context, methods of mural design, and the personalisations made by patrons of the four Heavenly Court paintings.
