The number one, bestselling title in the spin-off series from Percy Jackson creator, Rick Riordan - now in a stunning graphic novel form! OLD ENEMIES AWAKEN AS CAMP HALF-BLOOD'S NEW ARRIVALS PREPARE FOR WAR When Jason, Piper and Leo crash land at Camp Half-Blood, they have no idea what to expect. Apparently this is the only safe place for children of the Greek Gods - despite the monsters roaming the woods and demigods practising archery with flaming arrows and explosives. But rumours of a terrible curse - and a missing hero - are flying around camp. It seems Jason, Piper and Leo are the chosen ones to embark on a terrifying new quest, which they must complete by the winter solstice. In just four days time. Can the trio succeed on this deadly mission - and what must they sacrifice in order to survive?
In this adaptation of Rick Riordan's novel, demigod Percy Jackson, still with no memory, and his new friends from Camp Jupiter, Hazel and Frank, go on a quest to free Death, but their bigger task is to unite the Greek and Roman camps so that the Prophecy of Seven can be fulfilled.
A Good Morning America Book Club Pick! • A bighearted novel with technicolor characters, plenty of Texas swagger, and a powder keg of a plot in which marriages struggle, rivalries flare, and secrets explode, all with a clever wink toward classical mythology. For fans of Madeline Miller's Circe: "The Iliad meets Friday Night Lights in this muscular, captivating debut" (Oprah Daily). The Briscoe family is once again the talk of their small town when March returns to East Texas two years after he was caught having an affair with his brother's wife. His mother, June, hardly welcomes him back with open arms. Her husband's own past affairs have made her tired of being the long-suffering spouse. Is it, perhaps, time for a change? Within days of March's arrival, someone is dead, marriages are upended, and even the strongest of alliances are shattered. In the end, the ties that hold them together might be exactly what drag them all down. An expansive tour de force, Olympus, Texas cleverly weaves elements of classical mythology into a thoroughly modern family saga, rich in drama and psychological complexity. After all, at some point, don't we all wonder: What good is this destructive force we call love?
"Equipped with a camera and determination, an adventurous little girl tries to track down an elusive red fox, which proves more difficult than she thought"--
In this action-packed sequel to the New York Times bestselling Frostblood, Ruby must choose between her fiery homeland and the icy king who loves her. Against all odds, Ruby has defeated the villainous Frost King and melted his powerful throne. But the bloodthirsty Minax that was trapped inside is now haunting her kingdom and everyone she loves. The answers to its demise may lie to the south in Sudesia, the land of the Firebloods, and a country that holds the secrets to Ruby's powers and past.... Despite warnings from her beloved Arcus, Ruby accompanies a roguish Fireblood named Kai to Sudesia, where she must master her control of fire in a series of trials to gain the trust of the suspicious Fireblood queen. Only then can she hope to access the knowledge that could defeat the rampaging Minax--which grows closer every moment. But as sparks fly in her moments alone with Kai, how can Ruby decide whom to trust? The fate of both kingdoms is now in her hands.
Books One and TwoFor Love of WarAres, the Greek god of War, has fallen on hard times. Modern technology has left him a proverbial fish out of water, relegated to finding a poor substitute for battle in rough biker bar fistfights. When Hermes shows up with an offer from Zeus, king of the gods, Ares thinks he's finally found a way to regain his past glory.A demigod on Earth has come into his powers, and they're strong enough to send a ripple through Olympus. Zeus needs the fledgling demigod dead. Dion, the demigod in question, has no idea of his Olympian roots until he wakes up to find Ares there to kill him. But Dion isn't totally defenseless, and Ares soon discovers he's caught in a web of lies that only the Fates will be able to untangle.Styx and StonesAt his wits' end and in need of a decent night of sleep, Hermes seeks a nap in what he feels will be the place where he's least likely to be disturbed - the Underworld. Although he aims for the Elysian Fields, he misjudges his landing and ends up in a decrepit castle full of dirt, mold, bugs, and rats - and the stunningly gorgeous, epically dangerous god of Death, Thanatos.Thanatos has been cursed to remain in the horrid castle until another god lets him out. Hermes, he reasons, is exactly who he needs to gain his freedom, whether Hermes likes it or not, but in escaping, he finds himself literally chained to Hermes.To gain their freedom from one another and the revenge Thanatos seeks for being locked up for centuries on false pretenses, they must confront powerful, often bloodthirsty gods, and possibly incur the wrath of the most powerful creatures in the Universe - The Fates.
From the late Herbert Muschamp, the former architecture critic of The New York Times and one of the most outspoken and influential voices in architectural criticism, a collection of his best work. The pieces here—from The New Republic, Artforum, and The New York Times—reveal how Muschamp’s views were both ahead of their time and timeless. He often wrote about how the right architecture could be inspiring and uplifting, and he uniquely drew on film, literature, and popular culture to write pieces that were passionate and often personal, changing the landscape of architectural criticism in the process. These columns made architecture a subject accessible to everyone at a moment when, because of the heated debate between modernists and postmodernists, architecture had become part of a larger public dialogue. One of the most courageous and engaged voices in his field, he devoted many columns at the Times to the lack of serious new architecture in this country, and particularly in New York, and spoke out against the agenda of developers. He departed from the usual dry, didactic style of much architectural writing to playfully, for example, compare Frank Gehry’s Guggenheim Bilbao to the body of Marilyn Monroe or to wax poetic about a new design for Manhattan’s manhole covers. One sees in this collection that Muschamp championed early on the work of Frank Gehry, Rem Koolhaas, Zaha Hadid, Thom Payne, Frank Israel, Jean Nouvel, and Santiago Calatrava, among others, and was drawn to the theoretical writings of such architects as Peter Eisenman. Published here for the first time is the uncut version of his brilliant and poignant essay about gay culture and Edward Durrell Stone’s museum at 2 Columbus Circle. Fragments from the book he left unfinished, whose title we took for this collection—“A Dozen Years,” “Metroscope,” and “Atomic Secrets”—are also included. Hearts of the City is dazzling writing from a humanistic thinker whose work changed forever the way we think about our cities—and the buildings in them.
Desperate to convince the conceited Lord Launceston to lend her his ancient castle for a masquerade ball, Lady Alexandra Staple is willing to surrender a kiss. What Alexandra doesn't know is that Launceston has wagered with his friends that he can seduce her. And what he doesn't know is the he is about to lose his heart.
