Written by one of the country's foremost specialists in the classical repertoire and an internationally renowned conductor, this book recounts the circumstances surrounding the genesis of some of Haydn's most famous works, including the London Symphonies.
Presenting a fresh perspective on the life and work of Joseph Haydn, this biography probes the darker side of Haydn's personality, his commercial opportunism and double dealing, his penny-pinching and his troubled marriage.
On more than one occasion the great composer Joseph Haydn remarked taht he became well known in his own country only after he had made two visits to London in the 1790s. Although he was connected with the Esterházy court for over 40 years and his music was performed in many of Europe's major cities, London was to be the only European city, apart from Vienna, to welcome the composer in person. The essays in this volume examine the relationship between the composer and the commercial, political and social world and help explain the unparalleled popularity Hadyn and his music have enjoyed ever since.
For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.
This book paints a broad picture of musical life in Britain over the last three centuries, charting the rise of the celebrity composer, the opening of public halls and growth of music festivals, the rapid influx of composers, and new musical forms.
Concerts flourished in London during the second half of the eighteenth century as never before. Enterprising promoters developed subscription series around the new symphony orchestra, and the lucrative environment attracted both Mozart and Haydn, whose last twelve symphonies were written for London. This book is the first detailed investigation of a lively and innovative period in London's cultural life, combining a social study of concert audiences with analysis of their musical tastes and the repertoire they inspired.