Every country has its fair share of horror stories and hauntings. Singapore is no exception. If you are the one who is fascinated about ghost stories and scary experiences, read on to find out about the most haunted places in this small country. Behind every haunting, there is almost always a tragic incident that makes the spirit trapped in its current state.
Something made me look from the amahs to the frangipani tree in the corner. And there she was—Ying. She was looking up at me. I shivered. Was my fever making me imagine things? I needed to tell Ma and Papa right away, but at this very moment, they were at Bukit Brown Cemetery, tending to Ying’s funeral. Ten-year-old Bee Ling grows up sheltered and privileged in 1940s Singapore, jealous of her beautiful, perfect elder sister, Ying. When the Japanese attack Singapore, Ying is killed in an air raid at school. Shortly afterwards, Singapore is occupied by the Japanese and the family endure the wartime hardship and horrors that ensue. Her sister returns as a spirit to guide, protect and reassure her that she will survive the war. Bee Ling grows to appreciate what she has left and gains an understanding of the bonds of love that exist even in the face of devastating loss. Written with unflinching clarity through the innocent eyes of a child, this coming-of-age novel is an intimate portrait of love, family, resilience, and the power of sisterhood.
Years before his political career took off, Othman Wok pioneered the writing of ghost stories and horror fiction in Singapore and Malaysia. Othman Wok left an indelible mark on Singaporean politics and society: signing the Independence of Singapore Agreement 1965, overseeing the construction of Singapore’s first large-scale sporting arena, working to advance the quality of social welfare services, developing the Mosque Building Fund, and being (in the words of PM Lee Hsien Loong) “steadfast and unwavering in believing in a multiracial, multi-religious, meritocratic Singapore”, among many other accomplishments. In addition, he pioneered the writing of ghost stories and horror fiction in Malay while working as a young reporter for Utusan Melayu and Mustika magazine between 1952 and 1956. These stories were fantastically popular, making him a household name in the Malay-speaking world, years before his political career took off. In fact, these tales may have been the first examples of horror fiction in either Singapore or Malaysia, in any language. A Mosque in the Jungle assembles two dozen of the best stories from his three fiction collections in English: Malayan Horror (1991), The Disused Well (1995) and Unseen Occupants (2006). Curated by award-winning poet and fictionist Ng Yi-Sheng, this book provides an entry point into Othman’s fiction, and a window into the work of a “literary genius” (Farouk A. Peru, Malay Mail Online)
Featuring new listings and new information on existing haunts, thhis book offers supernatural tourists a guide to points of interest through the eyes of the world's leading ghost hunters.
Ghost Stories: 25 Supernatural Tales By Real People Based On True Events In And Around The Far East Granger T Barr proudly presents the seventh book in his Ghostly Encounters Series. In his travels and stories from around the world, Granger has met and interviewed many people. He has found that ghost stories vary according to different cultures. Tales are from haunted hotel rooms in Asia to old railway stations, hospitals, scary bunk beds, zombies, ghouls caught on camera, cemeteries, terrifying public washrooms, and creepy apartment kitchens. There is sure to be something for you. The author documented true, real-life personal stories predominantly in the West, such as Great Britain, America, and other places in his previous six books. This book contains 25 tales of supernatural events from various locations in and around the Far East for your enjoyment. These stories are recorded as spoken in English by those telling the stories. Therefore, any broken English is grammatically correct in context and authentic. The stories are all from the Far East. Wanna to be creeped out? GET THIS BOOK NOW!
Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. HOUSE OF PSYCHOTIC WOMEN is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and a celebration of female madness, both onscreen and off. This critically-acclaimed publication is packed with rare images that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. Films covered include The Entity, Paranormal Activity, Singapore Sling, 3 Women, Toys Are Not for Children, Repulsion, Let’s Scare Jessica to Death, The Haunting of Julia, Secret Ceremony, Cutting Moments, Out of the Blue, Mademoiselle, The Piano Teacher, Possession, Antichrist and hundreds more. Prior to this ebook edition, Kier-La's highly acclaimed book has already been issued twice in hardcover and twice in paperback, garnering extensive press coverage. Endorsement including the following: “God, this woman can write, with a voice and intellect that’s so new. The truth in the most deadly unique way I’ve ever read.” – Ralph Bakshi, director of ‘Fritz the Cat’, ‘Heavy Traffic’, ‘Lord of the Rings’, etc. “Fascinating, engaging and lucidly written: an extraordinary blend of deeply researched academic analysis and revealing memoir.” – Iain Banks, author of ‘The Wasp Factory’
Almost every Singaporeans loves a good ghost story, and almost everyone have experienced an encounter with one. Ghost stories have been an integral part of Singapore’s story telling culture. Adults would tell ghost stories to spook children. Scary stories are used to discourage children from sneaking out at night. Adults who told these stories were as afraid as the children. After all, their parents had told them the same stories for the same reason. Horror strikes deepest when it hits close to home. This collection aims to uncover the haunted places that lurks within Singapore. True Singapore Ghost stories contributed by everyday people. Stories that will give you the chills and make you bury your head under your blanket. Singapore though a small country exist another realm. It is a fact that other entities dwell in this otherworldly realm.
A Singapore journalist is in Wuhan, the epicentre of the COVID-19 outbreak, to do on-the-ground stories of the pandemic. Having to resort to cat-and-mouse tactics to evade censorship curbs, he goes about searching for true-to-life stories. He comes upon first-hand personal accounts of fear and fearlessness, selfishness and self-sacrifice, hope and heartbreak as told to him by the people he interviewed—many reliving experiences that reveal the best and worst of humanity in a crisis. But what intrigues him most is the do-or-die decisions that some were forced to make when extreme circumstances called for extreme actions. He also runs into unscrupulous scam operators, including those from the media, who try to profit from the tragedy—which he then tries to expose. Then, mysterious circumstances behind a man’s death leave him with a puzzle to solve even as he heads back to Singapore. And he has to solve it quickly to save a life.
This book offers new insights on socially and culturally engaged Gothic ghost stories by twentieth century and contemporary female writers; including Shirley Jackson, Angela Carter, Toni Morrison, Ali Smith, Susan Hill, Catherine Lim, Kate Mosse, Daphne du Maurier, Helen Dunmore, Michele Roberts, and Zheng Cho. Through the ghostly body, possessions and visitations, women’s ghost stories expose links between the political and personal, genocides and domestic tyrannies, providing unceasing reminders of violence and violations. Women, like ghosts, have historically lurked in the background, incarcerated in domestic spaces and roles by familial and hereditary norms. They have been disenfranchised legally and politically, sold on dreams of romance and domesticity. Like unquiet spirits that cannot be silenced, women’s ghost stories speak the unspeakable, revealing these contradictions and oppressions. Wisker’s book demonstrates that in terms of women’s ghost stories, there is much to point the spectral finger at and much to speak out about.
Breast Ghosts is a collection of ghost stories. Malaysian and Indonesian traditions and superstitions pertaining to ghosts are skilfully revealed to the reader as the narrator author relates personal experiences and second hand accounts. A fascinating aspect is that these are contemporary stories set in real places in Singapore and Indonesia. We visit both the Singaporean metropolis and the remote jungles of Java. This collection will be enjoyed by readers who like ghost stories, but also by those who are simply interested in the culture of Indonesia, Malaysia or Singapore. What is particularly engaging and unique about this collection is the strong feeling of authenticity owing to the first-person narration and the modern setting; even though the ghosts themselves come from centuries-old Indonesian folklore.
