Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.
Conceptually sophisticated and exceptionally musical, Harmonic Practice in Tonal Music provides a thorough treatment of harmony and voice-leading principles in tonal music.
This textbook takes a linear, functional approach to tonal music in the common-practice era, explaining how both harmonic and melodic forces contribute to the development of musical structures. Coverage includes the basic elements of music; functional diatonic harmony, modulations, and sequences; the common procedures of chromatic harmony; and advanced chromatic techniques. The second edition contains a broader range of musical examples than the first, featuring more world music, popular music, jazz, and music by women. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com)--[Source inconnue].
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
The author recognises that 20th century music is best understood in both technical and historical terms. The book features model composition exercises. The use of hands-on experience familiarises students with techniques and styles of major composers.
The primary focus of this book is accent which Lester argues is one of the major aspects of rhythm. The central question is not whether a note or event (rest point in time) is accented but how it is accented. This change of focus allows for the first time a thorough investigation into the factors that give rise to accent the relative importance of these factors in creating accentuation the way accents are perceived the way meter arises and the limits of metric organization on higher levels of structure.
"A self-contained and comprehensive college textbook, this new work provides the basis for both the one-year course in elementary harmony and the two-year course which includes advanced harmony. A new and more effective approach to this traditional music discipline has long been needed. Accordingly, Professor Forte has provided students of music with a fresh treatment of bases of harmony--one which will lead to a more effective understanding of tonal music. Tradition has by no means been minimized, but many fresh ideas replace older (and, sometimes, inadequate) ones. For example: more comprehensive ideas of harmonic structure, a schema of modulatory progression, and an uncomplicated, learnable system of chord classification are presented here for the first time. The chapters dealing with modulation and melodic structure and development shed new light on those areas. Each section is brief, well-defined, and amply illustrated with musical examples. Emphasis is placed upon composition and analysis. These essential experiences give the general music student a firm foundation in the understanding of harmony--the how as well as the why, the underlying concepts as well as the techniques for manipulating specific materials." --Dust jacket flap.