Hannah Ryggen
Hannah Ryggen

Author: Marit Paasche

Publisher:

Published: 2019

Total Pages: 0

ISBN-13: 9780226674698

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Hannah Ryggen (1894-1970) was a Swedish-Norwegian modern artist who began her career as a painter before switching to creating political art in the form of monumental tapestries. Combining the decorative and the political, Ryggen was ahead of her time with her turn to "political weaving." She was also a feminist with strong communist sympathies involved in the international workers' movement. Her dramatic, beautiful tapestries were shown at both the Paris and Brussels World's Fairs, but she was largely forgotten by the international art world in the decades after her death. In recent years, however, as interest in both fiber arts and pioneering women artists has grown, Ryggen's work has returned to the public eye, with major international exhibitions and fresh attention from curators, collectors, and critics. A widely recognized authority on Ryggen, Marit Paasche brings this important Scandinavian artist to the foreground in this biography, the first published on Ryggen in English. Paasche looks at Ryggen within the social, political, and cultural contexts of her time and explores how these issues informed her work, from her anti-fascist tapestry that depicted a spear piercing Mussolini's head to one protesting the war in Vietnam. Published to correspond with a major retrospective in Frankfurt, of which Paasche is one of the curators, Hannah Ryggen is a foundational book that will provide a crucial introduction of this artist to a broader audience.

Hannah Ryggen
Hannah Ryggen

Author: Marit Paasche

Publisher: National Geographic Books

Published: 2020-02-04

Total Pages: 0

ISBN-13: 3791359266

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Discover the tapestries of Hannah Ryggen, one of the most influential Scandinavian artists of the 20th century. Hannah Ryggen created numerous monumental tapestries in her lifetime. Originally trained as a painter, Ryggen began weaving on a standing loom on her self-sufficient farm on the West coast of Norway. She challenged the formal traditions of Norwegian 17th- and 18th-century textile folk art, combining figurative and abstract elements. She also experimented with and developed colors using local plants and other materials she foraged. Her tapestries bravely tackled the social issues of the time, from the atrocities of war to the abuse of power. She created work in direct response to Hitler, Franco, and Mussolini and made powerful statements of support to the victims of Fascism and Nazism. This book features about 25 of Ryggen's signature tapestries including Etiopia (Ethiopia), Drømmedød (Death of Dreams), and Vi lever på en stjerne (We Are Living on a Star). It shows her work representing a different kind of modernism where elements of folk art and mythology are mixed with contemporary life. Haunting and powerful, Ryggen's work was unprecedented at the time, as it expressed her political messages to the public.

Elisabeth Haarr
Elisabeth Haarr

Author: Mai Lahn-Johannessen

Publisher: National Geographic Books

Published: 2022-08-23

Total Pages: 0

ISBN-13: 3956796217

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A richly illustrated volume on the influential textile art of Elisabeth Haarr. For over fifty years Elisabeth Haarr has been one of the most significant artists in Norway. From her early experimentation with tapestry as modern visual art in the 1960s to political works with an activist message in the 1970s, and her later sculptural installations of rugs, banners, figures, and drapes, Haarr’s oeuvre has significantly contributed to the consideration of textiles as a material in contemporary art. Today, her work continues to address topics such as feminism, anti-fascism, and environmental protection, and is as relevant as it was forty years ago. Elisabeth Haarr accompanies a monographic presentation by the artist at Bergen Kunsthall. Surprisingly, this is the first extensive career survey of Haarr’s work, with the exception of a two-person survey with Hannah Ryggen in 2008. This book aims to provide entry points into Elisabeth Haarr’s ongoing practice and is illustrated with a wide-ranging selection of works from throughout her career, as well as new works produced for the exhibition in Bergen. Iconic photos of Haarr’s work show banners or other textile pieces hanging in the open, outside of the exhibition space like a flag, or in her garden blowing in the wind. The works are documented with additional material, such as research references and sources of inspiration, as well as images made by the artist during her working process to share her progress with collaborators and friends. These images often show the artist’s personal milieu, such as her studio and the garden of her house in Kristiansand. This richly illustrated publication includes new texts by artist Are Blytt, curator Elisabeth Byre, poet, playwright, and novelist Cecilie Løveid, and curator Steinar Sekkingstad, and a conversation between Elisabeth Haarr and artist Eline Mugaas.

Modern Women Artists in the Nordic Countries, 1900–1960
Modern Women Artists in the Nordic Countries, 1900–1960

Author: Kerry Greaves

Publisher: Routledge

Published: 2021-04-05

Total Pages: 278

ISBN-13: 1000370984

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This transnational volume examines innovative women artists who were from, or worked in, Denmark, Finland, Greenland, Iceland, Norway, Sápmi, and Sweden from the emergence of modernism until the feminist movement took shape in the 1960s. The book addresses the culturally specific conditions that shaped Nordic artists’ contributions, brings the latest methodological and feminist approaches to bear on Nordic art history, and engages a wide international audience through the contributors’ subject matter and analysis. Rather than introducing a new history of "rediscovered" women artists, the book is more concerned with understanding the mechanisms and structures that affected women artists and their work, while suggesting alternative ways of constructing women’s art histories. Artists covered include Else Alfelt, Pia Arke, Franciska Clausen, Jessie Kleemann, Hilma af Klint, Sonja Ferlov Mancoba, Greta Knutson, Aase Texmon Rygh, Hannah Ryggen, Júlíana Sveinsdóttir, Ellen Thesleff, and Astri Aasen. The target audience includes scholars working in art history, cultural studies, feminist studies, gender studies, curatorial studies, Nordic studies, postcolonial studies, and visual studies.

Forgotten Women: The Artists
Forgotten Women: The Artists

Author: Zing Tsjeng

Publisher: Cassell

Published: 2018-09-20

Total Pages: 224

ISBN-13: 178840114X

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'To say this series is "empowering" doesn't do it justice. Buy a copy for your daughters, sisters, mums, aunts and nieces - just make sure you buy a copy for your sons, brothers, dads, uncles and nephews, too.' - Independent The women who shaped and were erased from our history. Forgotten Women is a new series of books that uncover the lost herstories of influential women who have refused over hundreds of years to accept the hand they've been dealt and, as a result, have formed, shaped and changed the course of our futures. The Artists brings together the stories of 48* brilliant woman artists who made huge yet unacknowledged contributions to the history of art, including Camille Claudel, the extraordinarily talented sculptor who was always unfairly overshadowed by her lover, Rodin; Baroness Elsa von Freytag-Loringhoven, who has been claimed as the true originator of Marcel Duchamp's Fountain; and Ana Mendieta, the Cuban refugee who approached violence against women through her performance art before her own untimely death. With chapters ranging from Figurative to Photography, and Craft to Conceptual, this is an alternative guide to art history that demonstrates the broad range of artistic movements that included, and were often pioneered by, female artists who have been largely overlooked. *The number of Nobel-prize-winning women.

The Story of Art Without Men
The Story of Art Without Men

Author: Katy Hessel

Publisher: W. W. Norton & Company

Published: 2023-05-02

Total Pages: 638

ISBN-13: 0393881873

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Instant New York Times bestseller The story of art as it’s never been told before, from the Renaissance to the present day, with more than 300 works of art. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the “readymade.” Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it’s never been told before.

Our Vision For Liberation
Our Vision For Liberation

Author: Ramzy Baroud

Publisher: SCB Distributors

Published: 2022-03-01

Total Pages: 490

ISBN-13: 1949762459

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"This is a fascinating, great book." -- ROGER WATERS, founding member, Pink Floyd "These moving visions of a decolonized, democratic and free Palestine will resonate wherever collective yearnings for freedom have survived. Palestinian intellectuals, activists, and artists are a beacon both for the future of Palestine and the destiny of our globe." -- ANGELA DAVIS "Read this book and you will be strengthened and inspired. It’s a death knell to the Zionist fantasy and imperialist domination." -- RONNIE KASSRILS, South African anti-apartheid icon Our Vision for Liberation: Engaged Palestinian Leaders & Intellectuals Speak Out aims to challenge several strata of the current Palestine discourse that have led to the present dead end: the American pro-Israel political discourse, the Israeli colonial discourse, the Arab discourse of purported normalization, and the defunct discourse of the Palestinian factions. None promote justice, none have brought resolution; none bode well for any of the parties involved. Here, an alternative Palestinian view of liberation and decolonization is provided by engaged Palestinian leaders and intellectuals, those who been actively involved in generating an ongoing Palestinian discourse on liberation, taking into account the parameters of their struggle as it now stands. Drawing on their own remarkable personal experiences and successes -- as archaeologists, artists, authors, community leaders, educators, filmmakers, historians, human rights activists, journalists, lawyers, spiritual leaders, political prisoners, and the like -- they address what now, what next, is to be done, in a manner that reflects not only Palestinian aspirations, but their view of what is possible. 'Liberation' is a term that was dropped from the official Palestinian lexicon simply because it was incompatible with the US-championed political discourse, but it has resurfaced here because without its justice dimensions, there can be no peace. Now that the international community is able to see that Oslo, along with the 'two-state solution' model, has irreversibly failed, the paradigmatic void has opened space for the articulation of new possibilities. Our Vision for Liberation embraces this opportunity to introduce a new Palestinian discourse, one that is able to address current challenges and obstacles to Palestinian rights and freedom, and provide diverse paths, all leading forward

Marta Kuzma
Marta Kuzma

Author: Hanna Ryggen

Publisher: Hatje Cantz Verlag

Published: 2012-06-06

Total Pages: 67

ISBN-13: 3775730966

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Hannah Ryggen was born in 1894 in Malmö, Sweden, and lived until her death on a farm in Norway. Over fifty years, the artist wove tapestries with critical contemporary motifs. In her introduction to Ryggen's notebook, Marta Kuzma recapitulates the crucial phase at the beginning of the world economic crisis of 1928, when the rise of fascism in Europe caused an existential dilemma for many people. Walter Benjamin described the precariousness of the situation with the figure of a "little hunchback," as a metaphor for the broken and desperate situation in which many Europeans were stuck. Instead of falling into resignation, the pacifist, communist, and feminist Ryggen materialized her thoughts about her time in an unsuspicious medium. In a deeply ideological and fear-driven time, she hung her hand-woven tapestries that depicted and reordered the power constellations and atrocity of society in dreamlike sceneries outside her window during the German occupation of Norway. With images, a short autobiography of the artist, and a textile-coloring recipe. Hannah Ryggen (1894–1970) was a Norwegian artist, born in Sweden. Marta Kuzma (*1964) is a curator and lecturer, and Director of the Office for Contemporary Art Norway, Oslo; she is a member of dOCUMENTA (13)'s Core Agent Group. Language: English/German