In his first book The 10 Rules of Rock and Roll Australian singer-songwriter Robert Forster takes readers on an idiosyncratic journey through the past and present of popular music from Bob Dylan to Cat Power from AC/DC to Nana Mouskouri from The Saints to Franz Ferdinand. With thirty-years experience as a recording artist/performer and an undimmed love of popular music Forster's observations about his fellow artists balance the enthusiasm of a fan with an insider's authority. He is that rare thing a musician who can write about music and he brings to this collection of critical essays the erudition wit and craft of his songwriting.
Why did the Methodist missionaries seek out the full blood tribal yolngu (Aborihinal) of north-east Arnhem Land who fiercely resisted intruders into their practically unknown and untamed country? One answer was the Bible, and another was by the 1920s the plight of the Australian Aboriginee because of contact with Europeans across wide Australia. What did happen to the yolngu who lived by their own laws at the time of the arrival of the first Europeans, the Christian mission balanda in 1923, when they settled onto their land? Yolngu from (law) was enforced by the spear throughout their lands until the missionaries with the Bible and the cross of Jesus arrived. The Australian Police then, although the missionaries were only few in number, began to visit to support new western laws that were being introduced to the yolngu where justice was dealt with by the law courts and enforced by the power of the gun, so when the law was broken there was the possibility of imprisonment, and also in those days there was the most deadliest of all western laws - capital punishment. With the arrival of the Mthodist Overseas Mission with modern conveniences and living conditions for the yolngu, it therefore attracted many other yolngu clans living on the mainland to come and live at Milingimbi, The mission in particular became a buffer between the yolngu and the outside encroaching western dominant society, so our yolngu communities began to grow and prosper which was contrary to many communities down south where Aboriginals from their first contact with mainstream Europeans became disempowered, and as their lands were being fenced and taken from them they bagan to die off in large numbers and by the 1920s they were looked upon as a dying race with the possibility of extinction.
The Languages and Linguistics of Australia: A Comprehensive Guide is part of the multi-volume reference work on the languages and linguistics of the continents of the world. The volume provides a thorough overview of Australian languages, including their linguistic structures, their genetic relationships, and issues of language maintenance and revitalisation. Australian English, Aboriginal English and other contact varieties are also discussed.
Here in your hands you have a book of my poetry and reflections. It’s strange to state this, as words for me are phantom things that hint at deeper realities, and poetry has always been at the heart of my thinking. Not the mechanics of words and intentions, structure and word play, but the penumbral possibilities that lurk alongside metaphor, cultural clues and organic being.
The girl you love vanishes - you search and search. No trace of her is found. You find one who looks just like her - her eyes see you but they do not know you, no recognition flickers - is it a mirage, dream or desperate hope? She likes you. You ask and she comes with you. Her mind sees sunlight. You see dark shadowed edges. Can you remake your life with a person who holds no memory of you. An unknown girl appears on an aboriginal community in far north Queensland. She has no memory of any life before, no one knows her. Who is she? Where has she come from? She looks like a missing backpacker, Susan, she sounds like Susan, but her name is Jane. Her past life is an unknown place from where she knows no one. Now she has to try to make a new life without any connections to her past. This is the final book of the Crocodile Spirit Dreaming Series. It tells the story of an English backpacker who went traveling in Outback Australia with a man who loved crocodiles, and how her life turned into a horror nightmare. Finally she gets her freedom only to disappear. Susan was on trial for murder when she vanished. She had been just released on bail, despite pleading guilty, when new evidence indicating self-defense was found. She was also pregnant and expecting twins. Since she has gone only a pair of shoes she was wearing have been found. They were next to a waterhole full of crocodiles. It is feared that she and her unborn children are dead, taken by crocodiles. More than a year passes without any other trace of her. An inquest has made an open finding on her disappearance. What is the link between Susan and this girl Jane who turns up out of nowhere, knowing no one, remembering nothing? Can this girl, Jane, build a new and happy life with just her two small children. Can a tragedy of the past ever be overcome? This is the story of the remaking of a new life from the broken shell of the old - how memories of the old threaten to tear apart the new. And always, at the dark edge, lurks an ancient creature of the deep, a being whose lineage is the long lost Australian dreamtime, before the spirits made this land. Yet from this dark can come a new place, a place where sunlit shadows dance.
Theologies are constructed in and from lived contexts, and contexts are shaped by borders. While borders are barriers, they are also steppingstones for crossing over and invitations for moving further. This book offers theological and cultural reflections from the intersections of borders (real and imagined), bodies (physical, cultural, religious, ideological, political), and voices (that endorse as well as talk back). With and in the interests of natives and migrants, the authors of this book embrace bordered bodies and stir bothered voices. The essays are divided into four overlapping clusters that express the shared drives between the authors—Noble borders: some borders are not experienced as constricting because they are seen as noble; Negotiating bodies: bodies constantly negotiate and relocate borders; Troubling voices: bothered voices cannot be muted or silenced; Riotous bodies: embracing the wisdom in and of rejected and wounded bodies is a riot that this book invites. The authors engage their subjects out of their experiences as migrants and natives. This book is thus a step toward—and an invitation for more work on—migrant and native theologies.
The European maritime explorers who first visited the bays and beaches of Australia brought with them diverse assumptions about the inhabitants of the country, most of them based on sketchy or non-existent knowledge, contemporary theories like the idea of the noble savage, and an automatic belief in the superiority of European civilisation. Mutual misunderstanding was almost universal, whether it resulted in violence or apparently friendly transactions. Written for a general audience, The First Wave brings together a variety of contributions from thought-provoking writers, including both original research and creative work. Our contributors explore the dynamics of these early encounters, from Indigenous cosmological perspectives and European history of ideas, from representations in art and literature to the role of animals, food and fire in mediating first contact encounters, and Indigenous agency in exploration and shipwrecks. The First Wave includes poetry by Yankunytjatjara Aboriginal poet Ali Cobby Eckermann, fiction by Miles Franklin award-winning Noongar author Kim Scott and Danielle Clode, and an account of the arrival of Christian missionaries in the Torres Strait Islands by Torres Strait political leader George Mye.
The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.
