Greek Gold
Greek Gold

Author: Dyfri Williams

Publisher: ABRAMS

Published: 1994

Total Pages: 264

ISBN-13:

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"The consummate mastery of Greek goldsmiths and the beauty of their designs elevated jewelry in the Classical period to glorious artistic heights. This volume presents nearly 200 of the finest surviving pieces made between the fifth and the early third century B.C., the era that also saw the creation of the Parthenon at Athens and the temple of Artemis at Ephesus, the sculptures of Polykleitos, Praxiteles, and Lysippus, and the paintings of Polygnotos, Apollodoros, Zeuxis, and Nikias." "Drawn from the unrivaled collections of the Hermitage, St. Petersburg, The Metropolitan Museum of Art, New York, and the British Museum, London, the works in this book represent jewelry produced throughout the Greek world. Regional variations and preferences are seen in jewelry from Greece itself, as well as from the wealthy Greek cities in Asia Minor, the Crimea, and South Italy and from partially Hellenized areas such as Cyprus, Egypt, and the Eastern Mediterranean. The authors describe the goldsmiths' techniques in detail, with the aid of specially taken scanning electron microphotographs, and they discuss how the jewelry was worn, its iconography, and how it relates to other arts, such as drawing and sculpture. Each piece is illustrated in full color, with numerous color details showing the intricacy and subtlety of these masterpieces of ancient Greek craftsmanship."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Greek Gold from Hellenistic Egypt
Greek Gold from Hellenistic Egypt

Author: Michael Pfrommer

Publisher: Getty Publications

Published: 2001

Total Pages: 92

ISBN-13: 0892366338

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Although much is left to the imagination, the basic facts do come to light, and the facets and surfaces of the Getty's golden treasure enrich us with new understanding."--BOOK JACKET.

Greek Gold
Greek Gold

Author: Yuri Kalashnik

Publisher:

Published: 2004

Total Pages: 136

ISBN-13:

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Tentoonstellingscatalogus van Griekse sieraden uit de vijfde tot en met de derde eeuw voor Christus uit de collectie van de Hermitage in Petersburg.

The 'Orphic' Gold Tablets and Greek Religion
The 'Orphic' Gold Tablets and Greek Religion

Author: Radcliffe G. Edmonds

Publisher: Cambridge University Press

Published: 2011-01-06

Total Pages: 397

ISBN-13: 0521518318

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Examines new methodologies used in the study of these tablets. Includes an updated edition and translation of the tablet texts.

Ancient Gold Jewellery
Ancient Gold Jewellery

Author: Aikaterinē Despoinē

Publisher:

Published: 1996

Total Pages: 0

ISBN-13: 9789602133118

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Jewellery appeared worldwide during the early phases of civilisation, when man, through his belief in the existence of supernatural forces and magic, laid down the substrate of religion. In those times, and for many centuries after, jewellery was regarded as having the power to attract benign forces or to avert evil, functioning as a magical medium. Its association with metals was of decisive importance, not least with gold which, being imperishable and untarnishable, was the only metal charged of itself with supernatural properties. In time the human intellect put aside the magical character of jewellery, though it was never cast off completely. By the beginning of the first millennium BC, to which the works of Greek goldsmithing discussed in this book belong, jewellery already had a long tradition behind it. Its form was often affected by the religious and metaphysical concepts of the age, as is succinctly noted in the Introduction. The manufacture of Greek gold jewellery depended on the possibility of access to the precious metal, the sources of and the techniques of working which, interwoven with myth and lore, are examined in sub-chapters. The founding of the colonies at first and the Macedonian expansion later, brought the Greeks into contact with both supplies of the raw material and traditional centres of goldsmithing, from where they also received new ornament types. These they transmuted, giving them a Greek identity, eventually creating a common language of jewellery that spread from the northern shores of the Euxine Pontus to Egypt, and from Italy to Asia. The development of jewellery is examined by category and bears witness to the influence of those same historical factors as contributed to the development of major art in the Hellenic world. Greek goldsmiths often emulated its achievements, also endowing this genre of the so-called minor arts with unique masterpieces.

Chain of Gold
Chain of Gold

Author: Susan C. Jarratt

Publisher: Southern Illinois University Press

Published: 2019-11-08

Total Pages: 221

ISBN-13: 0809337533

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Barred from political engagement and legal advocacy, the second sophists composed and performed epideictic works for audiences across the Mediterranean world during the early centuries of the Common Era. In a wide-ranging study, author Susan C. Jarratt argues that these artfully wrought discourses, formerly considered vacuous entertainments, constitute intricate negotiations with the absolute power of the Roman Empire. Positioning culturally Greek but geographically diverse sophists as colonial subjects, Jarratt offers readings that highlight ancient debates over free speech and figured discourse, revealing the subtly coded commentary on Roman authority and governance embedded in these works. Through allusions to classical Greek literature, sophists such as Dio Chrysostom, Aelius Aristides, and Philostratus slipped oblique challenges to empire into otherwise innocuous works. Such figures protected their creators from the danger of direct confrontation but nonetheless would have been recognized by elite audiences, Roman and Greek alike, by virtue of their common education. Focusing on such moments, Jarratt presents close readings of city encomia, biography, and texts in hybrid genres from key second sophistic figures, setting each in its geographical context. Although all the authors considered are male, the analyses here bring to light reflections on gender, ethnicity, skin color, language differences, and sexuality, revealing an underrecognized diversity in the rhetorical activity of this period. While US scholars of ancient rhetoric have focused largely on the pedagogical, Jarratt brings a geopolitical lens to her study of the subject. Her inclusion of fourth-century texts—the Greek novel Ethiopian Story, by Heliodorus, and the political orations of Libanius of Antioch—extends the temporal boundary of the period. She concludes with speculations about the pressures brought to bear on sophistic political subjectivity by the rise of Christianity and with ruminations on a third sophistic in ancient and contemporary eras of empire.

Coins, Bodies, Games, and Gold
Coins, Bodies, Games, and Gold

Author: Leslie Kurke

Publisher: Princeton University Press

Published: 1999-08-29

Total Pages: 408

ISBN-13: 0691007365

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The invention of coinage in ancient Greece provided an arena in which rival political groups struggled to imprint their views on the world. Here Leslie Kurke analyzes the ideological functions of Greek coinage as one of a number of symbolic practices that arise for the first time in the archaic period. By linking the imagery of metals and coinage to stories about oracles, prostitutes, Eastern tyrants, counterfeiting, retail trade, and games, she traces the rising egalitarian ideology of the polis, as well as the ongoing resistance of an elitist tradition to that development. The argument thus aims to contribute to a Greek "history of ideologies," to chart the ways ideological contestation works through concrete discourses and practices long before the emergence of explicit political theory. To an elitist sensibility, the use of almost pure silver stamped with the state's emblem was a suspicious alternative to the para-political order of gift exchange. It ultimately represented the undesirable encroachment of the public sphere of the egalitarian polis. Kurke re-creates a "language of metals" by analyzing the stories and practices associated with coinage in texts ranging from Herodotus and archaic poetry to Aristotle and Attic inscriptions. She shows that a wide variety of imagery and terms fall into two opposing symbolic domains: the city, representing egalitarian order, and the elite symposium, a kind of anti-city. Exploring the tensions between these domains, Kurke excavates a neglected portion of the Greek cultural "imaginary" in all its specificity and strangeness.