Meet Prince Blake and Princess Brooklyn, a brother-sister pair who love going on adventures together. In this first installment of The Adventures of the Glass Bottom Boat series, join the siblings on a magical journey to their destination. Along the way, you'll meet talking animals, discover hidden waterfalls, and walk through every color of the rainbow. Hurry now, the glass bottom boat is waiting!
Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.
Miriam Hopkins (1902–1972) first captured moviegoers' attention in daring precode films such as Dr. Jekyll and Mr. Hyde (1931), The Story of Temple Drake (1933), and Ernst Lubitsch's Trouble in Paradise (1932). Though she enjoyed popular and critical acclaim in her long career—receiving an Academy Award nomination for Becky Sharp (1935) and a Golden Globe nomination for The Heiress (1949)—she is most often remembered for being one of the most difficult actresses of Hollywood's golden age. Whether she was fighting with studio moguls over her roles or feuding with her avowed archrival, Bette Davis, her reputation for temperamental behavior is legendary. In the first comprehensive biography of this colorful performer, Allan R. Ellenberger illuminates Hopkins's fascinating life and legacy. Her freewheeling film career was exceptional in studio-era Hollywood, and she managed to establish herself as a top star at Paramount, RKO, Goldwyn, and Warner Bros. Over the course of five decades, Hopkins appeared in thirty-six films, forty stage plays, and countless radio programs. Later, she emerged as a pioneer of TV drama. Ellenberger also explores Hopkins's private life, including her relationships with such intellectuals as Theodore Dreiser, Dorothy Parker, Gertrude Stein, and Tennessee Williams. Although she was never blacklisted for her suspected Communist leanings, her association with these freethinkers and her involvement with certain political organizations led the FBI to keep a file on her for nearly forty years. This skillful biography treats readers to the intriguing stories and controversies surrounding Hopkins and her career, but also looks beyond her Hollywood persona to explore the star as an uncompromising artist. The result is an entertaining portrait of a brilliant yet underappreciated performer.
"Paradise Park was the "colored only'" counterpart to Silver Springs, a central Florida tourist attraction famous for its crystal-clear water and glass bottom boats. Together the two parks formed one of the biggest recreational facilities in the country before Disney World. From 1949 to 1969, boats passed each other on the Silver River--blacks on one side, whites on the other. Though the patrons of both parks shared the same river, they seldom crossed the invisible line in the water"--Jacket.
Explains the advantages of applying a fiberglass coating to wooden boats, offers a step-by-step demonstration of the procedure, and shares the case histories of some fiberglassed boats
"The key to Silver Springs's success was marketing, and park administrators knew well the power of publicity. This natural wonder was sold and marketed to tourists with tableaux of ordinary life taking place underwater. As the official photographer for nearly forty-five years, Bruce Mozert was a key player In promoting the park as a verdant wonderland where impossible things might happen underwater: a model cooks at a stove, wooden spoon at her mouth to taste, while condensed milk rises from a hidden can (to look like smoke); another bathes in a tub, scrubbing her toes; yet another relaxes on a chaise lounge while a nearby air conditioner hums away. These images are delightfully playful and clever, even touching in their depiction of the tastes and mores of an era of American optimism."--BOOK JACKET.
