Focusing on English and German examples, the study deals with the temporal interpretation of texts in non-aspect languages. The author presumes that a coherent interpretation of a text results from a complex interaction between linguistic and extra-linguistic information. The study presents a unified account of the semantics of temporality which treats the varying grammatical factors (aspectual classes, tense, and discourse structure) in a systematic way.
Glass Chemistry is concerned with the relation of chemical composition, structure and properties of various glasses. The book has been translated from the third German edition, which serves as a textbook for university students in materials sciences and a reference book for scientists and engineers in glass science and production. The central themes of the book are the chemistry and physics of glass. Detailed knowledge of the compositional and structural facts is the basis for the systematic development of new glasses as construction and optical materials. Glass Chemistry is an interdisciplinary book on the borderlines between chemistry, physics, mineralogy and even biology and medicine. The book represents a well balanced treatment for students, scientists and engineers.
The Mind at Hand explores how artists, scientists, writers, and others - students and professionals alike - see their world, record it, revise it and come to know it. It is about the rough-drawn sketch, diagram, chart, or other graphic representation, and the focus these provide for creative work that follows from them. Such work could involve solving a problem, composing a musical score, proposing a hypothesis, creating a painting, and many other imaginative and inventive tasks. The book is for for visual learners of all kinds, for scientists as well as artists, and for anyone who keeps a journal, notebook, or lab book in order to think and create visually. It is also a book for teachers and educational administrators interested in learning about new active learning strategies involving drawing, and possible outcomes of these in classrooms. The formulas and symbols of chemistry, the diagrams and features of the landscape in geology, and the organisms and structures in biology, are all represented as images on pages or screens. Students create them when studying, problem-solving, and learning. Once in front of their eyes, they can be reconsidered, revised, and reconstructed into new images for further consideration and revision. It is how artists often create a painting or a sculpture, and how scientists come up with new hypotheses. This is how learning occurs, not only across disciplines, but in all kinds of creative endeavors, through a continuing process of creation, revision, and re-creation. It is drawing-to-learn.
