Lucy has just joined the afterlife, and as a brand-new ghost she's mostly see-through, not able to stand or sit normally, stuck in the ballet clothes she was wearing before she crossed over...and stuck in middle school. Can't a ghost get a break?But then the cutest (ghost) boy she's ever seen turns out to be her very own guide to school, and things start looking brighter. Maybe she's not quite solid yet, but Lucy is definitely going to make this the best afterlife ever!
Lucy is ready for her next challenge at Limbo Central Middle School: joining a club. Or actually, forming one. Lucy and her best friend Cecily were awesome ballet dancers in life, so obviously they can start a Dance Club in the afterlife!Not according to Georgia Sinclaire. The head of the Cheerleading squad wants to forbid cheerleaders from even trying out for Lucy and Cecily's club.Who knew starting a Dance Club would be all about drama?
Lucy's English class is working on a Shakespeare comedy, but so far it's a total tragedy. First, Lucy gets cast as the part of a mean guy, which her best friend, Cecily, gets to be the interesting female lead. Even worse, all of Lucy's lines are in the same scenes as awful Georgia Sinclaire. As if that wasn't enough afterlife drama, Lucy is torn between her crush, Colin, and intriguing older ghost-boy Miles. It's a plot complicated enough for Shakespeare himself! Will a new ghostly power help Lucy sort it all out before the curtain goes up?
Lucy is having a great afterlife. She's got a perfect boyfriend; she's busy with the Limbos (the dance club she co-founded); and she's even learning to control her newest ghostly skill, mindreading. She is totally ready to lead the Limbos to victory in the school spirit competition! But whoever said the afterlife was going to be peaceful didn't have to go to middle school and didn't know Lucy's nemesis, Georgia Sinclaire. This competition is about to get spirited. And only the best ghost will win!
“Will hit all the high notes for theater and mystery fans alike.” —Kirkus Reviews Better Nate than Ever meets Love Sugar Magic in this spooky middle grade novel from Hamilton and Broadway star Mandy Gonzalez about a group of young thespians who must face the ghost haunting their theater. Twelve-year-old Monica Garcia has arrived in NYC with her grandmother and a few suitcases to live her dream on Broadway. She’s been chosen as understudy to the star of Our Time, the famed Ethel Merman Theater’s last chance to produce a hit before it shutters its doors for good. Along with her fellow castmates—a.k.a. “the squad”—Monica has a big and very personal reason to want this show to succeed. But rumors of a long-running curse plague the theater. And when strange and terrible things start to threaten their hopes for a successful opening night, Monica and the rest of the squad must figure out how to reverse the curse before their big Broadway debuts. With the help of her new friends, her family, and a little magic, can Monica help save the show—and save their dreams? From Broadway and television star Mandy Gonzalez comes a story about what it means to dream, be yourself, and be fearless.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
Better Nate than Ever meets Love Sugar Magic in this spooky second novel in the Fearless middle grade series from Hamilton and Broadway star Mandy Gonzalez about a group of young thespians who time travel back to 1950s Broadway. Twelve-year-old Relly can’t wait for his beloved grandfather to finally see him on stage! Along with the rest of the Fearless Squad, Relly has just opened Our Time, a brand-new musical at the infamous Ethel Merman Theater. Though his grandfather would prefer his grandson pursue something more “practical,” Relly just knows when he sees the show, he will change his mind and come around on Relly’s love of theater and dance. But right before their night show, a member of the Squad loses their phone down an open manhole. When the entire Squad goes down to help retrieve it, they find themselves in 1950s Manhattan. A big problem, considering the curtain goes up in about two hours—and over sixty years in the future! With a series of clues, Relly discovers that his grandfather was a popular tap dancer, working the nightclub circuit and pursuing his dream of performing—something he’s been discouraging Relly from doing lately. Perhaps this accidental fall into a different time wasn’t so accidental after all. Can Relly help his grandfather and make it back in time for places in the show?
