A great solo book for the accordion player who is just beginning. In the tradition of the Fun with series, Fun with the Accordion provides a wide range of favorites in both the folk and light classic styles, including polkas, ragtime, bluegrass, Dixieland, and songs from many lands. All the selections were carefully arranged to provide a full accordion sound.
(Accordion). The English edition of this accordion method penned by father/son authors Lucien & Richard Galliano includes fingering indications for both piano and button accordions, plus online audio demo tracks for download or streaming. The book features full-color illustrations by Jean-Noel Rochut, a preface and a brief history of the accordion in addition to instrumental instruction.
No other instrument has witnessed such a dramatic rise to popularity--and precipitous decline--as the accordion. Squeeze This! is the first history of the piano accordion and the first book-length study of the accordion as a uniquely American musical and cultural phenomenon. Ethnomusicologist and accordion enthusiast Marion Jacobson traces the changing idea of the accordion in the United States and its cultural significance over the course of the twentieth century. From the introduction of elaborately decorated European models imported onto the American vaudeville stage and the instrument's celebration by ethnic musical communities and mainstream audiences alike, to the accordion-infused pop parodies by "Weird Al" Yankovic, Jacobson considers the accordion's contradictory status as both an "outsider" instrument and as a major force in popular music in the twentieth century. Drawing on interviews and archival investigations with instrument builders and retailers, artists and audiences, professionals and amateurs, Squeeze This! explores the piano accordion's role as an instrument of community identity and its varied musical and cultural environments. Jacobson concentrates on six key moments of transition: the Americanization of the piano accordion, originally produced and marketed by sales-savvy Italian immigrants; the transformation of the accordion in the 1920s from an exotic, expensive vaudeville instrument to a mass-marketable product; the emergence of the accordion craze in the 1930s and 1940s, when a highly organized "accordion industrial complex" cultivated a white, middle-class market; the peak of its popularity in the 1950s, exemplified by Lawrence Welk and Dick Contino; the instrument's marginalization in the 1960s and a brief, ill-fated effort to promote the accordion to teen rock 'n' roll musicians; and the revival beginning in the 1980s of the accordion as a "world music instrument" and a key component for cabaret and burlesque revivals and pop groups such as alternative experimenters They Might Be Giants and polka rockers Brave Combo. Loaded with dozens of images of gorgeous instruments and enthusiastic performers and fans, Squeeze This! A Cultural History of the Accordion in America represents the accordion in a wide range of popular and traditional musical styles, revealing the richness and diversity of accordion culture in America.
Filled with fun musical examples in a variety of styles, this book is perfect for absolute beginners and for experienced players who need a review! Teaches technique for both right and left hand, and features clear, easy-to-understand lessons and music theory in standard notation. Complete button chart included.
(Waltons Irish Music Books). This collection features 44 well-known double jigs, hornpipes, songs and reels for Irish piano accordion by Tommy Walsh. For beginning to intermediate level players.
Welcome to the world of international accordion music. This collection contains a sampling of ethnic folk music from Europe and the Americas and forms the foundation of a basic folk accordion repertoire. These songs are from manynations. They are crowd pleasers and they are fun to play. I have played most of these songs in the various bands I have played with over the years. These melodies have stood the test of time, so what are you waiting for? Open the book, get your accordion out and let's play some music! One word about these songs: I generally learn a song and then play it by heart-by memory as opposed to playing it by reading from a sheet of music. I believe this allows for more personal expression and interpretation which can be affected by audience response or the way I feel at the time. You'll notice that on most of the performances on the audio download available onlineI didn't play repeats. Because of the limited time available on a disc we found we couldn't fit all thetunes if we played them as written. Written by Bruce Bollerud, June 2007. Includes access to online audio.
