Defined as nothing but fat in the real world, Beth Soames specializes in trolling beautiful girls online until two new friendships, one online and one offline, make her question her behavior.
Cites examples in art, architecture, and history to consider whether ugliness is an aesthetic judgment subject to taste, considering whether an object whose appearance is related to something negative can still be considered beautiful.
From Colleen Hoover, the #1 New York Times bestselling author of It Starts with Us and It Ends with Us, a heart-wrenching love story that proves attraction at first sight can be messy. When Tate Collins meets airline pilot Miles Archer, she doesn't think it's love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her. Never ask about the past. Don’t expect a future. They think they can handle it, but realize almost immediately they can’t handle it at all. Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.
The main purpose of this book is to explicate the problematic relationship between the heterogeneity of what is experienced as beautiful and the homogeneity of the conceptualization of that experience, or attempt at such a conceptualization in the era of modern philosophy. While the heterogeneity of what is experienced as beautiful was permitted, and indeed celebrated, in the dominant ancient conception--for example, in the Symposium and Phaedrus of Plato--the need for homogenization in the later appropriation of Plato and in the Enlightenment period relegated the beautiful to the privileged domain of artworks. In her analysis Agnes Heller provides a unique and significant emphasis on the original 'life content' of the experience of the beautiful, which becomes lost in the modern system of the arts. This book details the history of the concept of the beautiful, starting with what Agnes Heller distinguishes between the 'warm' metaphysics of beauty and the 'cold' one--inspired by Plato's Janus-faced relationship to beauty--and ending with a fragmented yet hopeful vision propagated by Friedrich Nietzsche, Walter Benjamin, and Theodor W. Adorno, among others. In between these two historical parentheses--the metaphysical Plato on one hand and the post-metaphysical Nietzsche, Benjamin, and Adorno on the other hand--lay a plenitude of figures and intellectual developments, all of which contributed to the demise of the concept of the beautiful in the Western metaphysical tradition. The most important of these figures and developments are examined in this book.
A discussion of Theodor Adorno’s Aesthetic Theory is bound to look significantly different today than it would have looked when the book was first published in 1970, or when it first appeared in English translation in the 1980s. In The Fleeting Promise of Art, Peter Uwe Hohendahl reexamines Aesthetic Theory along with Adorno’s other writings on aesthetics in light of the unexpected return of the aesthetic to today’s cultural debates. Is Adorno’s aesthetic theory still relevant today? Hohendahl answers this question with an emphatic yes. As he shows, a careful reading of the work exposes different questions and arguments today than it did in the past. Over the years Adorno’s concern over the fate of art in a late capitalist society has met with everything from suspicion to indifference. In part this could be explained by relative unfamiliarity with the German dialectical tradition in North America. Today’s debate is better informed, more multifaceted, and further removed from the immediate aftermath of the Cold War and of the shadow of postmodernism. Adorno’s insistence on the radical autonomy of the artwork has much to offer contemporary discussions of art and the aesthetic in search of new responses to the pervasive effects of a neoliberal art market and culture industry. Focusing specifically on Adorno’s engagement with literary works, Hohendahl shows how radically transformative Adorno’s ideas have been and how thoroughly they have shaped current discussions in aesthetics. Among the topics he considers are the role of art in modernism and postmodernism, the truth claims of artworks, the function of the ugly in modern artworks, the precarious value of the literary tradition, and the surprising significance of realism for Adorno.
Through an interdisciplinary conversation with contributors from social anthropology, religious studies, film studies, literary studies, cultural studies, and history, Crafting Chinese Memories is a novel book which addresses how works of art shape memories, and offers new ways of conceptualising storytelling, memory-making, art, and materiality. It explores the memories of artists, filmmakers, novelists, storytellers, and persons who come to terms with their own histories even as they reveal the social memories of watershed events in modern China.
DIVA murder investigation at a high-priced hotel reveals a deadly plot reaching the highest seats of power/div DIVThey call the pool at the Beverly Glen Hotel “the naked hooker.” To the frustration of the Beverly Hills police department, the women there are so high class that it’s impossible to distinguish guests and girlfriends from professionals. Women flock to the lavish hotel because it teems with film stars, businessmen—and America’s richest criminals. Tonight, to detective Masao Masuto’s chagrin, there is the body of a naked man in the pool./divDIV /divDIVThough the management insists the death was accidental, Masuto doubts that any man would hide his own clothes before taking a midnight swim. The woman who reported the body is gone by the time the police reach her room, and the man they find there, Jack Stillman, insists there was nobody staying with him. The next day Stillman is dead, and Masao Masuto has a killing spree to deal with—one that leads to a tangled web of espionage and international conspiracy./divDIV /divDIVThis ebook features an illustrated biography of Howard Fast including rare photos from the author’s estate./div
A collection of thrilling murder mysteries featuring “an unusually interesting detective” from the #1 New York Times–bestselling author of Spartacus (The Washington Star). Japanese-American Beverly Hills homicide detective Masao Masuto is a karate expert, a devotee of roses, and a Zen Buddhist. He does his job with a cool, caustic wit—and with surprising force when necessary. He possesses a singular sense of justice, taking action on his own and occasionally pushing the boundaries of the law . . . The Case of the Angry Actress: When a Hollywood mogul drops dead at his own party, Detective Masuto must dig into the darkest secrets of the magnate’s past. Now he must uncover a secret worth killing for before someone else dies. “A good fast-paced thriller.” —Reader’s Syndicate The Case of the One-Penny Orange: Masuto has a break-in and a murder to solve, both of which are baffling. But when he suspects a connection between the two crimes, he uncovers a bizarre conspiracy that reaches back to the darkest days of World War II. “A finely perceived mystery puzzle . . . an unusually interesting detective.” —The Washington Star The Case of the Russian Diplomat: When a dead body is found in a pool at a high-class hotel notorious for its illicit activities, Matsuo finds himself hunting for a killer and tangled in a web of espionage and international intrigue. “An enjoyable, highly professional entertainment.” —The New Yorker The Case of the Poisoned Eclairs: A pleasant lull in murder cases is broken when a series of unusual poisoning deaths puts Masuto on the hunt for someone whose terrifying vendetta has only just begun. “A consummate storyteller.” —The Baltimore Sun