"French Short Stories: Belle Époque Scandal" transports readers to the dazzling and scandalous world of 19th-century France. From the glittering ballrooms of Paris to the charming streets of provincial towns, this collection of short stories delves into the secrets, scandals, and romances of the Belle Époque era. Through captivating prose and compelling characters, readers will uncover hidden desires, forbidden love affairs, and the intricate social dynamics of the time. Each story offers a glimpse into the opulent and complex world of French society, weaving together passion, betrayal, and the enduring human spirit. This anthology is a captivating exploration of an era characterized by both elegance and intrigue, where every whispered conversation and stolen glance holds the promise of scandal.
A humiliating military defeat by Bismarck's Germany, a brutal siege, and a bloody uprising—Paris in 1871 was a shambles, and the question loomed, "Could this extraordinary city even survive?" With the addition of an evocative new preface, Mary McAuliffe takes the reader back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and César Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and vivid narrative, McAuliffe brings this vibrant and seminal era to life.
In Gilded Youth, Kate Cambor paints a portrait of a generation lost in upheaval. While France weathered social unrest, violent crime, the birth of modern psychology, and the dawn of World War I, these three young adults (Leon Daudet, Jean-Baptiste Charcot, and Jeanne Hugo) experienced the disorientation of a generation forced to discover that the faith in science and progress that had sustained their fathers had failed them. --from publisher description
From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.
Living novelist, Emile Zola. This book is the first to provide, in English translation, the full extent of Zola's writings on the Dreyfus Affair. It represents, in its polemical entirety, a classic defence of human rights and a searing denunciation of fanaticism and prejudice. Zola's texts constitute a unique and outstandingly eloquent primary source that is essential for a complete understanding of the Dreyfus Affair. They shed brilliant new light on the official mind.
From 1889 to 1914 nude spectacles increased at an astonishing rate as a result of burgeoning artistic experimentation, the commercialization of the female body, and the rise of urban nightlife. In particular, artists’ balls and music halls provided creative spaces in which women, artists, impresarios, and the illustrated press could cast the natural body as a source of sexual pleasure, identity, and reform. Emphasizing the role of erotic entertainment as an outlet and agent of modern sensibilities, Uncovering Paris: Scandals and Nude Spectacles in the Belle Époque offers a fresh approach to important topics of the period—Bohemian artists, the New Woman, and press censorship—and reinterprets them through the lens of la femme nue. Having inherited her name from the pictorial female Nude and the Nude’s real-life counterpart, the artist’s model, la femme nue operated as a screen onto which various groups projected their artistic drives, sexual desires, monetary interests, and cultural anxieties. A struggle to define pornography and art, freedom and censorship, and public and private spheres ensued among artists, theater directors, and moral leagues as a century-long tradition of equating civilization with clothing broke down in the face of performative challenges. In posing, singing, acting, and dancing in naturalist presentations, the artist’s model-turned-erotic entertainer engendered crises in ways of seeing the female body that contributed to and was indicative of a changing moral climate within which women were accorded more freedom to corporeally express themselves. Once denigrated and denounced as a sign of vulgar working-class sexuality, the revelation of female flesh became an integral aspect of twentieth-century French body culture. Drawing upon a range of colorful commentaries, dramatic debates, and evocative photos, Lela F. Kerley highlights the importance of nudity in the redrawing of moral boundaries as she uncovers key moments that amounted to a “culture war” in the years leading up to World War I. Through an investigation of street riots, court cases, and anti-pornography campaigns, Uncovering Paris offers an interdisciplinary approach to the scholarship on Belle Époque sexual politics and a rich glimpse into the social construction of morality in Belle Époque France.
Part I. Public balls -- Staging the nue woman : the 1893 Bal des Quat'z-Arts -- Policing public nudity : "the revolution of Sarah Brown"--Part II. Music halls -- Performing nude : erotic dancers and the female body as spectacle -- Mobilizing against immorality : René Bérenger and France's moral leagues -- Debating Anastasie : theatrical censorship's road to repeal -- Censoring "artistic nudity" : Phryné before her judges -- The nue woman as the new woman -- Epilogue
A “superb” account of the enduring connection between humans and horses—“Full of the sort of details that get edited out of more traditional histories” (The Economist). Fifty-six million years ago, the earliest equid walked the earth—and beginning with the first-known horse-keepers of the Copper Age, the horse has played an integral part in human history. It has sustained us as a source of food, an industrial and agricultural machine, a comrade in arms, a symbol of wealth, power, and the wild. Combining fascinating anthropological detail and incisive personal anecdote, equestrian expert Susanna Forrest draws from an immense range of archival documents as well as literature and art to illustrate how our evolution has coincided with that of horses. In paintings and poems (such as Byron’s famous “Mazeppa”), in theater and classical music (including works by Liszt and Tchaikovsky), representations of the horse have changed over centuries, portraying the crucial impact that we’ve had on each other. Forrest combines this history with her own experience in the field, and travels the world to offer a comprehensive look at the horse in our lives today: from Mongolia where she observes the endangered takhi, to a show-horse performance at the Palace of Versailles; from a polo club in Beijing to Arlington, Virginia, where veterans with PTSD are rehabilitated through interaction with horses. “For the horse-addicted, a book can get no better than this . . . original, cerebral and from the heart.” —The Times (London)
“In this entertaining academic history of these rival magazines, Mesch . . . explores the emergence of the working woman in France.” —Publishers Weekly At once deeply historical and surprisingly timely, Having It All in the Belle Epoque shows how the debates that continue to captivate high-achieving women in America and Europe can be traced back to the early 1900s in France. The first two photographic magazines aimed at women, Femina and La Vie Heureuse created a female role model who could balance age-old convention with new equalities. Often referred to simply as the “modern woman,” this captivating figure embodied the hopes and dreams as well as the most pressing internal conflicts of large numbers of French women during what was a period of profound change. Full of never-before-studied images of the modern French woman in action, Having It All shows how these early magazines exploited new photographic technologies, artistic currents, and literary trends to create a powerful model of French femininity, one that has exerted a lasting influence on French expression. This book introduces and explores the concept of Belle Epoque literary feminism, a product of the elite milieu from which the magazines emerged. Defined by its refusal of political engagement, this feminism was nevertheless preoccupied with expanding women’s roles, as it worked to construct a collective fantasy of female achievement. Through an astute blend of historical research, literary criticism, and visual analysis, Mesch’s study of women’s magazines and the popular writers associated with them offers an original window onto a bygone era that can serve as a framework for ongoing debates about feminism, femininity, and work-life tensions
Ceylon, or Sri Lanka, was long known to travellers for its luxuriant landscapes, colourful temples and friendly inhabitants – the island once named Serendip. This book explores the sojourns of gay visitors from the late 1800s to the modern day, providing a history of homosexuality, travel and cultural encounter on the island. The book offers profiles of major figures in Sri Lankan culture and of homosexual visitors, both famous and infamous, to the island. It discusses the experiences of sojourners including the Victorian social reformer Edward Carpenter and the German naturalist Ernst Haeckel, such British and American writers as Paul Bowles and Arthur C. Clarke, and the Australian painter Donald Friend. It also pays particular attention to Lionel Wendt, one of the most important modernist photographers outside Europe. For these figures, an erotic appreciation of young men whom they encountered mixed with interest in Sinhalese art, Buddhist and Hindu spirituality, and the flora and fauna of the island. Their experiences influenced modern writing, art and dance. Cultural influences moved in both directions, however, and Sri Lankans also found inspiration from abroad. The book argues that homosexuals played a major role in the transmission of cultural influences from Sri Lanka to the rest of the world, and from the wider world to this Indian Ocean island. Providing an original analysis of gay cultures in Sri Lanka from Victorian encounters to the present day, this book is the first study of Sri Lanka as a site of gay travel. An excellent study of trans-national cultural exchange, sexuality and the relationships between them, it will be of interest to academics in the field of Asian Studies, Colonial History and Gay and Queer Studies.
